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Blind Melon CD

 Blind Melon Discography of CDs
5 stars (3 Customer Reviews)

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Blind Melon: Shannon Hoon (vocals); Thomas Rogers Stevens, Christopher Thorn (guitar); Brad Smith (bass); Glen Graham (drums).
Additional personnel: Sabbi Kahn (sarangi).
Recorded at London Bridge Studios, Seattle, Washington in February 1992.
Managing to be equally mellow and introspective as well as rough and rocking, Blind Melon's 1992 self-titled debut remains one of the purest sounding rock albums of recent time, completely devoid of '90s production tricks. While the group was never the toast of the critics, their self-titled 1992 debut has held up incredibly well over time, resembling a true rock classic. For reasons unknown, the late Shannon Hoon was, unfairly, usually the brunt of reviewer's criticisms, yet his angelic voice and talent for penning lyrics that examined the ups and downs of everyday life were an integral part of Blind Melon's sound, as well as the band's supreme jamming interplay. The most renowned song remains the uplifting hit "No Rain," but the whole album is superb -- the homesick rocker "Tones of Home," the desperate "I Wonder," the epic album closer, "Time," and the gentle acoustic strum of "Change," which included lyrics that turned out to be sadly prophetic for Hoon. Other highlights are a song inspired by the homeless ("Paper Scratcher"), "Sleepyhouse," which describes the feeling of isolation the band felt recording the debut in a secluded residence, and the retro (yet refreshing) sounds of "Soak the Sin" and "Dear Ol' Dad." Although the album started out slow sales-wise, constant touring and the success of "No Rain" one year after the debut's initial release proved to be Blind Melon's breakthrough success, eventually almost topping the charts and going multi-platinum. ~ Greg Prato
Given the preponderance of synthesizers and samples on contemporary radio outlets, fans of guitar bands must be feeling a little let down, when along comes a Blind Melon. BLIND MELON puts a contemporary slant on metal, blues and assorted psychedelia without sounding lost in the past. Nevertheless, their deep roots in classic FM sounds help define their appeal, not unlike that of a Pearl Jam.
Vocalist Hoon howls at the moon in the best tradition of Robert Plant, Ozzy Osbourne and Axl Rose, while the Glen Graham-Brad Smith rhythm team moves convincingly from rock thrash ("Paper Scratcher") to funk ("Seed To A Tree") and even some country and eastern sounds ("Holyman," "Sleepyhouse"). But the heart and soul of BLIND MELON are the loose spacey exchanges between guitarists Christopher Thorn and Roger Stevens, who sound at times like the Grateful Dead paraphrasing Led Zeppelin ("Soak The Sun," "No Rain").
Blind Melon was nominated for a 1994 Grammy Award as "Best New Artist."Rolling Stone (12/23/93, p.156) - "...Influences from the '70s abound, from Shannon Hoon's sunny Steve Miller-style vocals to tempo shifts of Jethro Tull-ish trickiness and whole pastures for jamming, jamming and jamming. Aural tie-dye, Blind Melon offer (expert) pickin' and wide-eyed grinnin'..."
Entertainment Weekly (11/6/92, p.67) - "...Like Zeppelin at its most abstract, Blind Melon's guitar riffs morph from metal to blues to psychedelia. This is great stuff for guitar fans who like their music cliche-free..." - Rating: B+
Q (6/93, p.94) - 3 Stars - Good - "...Blind Melon exhibit a baffling diversity of influences...hangs together remarkably well, with an absorbing, unforced intimacy as the key to successfully weaving such faded threads into a colourful, contemporary garment. Ones to watch..."
Blind Melon Music


Detailed Blind Melon Music Information



List Price $8.94 (You save $0.09)
Category Rock Albums, Pop CDs, Alternative, Rock/Pop, Enhanced CD
Label Capitol / EMI
Orig Year 1992
All Time Sales Rank   6442  
CD Universe Part number 1109193
Catalog number 96585
Discs 1
Release Date Sep 22, 1992
Studio/Live Studio
Mono/Stereo Stereo
Producer Rick Parashar
Engineer Rick Parashar
Recording Time 55 minutes
Personnel Shannon Hoon - vocals
Christopher Thorn - guitar
Brad Smith - bass
Glen Graham - drums
Rogers Stevens

Also: Sabbi Kahn
Blind Melon Songs


Blind Melon Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Soak the Sin  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Tones of Home  $1.29
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.I Wonder  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Paper Scratcher  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Dear Ol' Dad  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Change  $1.29
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.No Rain  $1.29
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Deserted  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio Media9.Sleepy House
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Holyman  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Seed to a Tree  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Drive  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample13.Time  $0.99

Blind Melon Music Review


Customer Blind Melon Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars not a wrinkle
Still can't believe I've waited 12 years to buy it. Hasn't aged a bit and still makes you that new bands don't invent much. It's all there!
Submitted by hervebrehon (Paris, France) Verified Buyer
Was This Review Helpful? Yes No

5 stars The best music fusion (Soul,for,funk,Psicodelia in rock)
Blind Melon show us one special style of make music, unique and daring. also shanoon Hoon Voice is Amazing. (for what Shannon, for what gone). This Album is Classic.
Submitted by a reviewer (Lima, Lima, Peru) Verified Buyer
Was This Review Helpful? Yes No

5 stars R.I.P
This album is amazing, superb guitar melodies and Shannon Hoon had a brilliant voice, respect to a great singer who died too young.
Submitted by a reviewer (Land Of Vocal Harmony)
Was This Review Helpful? Yes No

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Blind Melon

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Blind Melon, Rolling Stone no. 669, November 1993

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Paul Butterfield Blues Band
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Includes liner notes by Pete Welding.
The Paul Butterfield Blues Band: Michael Bloomfield.
Even after his death, Paul Butterfield's music didn't receive the accolades that were so deserved. Outputting styles adopted from Howlin' Wolf and Muddy Waters among other blues greats, Butterfield became one of the first white singers to rekindle blues music through the course of the mid-'60s. His debut album, The Paul Butterfield Blues Band, saw him teaming up with guitarists Elvin Bishop and Mike Bloomfield, with Jerome Arnold on bass, Sam Lay on drums, and Mark Naftalin playing organ. The result was a wonderfully messy and boisterous display of American-styled blues, with intensity and pure passion derived from every bent note. In front of all these instruments is Butterfield's harmonica, beautifully dictating a mood and a genuine feel that is no longer existent, even in today's blues music. Each song captures the essence of Chicago blues in a different way, from the back-alley feel of "Born in Chicago" to the melting ease of Willie Dixon's "Mellow Down Easy" to the authentic devotion that emanates from Bishop and Butterfield's "Our Love ...

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Blind Melon: Shannon Hoon (vocals); Christopher Thorn, Rogers Stevens (guitar); Brad Smith (bass, background vocals); Glen Graham (drums, percussion).
Additional personnel: Jena Kraus (vocals); Miles Tackett (cello); Kermit Ruffins, The Little Rascals Brass Band (horns); Stephen Moses (trombone); Mike Kelsey.
Recorded at Kingsway Studios and Ultrasonic Studios, New Orleans, Louisiana from November 1994 to January 1995.
All songs written by Blind Melon except "Car Seat (God's Presents)" (Blind Melon/Blanche Bridge).
From the onset, Blind Melon eluded simple musical categorization. They weren't grunge moaners, or alternative posers, or nouveau hippies--just five guys who took a classic FM sound and molded it to their own requirements. So when "No Rain" began climbing the charts, it was hard not to cheer on their progress through the sea of plaid-shirt mediocrity. On SOUP, Blind Melon throw the last of their caution to the wind, weaving a quilt of familiar classic-rock colors out of the kind of threads that hadn't been seen in these parts since the AOR heyday of the mid-'70s.
Opening (and closing) the album to the strains of a New Orleans brass band is an announcement that, as far as instrumentation goes, all bets are off. In this, SOUP evokes such '70s progressives as Led Zeppelin ...

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NICO is an Enhanced CD companion to the home video LETTERS FROM A PORCUPINE, and is playable on either a CD-ROM drive or a standard CD player. A portion of the proceeds from both NICO and LETTERS FROM A PORCUPINE go to benefit MAP (the Musicians Assistance Program).
Blind Melon: Shannon Hoon (vocals, acoustic guitar); Christopher Thorn (acoustic & lap steel guitars, guitar, banjo, Mellotron, bell, tambourine);
Rogers Stevens (acoustic & electric guitars, Hammond B-3 organ, congas, shakers, background vocals); Brad Smith (flute, acoustic bass, bass, dumbek, congas); Glen Graham (Mellotron, drums, hi-hat, congas, dumbek, percussion).
Producers include: Blind Melon, Mike Napolitano, Mike Kelsey, Andy Wallace.
Engineers include: Blind Melon, John Burton.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Personnel: Shannon Hoon (vocals, acoustic guitar); Terry Stevens (guitar, acoustic guitar, electric guitar, congas, shaker); Rogers Stevens (guitar, acoustic guitar, electric guitar, congas); Christopher Thorn (guitar, acoustic guitar, lap steel guitar, banjo, Mellotron, tambourine, bells); ...

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Recorded at Ardmore Studios in Dublin, Ireland in January 2002.
You knew the Corrs had made it when they played the final JFK Awards ceremony of the Clinton administration. Playing it would have been achievement enough, but their status as a happening thing was cemented at the end of the ceremony, during the encores, when everybody was taking their final bows. Bill moseyed up over to Andrea, put his arm around her, and when she was looking away, sized her up -- at precisely the same moment Chuck Berry was checking her out. If that doesn't mean that you've broken America, entering its pop culture, I don't know what does, expect for maybe a VH1-endorsed piece of product like Live in Dublin. Lo and behold, that's exactly what the Corrs received in the spring of 2002, a year and a half after "In Blue" and its accompanying single "Breathless" broke down the doors in America for the U.S. Only two songs on this set list are shared with In Blue, but that doesn't mean that the group returns to their slightly more traditional Celtic roots on the remainder of the songs. Sure, there are hints of that, but there are also four pop covers, two of them ("Little Wing" and "Ruby Tuesday") featuring Ron Wood, with another song, the Lee Hazelwood/Nancy Sinatra duet "Summer Wine," featuring Bono. Some of this is not unfamiliar to ...

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Includes liner notes by Patterson Hood.
Adapter: Lilla Hood.
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A sprawling two-disc set, the Drive-By Truckers' SOUTHERN ROCK OPERA is a cracked masterpiece that's enjoyable on several different levels. Hipsters might enjoy the giggly premise of a two-disc set devoted to a slightly altered retelling of the rise and fall of 1970s Southern rock icons Lynyrd Skynyrd. Progressive rock fans lamenting the modern era's relative lack of story-driven albums divided into "Act I" and "Act II" will latch onto SOUTHERN ROCK OPERA with the same passion with which they embraced THE LAMB LIES DOWN ON BROADWAY. And most importantly, unreconstructed Southern rockers of the boogie-and-beer variety will appreciate the fact that this is an unapologetic, non-ironic valentine to the sound of not only Skynyrd, but the Allman Brothers, the Marshall Tucker Band, and the modern-day jam bands that are their musical descendents. Funny and surprisingly sad, passionate ...

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Personnel: Nathan Calvin (vocals).
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Recording information: Studio Litho, Seattle, WA.
Editor: Ingrid Erickson.
Arranger: Chris DeGarmo.
It makes sense that Terry Date produced Catch Without Arms, Dredg's second record for Interscope. The producer is a veteran of Deftones albums, and it's that band's rich but still rocking palette that's the intent here. And they succeed. Like past Dredg releases Catch has a conceptual flow. But openers "Ode to the Sun" and "Bug Eyes" focus the grandeur and meandering pace of the band's past work around effective melodies and a steadiness in the rhythm. The choruses emphasize the Bono/Chino Moreno in Gavin Hayes' vocal, and when the rhythm drops out for a contemplative piano moment, nothing feels forced because this is what Dredg has been working toward for years. It's not like in the blurry emo world, where string sections crash regularly into soliloquies and it usually just ends up as melodrama. Catch Without Arms looks to groups like Deftones and At the Drive-In, but there's also a tremendous capacity in Dredg for straightforward pop. The title track is a standout, as is "Zebraskin," which with its keyboards and silky beat could be Cousteau or Sweetback. No kidding. And then the churning guitar intro of "Tanbark Is Hot Lava" drops, and you're bewildered again. "Sang Real" features drum processing ...

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McGuire Sisters Greatest Hits CD  (1990)

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Liner Note Authors: Ruth Robinson; Milt Gabler; Neal Hefti; Steve Allen.
Recording information: 04/29/1954-10/11/1960.
There are more complete compilations of the McGuire Sisters' music, but this 12-song, 32-minute compilation, which covers six years in their history from 1954 through 1960, is as simple and charming a body of work as you can find for the price. Perhaps it's the purity of their voices and the arrangements behind them that make this one of the few MCA CDs of the 1980s, apart from a couple of blues titles, with sound quality that still holds up at the dawn of the 21st century. It's also a good representation of the pop side of 1950s music, which isn't spoken of very often. While one would like to dismiss the McGuire Sisters as creators of pop product, they were actually extraordinary musicians, as proven here. True, "Sugartime," "Something's Gotta Give," and "He" were far from rock 'n roll. And while their version of "Sincerely" (an R&B hit by the Moonglows authored by Moonglows leader/founder Harvey Fuqua) was a world away from R&B, no one can complain about its craftsmanship or the radiance of the trio's singing. (This rendition of "Sincerely," and not the Moonglows' version, was the one that your parents or grandparents likely knew.) The McGuire Sisters' soaring vocals, like a fuller and more ...

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The third release from Chicago's Town & Country continues the band's tradition of acoustic experiments with subtle textures and quiet sounds. At times having a similar feel to the more acoustic guitar-tinged work of Joan of Arc, It All Has to Do With It never jumps out at the listener. Instead, the music creeps around, and hard-to-find rhythms provided by two standup basses continuously swell and relax with the interplay of piano, guitar, bells, and even accordion. Town & Country has no real rhythm section, a factor that contributes a strangely freeform aspect to all of the compositions. Nonetheless, the four tracks on this record somehow manage to fill up 40 minutes of disc space, a concept that is difficult to understand or to consider tolerating upon first ...

Live At The Performance Centre
Rainer Live At The Performance Centre CD  (2001) (Import) Import; United Kingdom

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CD $24.95
The second in a series of three previously unreleased albums by the late Dobro genius Rainer Ptacek. Tracks include, 'Improv In E', 'Sometimes It's Hard', 'Round And Round', 'Powder Keg', 'My Honey', 'Inner Flame' and 'Di Lantin'. Standard jewelcase. 2001 release. Recording information: 06/06/1997.
Although released posthumously, Live at the Performance Center is an ideal starting point to experience Rainer Ptacek's rather astounding use of both the dobro and steel guitar in the blues medium. In retrospect, this particular gig from June of 1997, recorded in his hometown of Tucson, is a decidedly bittersweet affair. Despite the excellent playing and the fact that Ptacek was in full remission from brain cancer at the time, the disease would ultimately take his life only five months later. Ptacek's diversity was on full display that night, with songs ranging from the upbeat picking of "Sometimes It's Hard" and "Inner Flame" to the more traditionally oriented "Lament of Love" and "Rude World." The guitarist sang on most of the tracks as well, and many of the lyrics, such as those for "The Mountain," ...

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REISSUED
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Speedbuggy USA City That God Forgot CD  (2006)

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