| | Herbie Hancock Mwandishi: The Complete Warner Bros. Recordings CD Herbie Hancock Discography of CDs
(1 Customer Review)
Principally recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey between October 4 and December 8, 1969; Wally Heider Recording Studios, San Francisco, California on December 31, 1970; Pacific Recording Studios, San Mateo, California ... Full Descriptionfrom February 15-17, 1972; Different Fur Trading Company, San Francisco, California. Includes liner notes by Bob Blumenthal.
Digitally remastered by Lee Herschberg.
MWANDIDHI: THE COMPLETE WARNER BROS. RECORDINGS includes the albums FAT ALBERT ROTUNDA (1970), MWANDISHI (1971), and CROSSINGS (1972).
Personnel includes: Herbie Hancock (acoustic, electric & Fender Rhodes pianos, mellotron, percussion); Candy Love, Sandra Stevens (vocals); Benny Maupin (soprano saxophone, piccolo, alto flute, bass clarinet, percussion); Joe Farrell (alto & tenor saxophones); Joe Henderson (tenor saxophone, alto flute); Eddie Henderson (trumpet, flugelhorn, percussion); Johnny Coles (trumpet, flugelhorn); Joe Newman (trumpet); Ray Alonge (French horn); Julian Priester (alto, tenor & bass trombones, percussion); Garnett Brown (trombone); Ron Montrose, Eric Gale (guitar); Buster Williams (acoustic & electric basses, percussion); Jerry Jermott (electric bass); Billy Hart (drums, percussion); Albert "Tootie" Heath, Bernard Purdie (drums).
Producer: Herbie Hancock, David Rubinson.
Compilation producer: Matt Pierson.
Engineers: Rudy Van Gelder, Fred Catero, Patrick Gleason.Q (3/95, p.125) - 4 Stars - Excellent - "...A great purchase." Vibe (3/95, p.106) - "...His writing...is eerie, liquid, yet swinging in a major way....The album points to the stars while paying homage to the Middle Passage--trumpeter Eddie Henderson contributes exquisitely to the mood with several spacey-ass solos that make more earthbound conceptions of the horn sound almost morbid in comparison..." Hide Description Mwandishi: The Complete Warner Bros. Recordings Music | List Price | $19.98 (You save $4.29) | | Category | Rock/Pop Albums, Jazz CDs, Pop, Jazz Instrument, Keyboard / Synthesizer | | Label | Warner | | Orig Year | 1994 | | All Time Sales Rank | 18898  | | CD Universe Part number | 1101383 | | Catalog number | 45732 | | Discs | 2 | | Release Date | Nov 22, 1994 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Herbie Hancock - acoustic, electric & Fender Rhodes pianos, mellotron, percussion Eric Gale - guitar Bernard Purdie - drums Joe Newman - trumpet Garnett Brown - trombone Buster Williams - acoustic & electric basses, percussion Ray Alonge - French horn Albert "Tootie" Heath Benny Maupin - soprano saxophone, piccolo, alto flute, bass clarinet, percussion Candy Love Jerry Jermott - electric bass Ron Montrose Sandra Stevens - vocals
Also: Joe Farrell, Joe Henderson, Johnny Coles, Julian Priester, Billy Hart, Bennie Maupin, Eddie Henderson |
Herbie Hancock Mwandishi: The Complete Warner Bros. Recordings Songs Mwandishi: The Complete Warner Bros. Recordings Music Review Average Rating: (4 out of 5 stars)   Easy to Lose Yourself In for Long Stretches I find the one thread that links all of Herbie Hancock's diverse music, from the early Blue Note albums to the great Miles bands to this Warner Bros. era to VSOP to jazz-funk to snyth-disco, is the feeling that you can lose yourself completely in it. There's a broad sweep, an expansive texture; it's partly the way he voices chords on the piano, open and impressionistic, but there's more to it than that. On this collection, which includes all three of the albums he recorded for Warner Brothers in the early 70s (on two CDs), Herbie gets that expansive sound by playing with different arrangements of instruments and song forms. The music from the first album (Fat Albert Rotunda) is funky, danceable, just nice tight grooves and simple improv (from the earliest days of jazz-funk, mind you; nothing derivative here!). The next two albums, Mwandishi and Crossings, retain the groove in the bottom end (bass, drums, piano accompinament) but the songs spread out. Horns, reeds and piano play with snatches of melody for long, wistful stretches. In the hands of some bandleaders, this meandering might have less merit; but with Hancock in charge, that yearning, mystical quality is always there. While not all of these tracks are memorable for me, the texture of this entire collection is smooth and mesmerizing, start to finish. The price is right, and the packaging is good (great photos, interesting new essay by Blumenthal just for this repackaging). If you like Herbie's 60s stuff, if you also enjoy funky jazz or spacy jam sessions like In a Silent Way, you'll enjoy this. If you mostly think of Hancock as the Headhunters leader, you might be disappointed. Submitted by Keith (San Jose, CA) Was This Review Helpful? Yes No
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Buy Mwandishi: The Complete Warner Bros. Recordings CD Purchase Mwandishi: The Complete Warner Bros. Recordings CD To buy, Click on price to add to cart | Santana Lotus CDs (1973)
Mwandishi: The Complete Warner Bros. Recordings album
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Mwandishi: The Complete Warner Bros. Recordings CD music
$10.29 Digitally remastered using 24-bit technology by Rudy Van Gelder (2000, Van Gelder Studio, Englewood Cliffs, New Jersey).
This is part of the Blue Note Rudy Van Gelder Editions series.
There is no mistaking the influence of the great Gil Evans on Herbie Hancock's THE PRISONER. The dark textures, the creative voicings, and the way in which Hancock assembles his arrangements are evocative of Evans' work with the pianist's former boss, Miles Davis. However, Hancock does more than pay homage here, as he exercises yet another aspect of his exceptional musicianship and applies it to the large ensemble format he had begun to approach on his previous date, SPEAK LIKE A CHILD.
THE PRISONER is significant for other reasons; for one, it was recorded at the beginning of a great upheaval in jazz, when the form incorporated the adoption of electric instruments and rock-influenced rhythms in a move towards the fusion of the '70s. Yet, although Hancock uses an electric piano on some pieces, the session is mostly a performance of beautifully crafted acoustic chamber music with a significant undercurrent ...
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Mwandishi: The Complete Warner Bros. Recordings music CDs
$7.59 Though there were hints of jazz fusion on Santana's first three albums, 1972's CARAVANSERAI introduced a dramatic shift in the band's sound, away from essentially pop-based music to a freer, more harmonically complex jazz/rock hybrid. In addition, the record marked a splintering of the original Santana lineup (soon to splinter further still with the departure of organist Gregg Rolie and guitarist Neal Schon, who then formed Journey).
Seemingly unconcerned with the pursuit of hit singles, guitarist Carlos Santana and crew here turn in an exquisitely moody disc of mostly instrumental jamming with a brooding intensity akin to Miles Davis's classic BITCHES BREW, underscored by the San Francisco-based ensemble's trademark propulsive rhythms. The new approach reaches its apex on the fiery, Chick Corea-like "La Fuente Del Ritmo," which features future key Santana musicians Armando Pereza (percussion) and Tom Coster (piano). Also of note is bassist Doug Raunch, who replaces David Brown's ...
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Mwandishi: The Complete Warner Bros. Recordings songs
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There is an entire universe contained in this box. Sumptuously packaged and scrupulously annotated, CELLAR DOOR SESSIONS 1970 is a six-disc set that documents Miles Davis's extended residency at the Washington, D.C., club. Davis is backed by a group of genius musicians: keyboardist Keith Jarrett, drummer Jack DeJohnette, bassist Michael Henderson, saxophonist Gary Bartz, percussionist Airto Moreira and guitarist John McLaughlin (who appears only on the last two discs). Together they pioneered an ecstatic fusion of jazz, rock, funk, and abstract sound-painting that established the blueprint for the future of progressive music.
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