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Blind Melon - Blind Melon CD Cover Art CD music music CDs songs album

Blind Melon CD

 Blind Melon Discography of CDs
5 stars (3 Customer Reviews)

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Given the preponderance of synthesizers and samples on contemporary radio outlets, fans of guitar bands must be feeling a little let down, when along comes a Blind Melon. BLIND MELON puts a contemporary slant on metal, blues and assorted psychedelia without sounding lost in the past. Nevertheless, their deep roots in classic FM sounds help define their appeal, not unlike that of a Pearl Jam.

Vocalist Hoon howls at the moon in the best tradition of Robert Plant, Ozzy Osbourne and Axl Rose, while the Glen Graham-Brad Smith rhythm team moves convincingly from rock thrash ("Paper Scratcher") to funk ("Seed To A Tree") and even some country and eastern sounds ("Holyman," "Sleepyhouse"). But the heart and soul of BLIND MELON are the loose spacey exchanges between guitarists Christopher Thorn and Roger Stevens, who sound at times like the Grateful Dead paraphrasing Led Zeppelin ("Soak The Sun," "No Rain").

Blind Melon was nominated for a 1994 Grammy Award as "Best New Artist."

Recorded at London Bridge Studios, Seattle, Washington in February 1992.

Blind Melon: Shannon Hoon (vocals); Thomas Rogers Stevens, Christopher Thorn (guitar); Brad Smith (bass); Glen Graham (drums).

Additional personnel: Sabbi Kahn (sarangi).

Rolling Stone (12/23/93, p.156) - "...Influences from the '70s abound, from Shannon Hoon's sunny Steve Miller-style vocals to tempo shifts of Jethro Tull-ish trickiness and whole pastures for jamming, jamming and jamming. Aural tie-dye, Blind Melon offer (expert) pickin' and wide-eyed grinnin'..."
Entertainment Weekly (11/6/92, p.67) - "...Like Zeppelin at its most abstract, Blind Melon's guitar riffs morph from metal to blues to psychedelia. This is great stuff for guitar fans who like their music cliche-free..." - Rating: B+
Q (6/93, p.94) - 3 Stars - Good - "...Blind Melon exhibit a baffling diversity of influences...hangs together remarkably well, with an absorbing, unforced intimacy as the key to successfully weaving such faded threads into a colourful, contemporary garment. Ones to watch..."
Blind Melon Music


Detailed Blind Melon Music Information



List Price $8.94 (You save $0.09)
Category Rock Albums, Pop CDs, Alternative, Rock/Pop, Enhanced CD
Label Capitol / EMI
Orig Year 1992
All Time Sales Rank   6035  
CD Universe Part number 1109193
Catalog number 96585
Discs 1
Release Date Sep 22, 1992
Studio/Live Studio
Mono/Stereo Stereo
Producer Rick Parashar
Engineer Rick Parashar
Recording Time 55 minutes
Personnel Shannon Hoon - vocals
Christopher Thorn - guitar
Brad Smith - bass
Glenn Graham - drums
Rogers Stevens

Also: Sabbi Kahn
Blind Melon Songs


Blind Melon Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Soak the Sin  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Tones of Home  $1.29
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.I Wonder  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Paper Scratcher  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Dear Ol' Dad  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Change  $1.29
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.No Rain  $1.29
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Deserted  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio Media9.Sleepy House
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Holyman  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Seed to a Tree  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Drive  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample13.Time  $0.99

Blind Melon Music Review


Customer Blind Melon Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars not a wrinkle
Still can't believe I've waited 12 years to buy it. Hasn't aged a bit and still makes you that new bands don't invent much. It's all there!
Submitted by hervebrehon (Paris, France) Verified Buyer
Was This Review Helpful? Yes No

5 stars The best music fusion (Soul,for,funk,Psicodelia in rock)
Blind Melon show us one special style of make music, unique and daring. also shanoon Hoon Voice is Amazing. (for what Shannon, for what gone). This Album is Classic.
Submitted by a reviewer (Lima, Lima, Peru) Verified Buyer
Was This Review Helpful? Yes No

5 stars R.I.P
This album is amazing, superb guitar melodies and Shannon Hoon had a brilliant voice, respect to a great singer who died too young.
Submitted by a reviewer (Land Of Vocal Harmony)
Was This Review Helpful? Yes No

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There are more complete compilations of the McGuire Sisters' music, but this 12-song, 32-minute compilation, which covers six years in their history from 1954 through 1960, is as simple and charming a body of work as you can find for the price. Perhaps it's the purity of their voices and the arrangements behind them that make this one of the few MCA CDs of the 1980s, apart from a couple of blues titles, with sound quality that still holds up at the dawn of the 21st century. It's also a good representation of the pop side of 1950s music, which isn't spoken of very often. While one would like to dismiss the McGuire Sisters as creators of pop product, they were actually extraordinary musicians, as proven here. True, "Sugartime," "Something's Gotta Give," and "He" were far from rock 'n roll. And while their version of "Sincerely" (an R&B hit by the Moonglows authored by Moonglows leader/founder Harvey Fuqua) was a world away from R&B, no one can complain about its craftsmanship or the radiance of the trio's singing. (This rendition of "Sincerely," and not the Moonglows' version, was the one that your parents or grandparents likely knew.) The McGuire Sisters' soaring vocals, like a fuller and more lyrical edition of the Andrews Sisters, are seductive to anyone able to hear them without prejudice against the genre. The programming here doesn't follow any release order except in the most general way, while offering some interesting reminders of what was going on away ...
It All Has To Do With It
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The third release from Chicago's Town & Country continues the band's tradition of acoustic experiments with subtle textures and quiet sounds. At times having a similar feel to the more acoustic guitar-tinged work of Joan of Arc, It All Has to Do With It never jumps out at the listener. Instead, the music creeps around, and hard-to-find rhythms provided by two standup basses continuously swell and relax with the interplay of piano, guitar, bells, and even accordion. Town & Country has no real rhythm section, a factor that contributes a strangely freeform aspect to all of the compositions. Nonetheless, the four tracks on this record somehow manage to fill up 40 minutes of disc space, a concept that is difficult to understand or to consider tolerating upon first hearing the album's unapologetically laid-back tones. Listening to this record at excessive volume or through headphones, however, should change the way everything sounds. With close inspection, it becomes evident that beneath the relatively constant feel of the album is a swirling and oft-changing backdrop. The 15-minute closer, "That Old Feeling," slithers around slowly while a consistent drone reaches out from below, leaving the listener questioning whether or not to believe that Town & Country doesn't use electronic loops for any of the band's creations. Superbly crafted and beautifully recorded, It All Has to Do With It is an expansive sonic experiment ...
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Rainer Ptacek Live At The Performance Center CD  (2000) Import

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Although released posthumously, Live at the Performance Center is an ideal starting point to experience Rainer Ptacek's rather astounding use of both the dobro and steel guitar in the blues medium. In retrospect, this particular gig from June of 1997, recorded in his hometown of Tucson, is a decidedly bittersweet affair. Despite the excellent playing and the fact that Ptacek was in full remission from brain cancer at the time, the disease would ultimately take his life only five months later. Ptacek's diversity was on full display that night, with songs ranging from the upbeat picking of "Sometimes It's Hard" and "Inner Flame" to the more traditionally oriented "Lament of Love" and "Rude World." The guitarist sang on most of the tracks as well, and many of the lyrics, such as those for "The Mountain," reflect an almost prophetic uncertainty about life and the future, reminiscent of the sentiment that fueled Robert Johnson's work so many years earlier. Even the instrumentals somehow address mortality in a wordless way, from the darkly punned "Di Lantin" to perhaps one of the best unheralded Beatles covers of all time, George Harrison's "Within You Without You." Ptacek's strong versions of his original material and the inclusion of some rare covers -- he played songs by Billie Holiday and Willie Nelson as well -- make his only official live release an obvious purchase for fans of the artist. The fact that it is the final recorded document ...
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Ray Charles Story Of The Blues CDs  (2004)

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REISSUED
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