| | Ice Castles Soundtrack CD
All songs composed and conducted by Marvin Hamlisch, except "Theme From Ice Castles", and "Voyager", performed by Alan Parsons Project, written by Eric Woolfson and Alan Parsons, produced by Alan Parsons. Ice Castles Soundtrack Music | Category | Rock/Pop Albums, Soundtrack CDs | | Label | Arista | | Orig Year | 1979 | | All Time Sales Rank | 13859  | | CD Universe Part number | 1109799 | | Discs | 1 | | Release Date | Jun 22, 1999 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Marvin Hamlisch; Alan Parsons Project | | Recording Time | 30 minutes | | Additional Info | Soundtrack |
Ice Castles Soundtrack Songs | 1. | Ice Castles/Theme from Ice Castles (Through the Eyes of Love) - Melissa Manchester |
| 2. | Ice Castles/They Threw Flowers |
| 3. | Ice Castles/Scarlotti Suite 1 |
| 4. | Ice Castles/Deborah's Rock |
| 5. | Ice Castles/Theme from Ice Castles (Instrumental) |
| 6. | Voyager [As Used in the Film "Ice Castles") - The Alan Parsons Project - (featuring Alan Parsons) |
| 7. | Ice Castles/Touch |
| 8. | Ice Castles/Learning Again |
| 9. | Ice Castles/Finale |
| Ice Castles Soundtrack Review
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Ice Castles Soundtrack CD Purchase Music From Ice Castles CD To buy, Click on price to add to cart | Victory At Sea CD (1992)
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$10.39 (MP3 Available for Download) The 1952 NBC series Victory at Sea was one of the earliest network documentary series to capture the public's imagination in a serious way, and one of the more enduring offshoots was the music by Richard Rodgers, which was recorded by RCA-Victor in what ultimately became a series of four LPs. Rodgers was chosen by series producer Henry Salamon based on his being the "leading American composer of his day," a somewhat exalted (though understandable) judgement for a man who was most closely associated with the Broadway stage and Hollywood. The albums were popular, probably due in part to the fact that the music was accessible and unchallenging, and that it insinuated itself for months into the household of seemingly every American family that had someone fighting in World War II -- and that a lot of veterans owned stereo systems in the late '50s, and these recordings took full advantage of stereo's two-channel ...
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$6.89 (MP3 Available for Download) A South African girl, named Sarafina, lives with her aunt and uncle in Soweto where she attends school. Her mother works as a maid in a white household in Johannesburg, and the two rarely see each other. Sarafina battles her feelings of abandonment and disappointment with passionate hero-worship ...
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$11.99 The main appeal of this soundtrack is, of course, the r&b songs that appear either in their classic original recordings, such as Fontella Bass's "Rescue Me", Dee Dee Sharp's "Gravy", and Etta James' "Roll With Me Henry", or in renditions by "Deloris & The Sisters," aka Whoopi Goldberg and company, with Andrea Robinson doing some key solos. This is a record that likes to mix its musical metaphors, the introduction to "My Guy (My God)" owing a lot less to Mary Wells than it does to the Shangri-Las, which actually makes it into even more of a novelty performance than it already was; the extended finale of "Shout" is almost worth the price of admission -- this all-girl rendition is the first one that this reviewer has heard that could make it into the same rarified league of frenzied ecstacy achieved by the Isley Brothers. The presence of C&C Music Factory's "Just A Touch Of Love" is a little incongruous here on a stylistic level, though it does no violence to the underlying appeal of the CD, which transcends the allure of the movie, ending on Lady Soul's soaring "If My Sister's In Trouble". The period music is mastered to state-of-the-art clarity and presence, and the modern recordings manage to achieve a mix of smooth ...
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$10.39 Long before Rick Springfield was a soapie star on American television or riding the U.S. charts with the pop/rock of "Jessie's Girl" and "Don't Talk to Strangers," the Australian-born heartthrob played rock & roll with a variety of bands in his country of origin. The most successful of those outfits, the Zoot, scored a hit in 1969 with a heavy'n'gritty version of the Beatles' "Eleanor Rigby." At times during Shock/Denial/Anger/Acceptance, you can hear Springfield digging down to those rugged roots. The pop sensibilities are still intact, but from the opening bars of the first track, "Perfect," the guitars are tougher and Springfield's voice huskier than many fans might recall. The cover of the Easybeats classic "I'll Make You Happy" would, on paper, look like a tired choice by an ...
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