| | Tina Turner Simply The Best CD Tina Turner Discography of CDs
 (1 Customer Review)
There's good news and (just a little) bad news about this Tina Turner greatest hits package. The good news is that what's here is across the board terrific stuff, from her stunning update of Ann Peebles simmering r&b classic "I Can't Stand the ... Full DescriptionRain," to the more rock oriented songs like "Better Be Good to Me" (the most convincing imperative in all of recorded music) and ""What's Love Got to Do With It". Best of all, the version of "River Deep-Mountain High" here is the original '60s track, re-mastered and re-equalized by genius producer Phil Spector himself. The bad news? The set came out in 1991, and thus misses out on "I Don't Wanna Fight" (from the Turner bio-pic WHAT'S LOVE GOT TO DO WITH IT?) and her sensational mid-'90s remake of John Waite's "Missing You."
This includes a bonus DVD disc.
Live Recording
Personnel: Tina Turner, Rod Stewart (vocals); Dan Hartman (acoustic guitar, electric piano, organ, keyboards, programming, background vocals); Tony Joe White (guitar, harmonica, synthesizer, bass); Jeff Golub, Jeff Beck, Pat Thrall, James Ralston, Gene Black, Barney Kessel (guitar); Edgar Winter, Gary Barnacle, Plas Johnson (saxophone); Nick Plytas (piano, synthesizer); Kenny Moore (piano); Phillipe Saisse, Casey Young (keyboards); Greg Mathieson (synthesizer); Bob Feit, Bernard Edwards, T.M. Stevens, Carole Kaye (bass); Art Wood, Graham Broad, Graham Jarvis, J.T. Lewis, Phil Collins (drums); Simon Morton, Frank Capp (percussion); Lance Ellington, Tessa Niles (background vocals).
Producers include: Dan Hartman, Tina Turner, Rupert Hine, Terry Britten, Albert Hammond.
Hide Description Tina Turner Simply The Best Songs Simply The Best Music Review Purchase Simply The Best CD To buy, Click on price to add to cart | Bryan Adams So Far So Good CD (1993)
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One of the most important building blocks of the post-punk movement was Manchester-based Factory Records, founded by legendary entrepeneur Tony Wilson. Wilson's story is recounted in the film 24 HOUR PARTY PEOPLE, along with the story of the pioneering artists he nurtured. The film's soundtrack offers a few vintage cuts from the punk movement that inspired Wilson and his entourage (including the Sex Pistols' mission statement "Anarcy in the U.K." and the Clash's rousing "Janie Jones"), but the rest of the album charts the development of what became known as the Factory sound.
The most seminal of all Factory bands (and the definitive post-punk group) Joy Division is represented by four moody, atmospheric cuts, including their signature song, the bittersweet "Love Will Tear Us Apart." After Joy Division singer Ian Curtis's suicide, the rest of the band went on to make electro-pop history as the synth-driven New Order, who get an equal number of songs here. The Factory story didn't stop there, however, as evidenced by the gloriously hedonistic sound of Happy Mondays (the title track and "Stay Fit") ...
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Taking its inspiration from Scandinavian landscapes, Stefan Orins’s pieces mix harmony, density and energy. Behind the pianist’s tunes, which indicate paths to follow rather than compositions in the classical sense, hides a very northern sensibility which suggests the spark of life contained in every little thing. His Swedish roots provide the inspiration that give this music its sense of space and its aerial quality, reminding the listener of Keith Jarrett in the 70s, of Bobo Stenson, or of John Taylor. The group goes beyond the traditional clichés of the piano-bass-drums trio, by putting the communication between musicians at the forefront. The energy flows; spontaneity, lyricism, and simplicity are the keywords here.“With his brother Peter Orins, who plays the drums on this album, pianist Stefan Orins is part of a group of musicians that for several years has been the driving force behind the Circum association, gathering a number of jazzmen who keep Lille as a homebase. One of the logical steps in this local investment was the creation of an elegantly-designed record label by the same name. Here joined by bass player Christophe Hache, who brings his depth of sound and his serene breath, this trio’s influences are pretty obvious if you look at the name of the first two tracks, Stenson and Ornit Ornette, even if they are not limited to those. The rest of the tracks evoke Scandinavian landscapes and foggy fjords, and reinforce our impression that the Orins brothers have been listening really closely to the ECM catalogue, and its records coming from the cold — Jarrett obviously springs to mind. Often meditative, sometimes ...
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