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"No More `I Love You's'" won a 1996 Grammy Award for Best Female Pop Vocal Performance. MEDUSA was nominated for Best Pop Album.
Eurythmics' Annie Lennox made her solo debut with 1992's lavish, self-descriptive DIVA. MEDUSA, her second release, takes a different tack. By recording an album of cover songs, Lennox gets to do what she does best--interpret lyrics and deliver the dramatic impact of a song. By abandoning DIVA's extravagant production, Lennox returns to the synth-pop sound that made her famous, giving MEDUSA a much sparser feel. "No More `I Love You's'," originally recorded by The Lover Speaks, benefits from this approach. Arriving at the dreamy, other-wordly lyrics with a child-like naiveté, Lennox immediately gets to the point, sounding at once innocent and frightened, then understanding and compassionate. The same sense of tension that made Eurythmics so interesting can be found here: cool synthesizer hooks and repetitive vocal ostinatos pitted against Lennox's soaring vocals, which provides a fascinating dichotomy. Similarly, The Clash's "Train In Vain" gets a sophisticated, mature treatment. This time, a jazz/hip hop element is introduced, countering the often desperate lyrics with slick grooves and sassy, Motown-inspired production. In lesser hands such an approach might destroy the songs' sense of urgency; Lennox, however can convey these feelings without raising her voice, giving the song new possibilities.
Annie Lennox's solo debut, DIVA, enjoyed tremendous success, spawning two hit singles ("Walking On Broken Glass" and "Why") and selling millions of copies. But Lennox has always been far more than a pop star; she's also possessed of a riveting alto and a unique performance style that made her one of the most compelling vocalists of the 1980s and '90s. These latter qualities are particularly highlighted on DIVA's follow-up, MEDUSA.
For MEDUSA Lennox tackled a batch of well-known cover tunes, bringing her distinctive vocal stamp to songs by Al Green, Paul Simon, the Temptations, and the Clash. The album's single "No More I Love You's," from little known British popsters the Lover Speaks, is one of the highlights, as is her take on Bob Marley's "Waiting in Vain" and Procol Harum's "A Whiter Shade of Pale." The music here doesn't bear much resemblance to the Eurythmics' underground new wave, but this polished, professional pop shows an artist in full command of her instrument.
Recorded at The Aquarium. Includes liner notes by Annie Lennox.
Personnel: Annie Lennox (vocals, flute, keyboards); Steve Lipson (guitar, keyboards, programming); Tony Pastor (guitar); Anne Dudley (strings); Judd Lander, Mark Feltham (harmonica); James McNally (accordion); Marius de Vries (keyboards, programming); Matthew Cooper, Peter Vetesse, Andy Richards (keyboards); Neil Conti, Dann Gillen (drums); Dinesh (tambourine); Louis Jardim (percussion).
Personnel: Annie Lennox (vocals, flute, keyboards), Tony Pastor (guitar), Kirampal Singh (santoor), Judd Lander, Mark Feltham (harmonica), James McNally (accordion), Marius De Vries (keyboards, programming), Peter-John Vettese, Andy Richards, Matthew Cooper (keyboards), Doug Wimbish (bass), Dann Gillen, Neil Conti (drums), Pandit Dinesh (tabla), Louis Jardim (percussion, bass), Stephen Lipson (programming, guitar, keyboards, bass), Danny D, Steve Sidelnyk (programming).
Rolling Stone (4/20/95, p.70) - 3.5 Stars - Very Good - "...The songs on MEDUSA are fine showcases for [Annie Lennox's] wistful, understated elegance, her ability to milk a lyric for all its beauty and poignancy without resorting to histrionics..." New York Times (Publisher) (1/6/96, p.C16) - Included on Stephen Holden's list of the Top 10 Albums of `95 - "...fiercely intelligent and beautifully sung, and the material is consistently fine..."
good chilout music I realy engoy listening to this cd . Submitted by a reviewer (israel) Was This Review Helpful? YesNo
Annie's Great! This songbird really shines on this CD! Submitted by chrismartin_8289 (Carlinville, IL.) Was This Review Helpful? YesNo
TOUCHING HEAVEN... While most cover albums are tedious exercises in vanity or corny intellectual stunts, Medusa is a shimmering gift of joy and wonder. Annie Lennox burrows deep into the heart of each tune, unearths exquisite colors and facets, and then soars upward with her newfound gems, sprinkling them down from Heaven. Annie is an Angel chained to a lousy world; her shackled flights are very sad, odd, gorgeous. Submitted by eddiez (Collingswood, NJ) Was This Review Helpful? YesNo
hmm...? Although I'm a bit dissapointed by this album, "No More I Love You's alone deserves five stars.
But that don't quit cut it, so I'm rating it as an average cd, nothing special exept "No More I Love You's", it's not bad, but not the best either, so 3 stars to this release by the scottish Diva. Submitted by a reviewer (Denmark - (Europe)) Was This Review Helpful? YesNo
A Whiter Shade Of Pale Except for "A Whiter Shade Of Pale" this CD is not very exciting. This remake of "A Whiter Shade Of Pale" is a must have song. Submitted by a reviewer (Pleasanton, CA) Was This Review Helpful? YesNo 0 of 1 found this helpful.
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Annie's Great!
hmm...?
A Whiter Shade Of Pale
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