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Prince - Come CD Cover Art
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Prince Come CD

 Prince Discography of CDs
4 stars (4 Customer Reviews)

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Prince & The New Power Generation: Prince (vocals); Mayte (background vocals); Tommy Barbarella, Sonny T., Michael B., Mr. Hayes.
Additional personnel: Eric Leeds (flute); Mike Nelson, Kathy Jensen, Dave Jensen, Brian Gallagher, Steve Strand (horns); Ricky Peterson (keyboards); Airiq Anest (programming); Kathleen Bradford (background vocals).
Engineers: Chronic Freeze, Ray Hahnfeldt, Tom Tucker, Prince (all tracks).
Recorded at Paisley Park Studios, Chanhassen, Minnesota; The Record Plant and Larrabee Sound Studios, Los Angeles, California.
All songs written or co-written by Prince.
Composer: Prince.
Personnel: Prince (vocals, background vocals); Eric Leeds (flute); Dave Jensen, Steve Strand, Kathy Jensen, Micah Nelson, Brian Gallagher (horns); Ricky Peterson (keyboards); Airiq Anest (programming); Jearlyn Steele Battle (sampler); Kathleen Bradford, Mayte (background vocals).
Audio Mixers: Ray Hahnfeldt; Chronic Freeze; Prince; Tom Tucker.
Recording information: Chanhassen, MN; Larrabee Sound Studios, Los Angeles, CA; Paisley Park Studios, Chanhassen, MN; Record Plant Studios, Los Angeles, CA; The Record Plant, Los Angeles, CA.
Unknown Contributor Roles: Mike Nelson; Michael Nelson; Mr. Hayes; New Power Generation.
Arranger: Prince.
Released after Prince announced his retirement and his intention of never using the name "Prince" again, Come is something of a surprise: an album of reportedly all new material, released by "Prince," not "The Artist Formerly Known as Prince." After listening to Come, its purpose becomes clear -- it's a record fulfilling a contract, nothing more and nothing less. Some of the songs are good, but there's nothing on Come that Prince hasn't done before; he even sounds bored on certain tracks. On top of that, the album has no obvious singles, making it a nightmare to sell. Not surprisingly, the album flopped. ~ Stephen Thomas Erlewine
For the artist intermittently known as Prince, the notion of spiritual death and rebirth has become the predominant theme in his work. Thus on the track "Solo," with its eerie liturgical ambience, sampled thunder and moody harp, Prince sings a keening falsetto confession: "Solo, my name is no one."
Accepting all that as a given, this richly orchestrated set has the exploratory sound and feel of a classic Prince album, except that COME seems to be an attempt to explicate his legend once and for all ("Letitgo"), to make way for a new...well, your guess is a good as ours.
The title tune mixes carnal and spiritual imagery in the classic Prince manner, as that ecstatic voice testifies over jazzy horns, big-band chord changes and a fat, greasy backbeat ("If you had a chance to see the future, would you try?"). Elsewhere, the sampled waves which open and close COME act as a recurring leitmotif, as Prince explores a series of jumpy dance grooves ("Pheromone" and "Loose!"), a moody tale of child abuse ("Papa"), a strutting R&B/hiphop anthem ("Race"), a brassy gospel-blues confessional ("Dark") and an explicit girl-guitar ecstasy ("Orgasm"). On COME, Prince appears before us one last time, a reminder of things past, a harbinger of revolutions to come.The Source (12/94, p.82) - "...a classic Prince album worthy of FOR YOU, 1999, and DIRTY MIND (which it's most suggestive of)...COME effectively serves as one of his personal diaries....dark, brooding, beautiful and freaky..."
Melody Maker (8/13/94, p.35) - Recommended - "...Like every album he ever made...it's precisely 75 per cent divine..."
NME (Magazine) (8/13/94, p.45) - 7 - Very Good - "...infuriating at times....he's encouraged people to buy into his carefully-manicured mystique....he's unwittingly upheld certain stereotypes--the equation black=sex--whilst trying to burn them down; and COME is fitting..."
Come Music


Detailed Come Music Information



List Price $15.98 (You save $6.43)
Category Rock Albums, R&B CDs, Rap, Urban Soundtrack, Punk, Rock/Pop, Contemporary R&B, Soul/R&B
Label Warner Bros. (Record Label)
Orig Year 1994
All Time Sales Rank   22483  
CD Universe Part number 1101367
Catalog number 840973
Discs 1
Release Date Aug 16, 1994
Studio/Live Studio
Mono/Stereo Stereo
Producer Prince
Recording Time 48 minutes
Personnel Ricky Peterson, Eric Leeds, Dave Jensen, Mike Nelson, Steve Strand, Brian Gallagher, Kathy Jensen, Airiq Anest, Kathleen Bradford, Jearlyn Steele Battle
Prince Come Songs


Prince Come Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Come
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Space  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio Media3.Pheromone
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Loose!  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Papa  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Race  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Dark  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Solo  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Letitgo$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Orgasm  $0.99

Come Music


Come Other Versions



Prince
Come  (1994) JapanAudio Samples
CD$20.95
Prince
Come  (1994) 
CD$6.69
Come Music Review


Customer Come Reviews 




Average Rating: (4 out of 5 stars) 4 stars

4 stars an absolute weird and strange album
This album can truly take the word deep to a whole new level. the title track "come" is one of my favorites to listen to on this cd as well as "dark", "letitgo" and the guitar riffs on the utterly, down to the core very wild and very freaky "orgasm".
Submitted by vanililli (Brooklyn, NY USA) Verified Buyer
Was This Review Helpful? Yes No

4 stars Vintage Prince
Very good material on this album. Sexy, nasty, freaky... All the things that made you fall in love with the artist to begin with
Submitted by Suddenimpact112 (Pensacola, Florida)
Was This Review Helpful? Yes No

4 stars a journey, nasty, raw, and brilliant
prince goes where he wants in the music feild, and doesnt care what we have to say about it.
Submitted by drencrome (nyc, ny)
Was This Review Helpful? Yes No

4 stars Nasty, but the good funk
There are a few embarassingly explicit spots, but it's the Artist we know-- sexy, funky, and energetic. If you love Prince, you NEED this CD
Submitted by a reviewer (Pensacola FL)
Was This Review Helpful? Yes No  0 of 1 found this helpful.

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PiL's fourth album took three years to reach fruition, much of this time spent gigging and changing personnel. The initial recordings of the follow-up to The Flowers of Romance included the nucleus of Lydon and Keith Levene; Martin Atkins was asked to stay on board, and he brought bassist Pete Jones with him, a mate who was helping him out with his own Brian Brain project. After those initial sessions and a few shows, both Levene and Jones quit within a month of each other. Lydon then recruited the majority of a lounge act spotted at a New Jersey Holiday Inn and toured with them, playing a set heavy on the new material. After touring, Lydon and Atkins wiped Jones and Levene off the tapes for the new record, employing faceless session musicians to fill in.
The upheaval resulted in one of Lydon's worst outings, the most tentative and least powerful of PiL's recordings. A thin, shrill, wheezing horn section replaces much of Levene's guitar, and the basslines sound like Flea without the passion and chops. "This Is Not a Love Song," though accessible enough for the charts, is best left in the year of its origin. Surprisingly for Lydon, the colorful tune has a simple beat and is easy to dance to, but lacks guts. "The Pardon," like a couple other songs on the record, sounds like a bad Flowers of Romance outtake with "modern" production. With Atkins' relentless clippity-cloppity drums and Lydon's bite-free stream-of-consciousness rambling, it eventually fades into the background as a nagging drone. Closer "The Order of Death" saves This Is What You Want... from being a total wreck, a moody instrumental with a repetitive vocal hook from Lydon and a creepy synth line. Recorded for Cop Killer, a movie starring Harvey Keitel and Lydon himself, it's fittingly soundtrack-ish. (The song didn't end up being used in the movie.) Notably, Levene, who at that point owned half of the Public Image Limited name, released the version of This Is What You Want... with him and Jones present as the pseudo-bootleg Commercial Zone, on the short-lived PIL Records. It actually preceded the official version's release by months, and a second issue followed later in the year with a slightly different track listing. ~ Andy Kellman
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A one-time member of New Orleans's Hot Boys, rapper Lil Wayne attained a new level of confidence and skill on 2004's THA CARTER. That album featured only a few guest shots (as opposed to typically star-studded hip-hop records), and this 2005 sequel once again keeps things focused on Wayne, with the MC flying solo on almost every track. This uncluttered scenario, which relies on a spare, yet distinctly Cash Money-style musical backdrop, gives Wayne the freedom to let his laid-back rhymes stretch out, as best revealed on the ominous "Fireman" and the boastful "Best Rapper Alive." Clearly Wayne knows how to work a winning concept, since THA CARTER II stays true to both its predecessor and the relentless, unapologetic spirit of Southern rap.
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