| | Badfinger Straight Up CD Badfinger Discography of CDs
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STRAIGHT UP is Badfinger's best-known album and perhaps the definitive example of their sparkling brand of Beatles-influenced pop. Expertly produced by George Harrison and Todd Rundgren, this 1972 album spawned two hit singles (both written by group leader Pete Ham): the romantic ballad "Day After Day" (Badfinger's only gold record) and "Baby Blue," a soaring power pop classic that is still regularly played on rock radio. Most people remember Badfinger for those two songs, but the 10 other tracks on STRAIGHT UP are equally impressive.
Less rock-oriented than their previous album NO DICE (although guitarist Joey Molland contributes several excellent high-energy rock songs like "Sometimes" and "Suitcase"), the majority of STRAIGHT UP consists of gentle, melodic songs like Molland's folkish "Sweet Tuesday Morning" and superb Pete Ham compositions like the epic existentialist ballad "Name Of The Game." Now reissued with alternate versions of five of the album's songs and a rare single version of "Baby Blue," STRAIGHT UP sounds better than ever and is an essential addition to any rock fan's music collection.
Badfinger: Joey Molland (vocals, guitar); Pete Ham (guitar); Tom Evans (bass instrument); Mike Gibbins (drums).
Additional personnel: George Harrison (slide guitar); Leon Russell (piano).
Q (6/93, p.115) - 4 Stars (out of 5) - "...Poignantly written, brimming with mature melodies and bracing verse/chorus interplay, STRAIGHT UP is one not to miss. More complete than their other long-play selections and resplendent with previously unheard gems, it's quality stuff..."
NME (Magazine) (6/5/93, p.34) - "...A stone cold beauty of an album....an impossibly good album....Love it like your mother..." Badfinger Straight Up Songs Straight Up Music Review Average Rating: (4.8 out of 5 stars)  Good Job
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Submitted by vesna1 (Eastman,GA,USA) 
Was This Review Helpful? Yes No About as close to *Perfection* as you can get...
...not a bad track on this CD. There is a reason it was top of the polls when the public was asked, "Which recording would you like to see on CD the most?" Stands the test of time and would recommend it highly. Pete Ham was a genius....still miss him.
Submitted by Peach K. (Colorado, USA)
Was This Review Helpful? Yes No  a great listener>
A majority of this album being produced by George Harrison plays a major role in defining Badfingers "beatles" style play. They are tasteful, musical, and catchy...with some great numbers. Day after Day and Baby Blue are two outstanding tracks, which I can never hear enough of.....the rest is all great stuff....definitely a good purchase!
Submitted by Classic Rock Fanatic (Georgia)
Was This Review Helpful? Yes No
Just about the best there is!!
Their 3rd album is one of my two favorites of Badfinger. It includes my favorite song, "Baby Blue." On here also is the mega-hit "Day After Day," but that is not all!! There are plenty other very memorable songs. You will love this CD from the very first listen.
Submitted by John Huggins (Dallas, Texas)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Purchase Straight Up CD To buy, Click on price to add to cart | Aerosmith Rocks CD (1976) Remastered
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| | Tunnelvision Watching The Hydroplanes CD (2005)
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Following on some years after a single-disc compilation of available Tunnelvision material, LTM returned to the band by offering up two separate discs, generally divided between live and studio cuts. Watching the Hydroplanes was the studio offering, starting with the one item LTM had been unable to license for re-release the first time through -- the actual "Watching the Hydroplanes"/"Morbid Fear" single itself, the one item the band released during its initial lifetime. Given a remix from original demo tracks by Martin Hannett, it bears less of that producer's imprimatur than might be thought -- the feeling is much more one of murk than crispness balanced with echo, say -- but "Watching the Hydroplanes" itself is a hypnotic blend of lost-somewhere vocals, steady rhythm, and a calm but persistent spindly guitar part. The remaining tracks mostly come from two demo sessions -- in an odd compare/contrast offering, one session, the second chronologically, is repeated twice, one in its Peter Hook-remixed form and the other as originally recorded, though taken from a muddy source tape. In both versions the band's performances are quite good, if also betraying signs of picking up on the work of bands like Bauhaus and the Cure (musically if not vocally), with Hook proving to be a more sympathetic producer than Hannett, perhaps unsurprisingly bringing the bass to more prominence and emphasizing a strong band performance all around even while letting the individual players stand out. The other demo, the first chronologically, covers the recordings ...
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| | Gotta Serve Somebody: Gospel Songs Of Bob Dylan CD (2003)
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Includes liner notes by Tom Piazza and Horace Clarence Boyer.
GOTTA SERVE SOMEBODY was nominated for the 2004 Grammy Award for Best Traditional Soul Gospel Album. "Gonna Change My Way Of Thinking" was nominated for Best Pop Collaboration With Vocals.
The concept of a compilation of Bob Dylan's gospel songs is certainly an idea whose time has come. That this does not feature Dylan performing the original versions of these songs is yet another. Executive producer Jeffrey Gaskill assembled a wide-ranging assortment of the hottest talent in the gospel arena, both past and present, to perform the songs from Dylan's Slow Train Coming and Saved albums, and producer Rob Moss extracted phenomenal performances from Shirley Caesar, the Fairfield Four, the Sounds of Blackness, Rance Allen, the Chicago Mass Choir fronted by Regina McCrary (who sang backup for Dylan on the 1978 and 1979 tours when these recordings were originally done), the Mighty Clouds of Joy, Helen Baylor (with Billy Preston), Aaron Neville, Dottie Peoples, Lee Williams & the Spiritual QC's, and Mavis Staples and Dylan himself (performing a duet on a completely rewritten version of "Gonna Change My Way of Thinkin'"). In addition, a reunion of Dylan's touring band from the period, which included Tim Drummond, Jim Keltner, and Spooner Oldham, performs on "Solid Rock" with the Sounds of Blackness. All of this is interesting, of course, but listeners know that all-star tributes fall short more often than not. This is no tribute, however, but a showcase of Dylan as one of the great gospel songwriters -- albeit 25 years after the fact.
Caesar's version of the title track is a scorcher and would not have been out of place in a church pastored by James Cleveland. The Sounds of Blackness' "Solid Rock" does indeed rock -- it's funky, driving, and wrapped loosely around a minor-key trill and riff pulsing just ahead of the beat. Lee Williams & the Spiritual QC's' sweet, swinging read of "When You Gonna Wake Up" is smooth and haunting, like a more streetwise version of the Impressions, giving the groove in the tune a bluesier edge than the original. Peoples' "I Believe in You" could be a testimony in church, full of understated phrasing until she gets to the refrains when it breaks and the redemptive hope in the tune comes pouring from the center of her voice. The Fairfield Four's read of "Are You Ready" is standard fare for them, meaning, of course, that the performance is beautiful, stirring, and moving, ...
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