| | Spinal Tap Break Like The Wind CD Spinal Tap Discography of CDs
(2 Customer Reviews)
Contains an untitled hidden track between "Clam Caravan" and "Christmas With The Devil."
Additional personnel includes: Caucasian Jeffrey Vanston (keyboards); Ric Shrimpton (drums); Slash, Jeff Beck, Joe Satriani, Steve Lukather, Cher.
Recorded at The Sound Factory, Hollywood, California; Record One, Sherman Oaks, California; West Side Studios, London, England; Rumbo Recorders, Canoga Park, California. Includes liner notes by Walter Becker.
Spinal Tap: David St. Hubins (Michael McKean) (vocals, guitar); Nigel Tufnel (Christopher Guest) (vocals, guitar); Derek Smalls (Harry Shearer) (vocals, bass).
Producers: Danny Kortchmar, Dave Jerden, Steve Lukather, T-Bone Burnett, Spinal Tap.
Engineers include: Niko Bolas, Bryan Caristrom, Marc DeSisto.Rolling Stone (4/2/92, p.45) - 3 Stars - Good - "..great parodists... amplifies the absurdity of pop music in general.." Q (5/92, p.84) - 4 Stars - Excellent NME (Magazine) (10/28/00, p.40) - 666 out of 10 - "...Extra tenderness and extra balls - tender balls, if you will. The sound is sharper, the arrangements broader, but tunes like 'Bitch School' and 'Christmas With The Devil' are classic Tap with double helpings of Tapology....Unenlightened, unimproved, unapologetic - it doesn't get more Tap than this." Break Like The Wind Music | List Price | $6.98 (You save $1.79) | | Category | Rock Albums, Pop CDs, Comedy, Rock/Pop | | Label | MCA | | Orig Year | 1992 | | All Time Sales Rank | 27501  | | CD Universe Part number | 1104751 | | Catalog number | 112370 | | Discs | 1 | | Release Date | Aug 29, 2000 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | David St
Also: Steve Lukather, Slash, Jeff Beck, Joe Satriani, Cher, Caucasian Jeffrey Vanston, Ric Shrimpton | | Additional Info | Remastered |
Spinal Tap Break Like The Wind Songs Break Like The Wind Music Break Like The Wind Music Review Buy Break Like The Wind CD Purchase Break Like The Wind CD To buy, Click on price to add to cart | This Is Spinal Tap CD (1984) Remastered
Break Like The Wind
$11.99
| | VH1 Presents The Corrs Live In Dublin CD (2002)
Break Like The Wind
$6.79 This audio document of The Corrs' Dublin homecoming concert has pretty much everything fans of Irish pop could wish for, including an appearance from Bono in his earthly incarnation, fresh from an audience with President George W. Bush. It's to the band's credit that the charismatic singer fails to steal the show, despite creditable efforts via an anthemized version of Ryan Adams' beautifully downtempo "When the Stars Go Blue," and a great, leering rendition of Lee Hazlewood and Nancy Sinatra's "Summer Wine."
Somewhat more mysteriously, Rolling Stone Ron Wood also turns up on what sounds dangerously close to a lounge version of Jimi Hendrix's "Little Wing," but this minor faux pas is redeemed by the Irish folk medley "Joy of Life/Trout in the Bath" which arguably features more full-on Irishness than the Dublin production of RIVERDANCE. There's also a lovely rendition of Neil Young's "Only Love Can Break Your Heart" that's topped only by Ron Wood's reappearance on a finale of the Stones' ...
| | Kinks Ultimate Collection CDs (2007) (Import) Thailand
Break Like The Wind
$17.15 Arguably the finest and most expansive Kinks collection on the market! The first disc of this double-disc begins with their third single and first No. 1, the insistent 'You Really Got Me', then races through the glory years with the absurdly infectious likes of 'Sunny Afternoon', 'Waterloo Sunset', 'Lola' and 'Apeman'. Dave's two hits are included, too, and the disc ends with 'Come Dancing' and other selections ...
| | Dredg Catch Without Arms CD (2005)
Break Like The Wind
$8.49 Early on, critics often described Dredg as a metal group. However, the quartet has since matured into a hard-edged indie-rock ensemble that seeks diversity and refinement in its music. On CATCH WITHOUT ARMS, the band favors highly orchestrated parts, dense guitar riffs, and powerful drumming. Each song is based around memorable vocal hooks and sensitive lyrical content.
Many tracks on CATCH WITHOUT ARMS have a searching quality to them. Despite the sheer force of the music, this release is ultimately marked by well constructed melodies and intriguing harmonic underpinnings. This is due in part to singer Gavin Hayes, who sounds more like U2's ...
| | Cramps Stay Sick CD (2007) (Import)
Break Like The Wind
$26.29
| | Early ZZ Top CD (Import) Import
Break Like The Wind
$13.15 Track Listing of songs: ...
| | Meregue Pa' Lleva' CD (2006)
Break Like The Wind
$10.39
| | Vital Idol CD (2003)
Break Like The Wind
$5.99
| | No 9 Where Come From? And Where To? CD (2004) Extended Play
Break Like The Wind
$7.95 No.9: Joe Takayuki.
| | Ageage Parapara By 9 Love J CD (2004) (Import) Japan
Break Like The Wind
$43.09
| | Raindrops Kind Of Boy You Can't Forget CD (2005)
Break Like The Wind
$7.99
| | Dirty On Purpose Hallelujah Sirens CD (2006)
Break Like The Wind
$12.05 On their 2006 full-length debut, HALLELUJAH ...
| | Black Golden Bull CD (2008)
Break Like The Wind
$10.15 Black Golden Bull joins the burgeoning singer/songwriter collective with its conglomeration of country and western (the good kind...), low-fi pop, and vocals registering somewhere between Roy Rogers and Sufjan Stevens. Heavy on imagery and sad and lonely landscapes, BGB layers seemingly simple lyricism with those archetypal images and metaphors that permeate all of our favorite mythologies. (Plus there’s some gun-slinging.) With wonderfully simple and singable lyrics suspended above a primary backdrop of acoustic guitar (sometimes the only backdrop), BGB reminds us of what country and western used to be like and how good it was. How it somehow got to the very roots of who we are. Especially those of us blessed enough to have been formed by the gently rolling hills and seemingly endless prairies of the Midwest. Yet, all the while, they maintain a pop sensibility that weaves together a achingly beautiful mixture of unlike genres.A note from the label:At Non Entity Labs, we’re not interested in faces, egos, photos of faces on covers of magazines, (un)interesting poses, et al. We are, however, interested in beautiful sounds, good intentions, a desire to make something without the need for validation, the value of metaphor in our daily lives, and so on. We're not trying to be cool or obtuse or artsy, here. And we don’t take ourselves too seriously. But we take the idea of being a non entity very seriously. Black Golden Bull is a perfect example of a non entity. Black Golden Bull doesn't actually exist. There's just these conglomerations of sad sounds (that we happen to love) floating in space, both cyber and beyond. You won't see names and photos of bearded faces (we imagine them bearded) in the liner ...
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