| | Alan Jackson Everything I Love CD Alan Jackson Discography of CDs
All tracks have been digitally mastered using HDCD technology.
EVERYTHING I LOVE was nominated for a 1998 Grammy Award for Best Country Album.
As long as there are whiskey, temptation and heartache, there will be country songs to be sung, and artists like Alan Jackson to sing them. Jackson may be a pop star by this point in his career, but he is a traditionalist at heart. The songs on EVERYTHING I LOVE, several of which he wrote himself, could easily have been sung by George Jones 20 years ago, and it is to Jackson's credit that he doesn't try to remold country music in his own image. Rather, he works within the strictures of the genre, preferring to push the envelope from the inside out.
Toward this end, Jackson employs the services of some longtime Nashville session staples, including pianist Hargus "Pig" Robbins and hotshot fiddler/mandolinist Stuart Duncan. From the existential bounce of the Tom T. Hall-penned opener, "Little Bitty," to the heart-on-a-flannel-sleeve romantic despair of the title cut, EVERYTHING I LOVE offers new perspectives on the things that have made good ol' boys laugh, cry and shoot their television sets since time immemorial.
Recorded at Sound Stage Studio, Nashville, Tennessee; The Castle Recording Studio, Franklin, Tennessee; Cayman Moon Recorders, Berry Hill, Tennessee.
Personnel: Alan Jackson (vocals, guitar); Danny Groah (guitar); Bruce Watkins (acoustic guitar); Brent Mason (electric guitar, electric bass, 6-string bass); J.T. Corenflos (electric guitar); Robbie Flint, Paul Franklin (steel guitar); Keith Stegall (banjo); Stuart Duncan (mandolin, fiddle); Mark McClurg, Larry Franklin, Joe Spivey (fiddle); Tony Stephens (harmonica); Wayne Toups (accordion); Denis Solee (clarinet); George Tidwell (trumpet); Barry Green (trombone); Ernie Collins (tuba); Monty Parkey, Gary Prim, Hargus "Pig" Robbins (piano); Roy M. "Junior" Husky (acoustic bass); Glenn Worf (electric bass); Bruce Rutherford, Lonnie Wilson, Eddie Bayers (drums); John Wesley Ryles (background vocals).
Audio Mixer: John Kelton.
Recording information: Castle Recording Studios, Franklin, TN; Sound Stage Studios, Nashville, TN.
Photographer: Pamela Springsteen.
Unknown Contributor Roles: Dixieland Band; Brent Mason .
Personnel includes: Alan Jackson (vocals); Bruce Watkins (acoustic guitar); Paul Franklin (steel guitar); Brent Mason (electric guitar, electric 6-string bass); Stuart Duncan (mandolin, fiddle); Wayne Toups (accordion); Hargus "Pig" Robbins (piano); Roy Huskey, Jr. (acoustic bass); Glenn Worf (electric bass); Eddie Bayers, Lonnie Wilson (drums).
Dixieland Band: Keith Stegall (banjo); George Tidwell (trumpet); Barry Green (trombone); Ernie Collins (tuba); Denis Solee (clarinet).
Spin (2/97, p.91) - "...offers the repetitiveness of pure formula: ten songs, played by the same supple studio musicians who spruce up everyone else's records, with one fun oldie...homespun wordplay...and honky-tonk weepers delivered in a twang worth leaning into. Song quality guaranteed..."
Entertainment Weekly (11/1/96, p.71) - "While so many of his country contemporaries rush headlong into the middle of the road, Jackson still keeps it lean and pure..." - Rating: A-
Q (12/99, pp.160-2) - 3 stars out of 5 - "...just a lot of good songs about separation, fathers and sons, Jack Daniel's, love, beer and television." Alan Jackson Everything I Love Songs | 1. | Little Bitty | $1.29 | |
| 2. | Everything I Love | $0.99 | |
| 3. | Buicks to the Moon | $0.99 | |
| 4. | Between the Devil and Me | $0.99 | |
| 5. | There Goes | $0.99 | |
| 6. | House with No Curtains, A | $0.99 | |
| 7. | Who's Cheatin' Who | $0.99 | |
| 8. | Walk on the Rocks | $0.99 | |
| 9. | Must've Had a Ball | $0.99 | |
| 10. | It's Time You Learned About Good-Bye | $0.99 | |
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Everything I Love Review
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Purchase Everything I Love CD To buy, Click on price to add to cart | Vince Vance & The Valiants All I Want For Christmas Is You CD (1993)
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| | Alan Jackson Precious Memories CD (2006)
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On 2006's PRECIOUS MEMORIES, country superstar Alan Jackson ventures into gospel territory, offering up a set of warm and inviting faith-themed songs. These spare tracks feature no percussion and rely almost solely on piano and acoustic guitar, allowing the focus to remain on Jackson's resonant ...
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| | Alan Jackson Greatest Hits Volume II CD (2003)
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Initial pressings of GREATEST HITS VOLUME 2 included a bonus CD.
"It's Five O'Clock Somewhere" won the 2004 Grammy Award for Best Country Song. The song was also nominated for Best Country Collaboration With Vocals.
Anyone who earns a second volume of GREATEST HITS has obviously learned a thing or two about staying power and consistency of artistic vision. Such is the case with Alan Jackson, who appeared in the 1990s as mainstream country's alternative to the dominance of King Garth. His sound was still eminently accessible, but the faux-Springsteen drama of Kiss fan Garth's rock manque was eschewed for a more roots-oriented (though hardly traditionalist) sound. Things kick off nicely with the Cajun-flavored smash "Little ...
| | Johnny Cash American Recordings CD (1994) Reissue
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AMERICAN RECORDINGS won the 1995 Grammy Award for Best Contemporary Folk Album.
Johnny Cash is back and better than ever. The legendary Man In Black is now recording for a modern rock label, and is being produced by hard-core rap/rock guru Rick Rubin--and the results are startling. Spare and stripped to the bone, AMERICAN RECORDINGS is Johnny Cash at his artistic zenith.
An original acoustic ballad, the opening "Delia's Gone" is a watershed accomplishment. Wryly capturing the art of the death ballad, it ...
| | Best Of Sugar Hill Gospel, Vol. 1: Everytime I Feel The Spirit CD (1993)
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| | In-Kraut: Hip Shaking Grooves Made In Germany 1966-1974 CD (2005)
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Germany is not generally known as one of the funkier nations on Earth, and when the Teutonic set try to get wild and swinging, something usually sounds a bit off in the results -- which is a big part of the fun with this compilation. The In-Kraut collects 20 German pop tunes recorded between 1966 and 1972, ranging from a witty Hildegard Knef track that sounds like her answer to Peggy Lee's "Is That All There Is" to a big band arrangement of the Rolling Stones' "Jumpin' Jack Flash," complete with a gloriously out-of-place organ solo. What you get is a terrific collection of swingin' bachelor pad music, complete with a view of the Reeperbahn; most of the tracks suggest someone like Si Zentner trying to play something like rock & roll, with an added level of cultural disconnect added as the performers struggle to play American-style pop, often while attempting to sing in English (frequently in a manner that suggests they learned the lyrics phonetically). If this sounds like a pan so far, though, it isn't -- The In-Kraut is actually lots of fun, with most of the tunes boasting tight arrangements, great studio bands, and punchy, enthusiastic performances, even if the results often have little to do with rock & roll. (It's significant that, according to the liner notes, the upbeat "Marihuana Manta" was recorded by a musician who never smoked dope in his life, while "Molotov Cocktail Party" sounds less like a call to revolution than a tribute to the pleasures of blowing up stuff.) For the most part, The In-Kraut finds studio-centric big bands attempting to tackle rock & roll, and while they don't quite make it on face value, they come up with something that's exciting, compelling, and lots of fun -- proof that sometimes squares can be a lot cooler ...
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Compilation of Spain's 2006 hits.
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