| | Beatles Revolver CD Beatles Discography of CDs
 (30 Customer Reviews)
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Arguably the first psychedelic rock album, REVOLVER was praised for its musical experimentation--the Indian sounds of "Love You To," the Motown-inspired "Got To Get You Into My Life," the backwards guitar in "I'm Only Sleeping." "Tomorrow Never Knows" was the most radical departure from previous Beatles' recordings for its skeletal bass/drums propulsion enhanced only with tape loops (contributed by all four Beatles and added in the mix-down process), more backwards guitar, and an eerie John Lennon vocal.
Still, the Beatles' experimentation grew out of their songwriting, which had matured beyond formula pop. "Tomorrow Never Knows" was inspired by the Tibetan Book of the Dead, Harrison's "Taxman" was a bitter diatribe, and McCartney's "Eleanor Rigby" was a bleak portrait of loneliness. Balanced with upbeat songs like "Good Day Sunshine" and "Yellow Submarine," REVOLVER proved The Beatles were not mere pop stars, but musical artists in search of new sounds and ideas.
Additional personnel includes: Alan Civil (French horn); Anil Bhagwat (tabla); Brian Jones (background vocals).
The Beatles: George Harrison (vocals, guitar, sitar); Paul McCartney (vocals, guitar, piano, keyboards, bass); John Lennon (vocals, guitar); Ringo Starr (vocals, drums).
Rolling Stone (4/11/02, p.106) - Ranked #10 in Rolling Stone's "50 Coolest Records" - "...The Fabs tune into Dylan, the Stones, the Beach Boys, decide to top to top them all..."
Q (6/00, pp.92-3) - Ranked #1 in Q's "100 Greatest British Albums" - "...The most shocking Beatles record....combining an astonishing mix of styles with a weirdly consistent sense of purpose....[mapping] out the pop universe...perfectly..."
Melody Maker (10/2/93, p.29) - Ranked #2 in NME's list of the 'Greatest Albums Of All Time.'
Paste (magazine) (p.59) - "With REVOLVER, The Beatles completed their transformation from the mop tops of three years earlier into bold, groundbreaking experimental rockers." Revolver Music | List Price | $18.97 (You save $3.32) | | Category | Rock Albums, Rock/Pop CDs, Psychedelic | | Label | Capitol / EMI | | Orig Year | 1966 | | All Time Sales Rank |  39   | | CD Universe Part number | 1108484 | | Catalog number | 46441 | | Discs | 1 | | Release Date | Oct 25, 1990 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | George Martin | | Engineer | Geoff Emerick | | Recording Time | 34 minutes | | Personnel | Paul McCartney - vocals, guitar, piano, keyboards, bass
Paul Mccartney - vocals, guitar, piano, keyboards, bass
George Harrison - vocals, guitar, sitar
Ringo Starr - vocals, drums
John Lennon - vocals, guitar
Also: Brian Jones, Alan Civil, Anil Bhagwat |
Revolver Music Review Average Rating: (4.8 out of 5 stars)   List All Reviews revolver.......remarkable
this is the beatles at the top of the mountain looking down at the world with kaleidoscope eyes. REVOLVER is the pop masterpiece of all time. kudos to george martin and geoff emerick for their production of the boys inner minds....BRAVO
Submitted by tobigal (naples,florida)
Was This Review Helpful? Yes No 112 of 112 found this helpful. Brilliant collaboration; a turning point in rock music
The melancholy "For No One," the biting sarcasm of "She Said, She Said," and some of the best early psychedelia on one album is amazing. The creativity in Revolver is so good it's almost numbing, yet the melodies and vocals are as infectious as ever. A masterpiece.
I first heard this album almost 40 years ago; it is as stunning as ever.
Submitted by garyloewenthal (Falls Church, VA, USA) 
Was This Review Helpful? Yes No 2 of 2 found this helpful.  Great music
It's the Beatles! Need I say more?
Submitted by a reviewer (Chicago, IL)
Was This Review Helpful? Yes No 1 of 1 found this helpful.
Probably, the true beginning of psychedelia
Here, the Beatles abandoned all pretext and simply made their music the way they like to make it. And with George Martin as their creative channel, they created their second best album (bested only by Abbey Road). Strong songwriting, new experimentation (for the time) that still sounds fresh today, and amazing musicality. What is more, this wasn't a "pop" album anymore; this was where Rock started being taken seriously as a form of art. And what better channel for that than the Beatles? The Beatles could have stopped making music after this album, and the effect it would have on people would still be the same. Definitely buy this album. It has some of the best Beatles songs period.
Submitted by Galen (Anchorage, AK, USA)
Was This Review Helpful? Yes No 1 of 1 found this helpful. Revolver...an excellent spin!
"Revolver" was the initiating point where the Beatles began their musical paradigm shift that would fully blossom on "Sgt. Pepper". In addition to their classic rock sound, the Fab Four began to alter the sound...and very concept...of the rock and roll genre. George Harrison was coming unto his own as a gifted composer and integrated exotic Indian sounds into the band's musical template while Paul McCartney further expanded his classical horizons (begun on "Yesterday") with "Eleanor Rigby" and John Lennon's "Tomorrow Never Knows" broke the psychedelic boundaries with its tape loops and backwards instrumentation. I believe "Revolver" to be the first truly classic Beatles disc. After all, your bird may sing, but she can't begin to duplicate the exotic sounds found here.
Submitted by Will-T (Lawrencebrug IN)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
Purchase Revolver CD To buy, Click on price to add to cart | Beatles Rubber Soul CD (1965)
Revolver
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Though some might argue that the Beatles' unprecedented evolution from British Invasion pin-ups to pop music visionaries began with BEATLES FOR SALE, RUBBER SOUL is without a doubt the first album to definitively put the Fab Four in the running for Greatest Band Ever. Virtually every aspect of the Liverpool quartet's incredibly diverse sound is in evidence here: the dark, irony-filled Dylanism ("Norwegian Wood," "Nowhere Man"), pop perfection ("In My ...
| | Beatles Sgt. Pepper's Lonely Hearts Club Band CD (1967)
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Includes a 28-page booklet with rare photos, notes on the recording sessions and lyrics.
Additional personnel includes: Neil Aspinall (tamboura, harmonica); Mal
Evans (harmonica, alarm clock); George Martin (piano, harmonium,
Wurlitzer organ, organ); Sounds Incorporated (saxophone, French
Includes liner notes by George Martin, Mark Lewisohn and Peter Blake.
One of the most famous and influential albums ever recorded, SGT. PEPPER'S LONELY HEARTS CLUB BAND had a huge impact on the music world, signaling the beginning of a new era of sophistication and maturity in rock. The musical experimentation was dynamic and fresh, several tracks were edited to create seamless transitions, and even the visual design was more elaborate than anything previously attempted.
Producer George Martin and The Beatles searched for new sounds and studio effects. They added crowd sounds and animal cries from sound-effects recordings, sped up Paul McCartney's vocals in "When I'm Sixty-Four" (to make him sound younger), and sustained a single piano chord for 40 seconds to end "A Day In The Life." ...
| | Beatles (White Album) CDs (1968) Limited Ed. No Longer Available
Revolver
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Each copy of this limited edition is sequentially numbered. The packaging recreates the original double-gatefold sleeve and includes the original poster as well as the individual photos of each band member.
Additional personnel includes: Yoko Ono (vocals); Eric Clapton (electric guitar); Mal Evans (trumpet, tambourine); George Martin (piano, harmonium); Chris Thomas (harpsichord, Mellotron); Maureen Starkey, Patti Harrison (background vocals).
THE BEATLES (generally known as "The White Album" because of its cover) was a sprawling two-record set, highlighting the distinct personalities in the group as they matured and moved further away from each other. With the four Beatles playing like session men on each other's songs, the making of the album was fraught with tension. John Lennon's songs included a bitter take on people who read too much into the Beatles' lyrics ("Glass Onion"), reflections on loneliness and alienation ("Yer Blues," "I'm So Tired"), and the avant garde sound collage ...
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ABBEY ROAD, recorded in the summer of 1969, was the last album recorded by the Beatles (LET IT BE was released in 1970, but recorded in early '69).
After the laborious disorganization and infighting that characterized early 1969's LET IT BE sessions (as famously captured on film), the fractious four were willing to let George Martin take the reins and to work with him as a cohesive unit for the much more succinct production of their ...
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Generally regarded as the Beatles' last album, LET IT BE was actually recorded in 1969, before the recording and release of ABBEY ROAD. LET IT BE was greeted with mixed reviews when it came out in 1970, and is still a controversial disc in the band's catalogue--many fans reject it, while others defend it fiercely. Notable for its difference from anything else the Beatles recorded, LET IT BE has a raw, ragged, muscular sound that recalls the band's very earliest rock roots. The songs were mostly recorded live (save Phil Spector's overdubs on "The Long and Winding Road," "Across the Universe," and "I Me Mine"), and the result is a world away from the meticulous, high-sheen sophistication of the group's George Martin-produced releases.
No one is likely to argue that LET IT BE is the band's best album, but it is a strong release nonetheless. ...
| | Beatles Magical Mystery Tour CD (1967)
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The first six songs on MAGICAL MYSTERY TOUR were the soundtrack to the Beatles' TV movie of the same name. The film was an experimental mess, but the experimental pop of the album included some of their most memorable productions. The soundtrack side was dominated by Paul McCartney pop tunes, including the bittersweet piano ballad "Fool On The Hill" and "Your Mother Should Know," an impossibly catchy bit of Vaudevillian pop. But it also featured George Harrison's mystical "Blue Jay Way" (about his house in Hollywood) and John Lennon's "I Am The Walrus," which wedded a stream-of-consciousness lyric to a fierce drum beat, layers of strings, odd voices and some dialogue from Shakespeare's "King Lear."
McCartney's "Hello Goodbye," which led off the assorted singles, featured some neatly arranged contrapuntal vocals, and may well have been about the dissolving partnerships (songwriting and otherwise) between McCartney and Lennon. Lennon's strangely arranged "Strawberry Fields Forever," ...
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Recorded with the Record Plant Remote Truck at Studio Instrument Rentals Stage 6, Los Angeles, California; The Omni, Oakland, California; Redwood Digital, San Francisco, California.
THIS NOTE'S FOR YOU, cut with a makeshift 10-piece R&B horn band, was the last of the sometimes mysterious, sometimes befuddling genre experiments that carried Neil Young through the 1980s. It features a jump-bluesy theme song ("Ten Men Workin"), some smoky ballads ("Coupe De Ville"), some faux-Chicago blues ("Married Man"), some upbeat Sam & Dave-y soul ("Sunny Inside") and, well, you can figure out the rest, it being a genre album and all. It being a Neil Young album, it also features what may be the great protest song of the '80s--the title track, which is about commercial sponsorship ...
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Recorded live at the Honolulu International Center, Honolulu, Hawaii on January 14, 1973.
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