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dubbed the "Eric Clapton of Denim", this world-famous British fashion designer invented stretch jeans; he also rips it up on blues harmonica & vocals, feat. guests Otis Grand, Doris Troy & Slim Jim Phantom. Stretching The Blues Music Peter Golding Stretching The Blues Songs | 1. | Good Rockin' Tonight |
| 2. | Stretching the Blues |
| 3. | Thanks to the Blues |
| 4. | Fashion Designer Blues |
| 5. | Buglar Jump |
| 6. | Treasure of the Blues |
| 7. | Stumble, The |
| 8. | Crucify Me |
| 9. | Living in a Memory |
| 10. | Chatanoogie Shoe Shine Boy |
| 11. | Petes' Bop |
| 12. | Blues in the Night/Train |
| 13. | Good Rockin' Tonight (Finale) |
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Nipping at the heels of wiz-kid blues guitarist Kenny Wayne Shepherd, who debuted at age 18, comes 16-year-old Jonny Lang, the most soulful guitar slinger ever to make it out of junior high school. Lang's debut, much like Shepherd's LEDBETTER HEIGHTS, features a mix of choice covers and co-written originals. But whereas HEIGHTS leans in a Delta-blues direction, Lang's blues has more of an R&B flavor.
The Clavinet and Hammond B-3 organ on the title track and "Hit The Ground Running" help give LIE TO ME a funky swagger. As for influences, Lang's choices of Ike Turner's "Matchbox" and Syl Johnson's "Back For A Taste Of Your Love" show a taste for rousing shuffles and Memphis soul. Lang shows his commercial instincts by wrapping up the album with "When I Come To You" and the acoustic "Missing Your Love," two songs that wouldn't sound out of place on a recent Eric Clapton album.
Recorded at Oar Fin Studios, Minneapolis, Minnesota and House Of Blues, Memphis, Tennessee.
Personnel: Jonny Lang (vocals, acoustic & electric guitar, electric sitar); Dennis Morgan (acoustic guitar); Ted Larsen, Billy Franzee, Kevin Bowe (guitar); Jack Holder (guitar, Hammond B-3 organ); Pat Hayes (harmonica); Art Edmaiston (saxophone, horns); Larry McCabe (trombone, horns); Dedrick Davis (horns); ...
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Recorded live at Town Hall, New York, New York on February 28, 1959; The Five Spot, New York, New York on July 9, 1958; The Black Hawk, San Francisco, California on April 29, 1960; Theatre L'Olympe, Paris, France on April 18, 1961. Includes liner notes by Orrin Keepnews.
Digitally remastered by Joe Tarantino (1992, Fantasy Studios, Berkeley, California).
Previously unavailable except on the box set THE COMPLETE RIVERSIDE RECORDINGS, these tracks, gathered together from four different concert sources, are collected here for the first time on one CD. The first cuts, from a '59 show at New York City's Town Hall, feature extremely energetic performances on three of Monk's best known pieces: "In Walked Bud," "Blue Monk" and "Rhythm-a-Ning" (with a tremendous tenor sax solo by Charlie Rouse, fragmented, lyrical keyboard essays by Monk and a fine, layered solo by beatkeeper Arthur Taylor).
Art Blakey joins the group for a quick chaotic theme of "Bye-Ya/Epistrophy" from NY's Five Spot (also '58). In the San Francisco concert tracks recorded in '60, the quartet is joined by an additional sax man, Harold Land, and trumpeter Joe Gordon (who has an attractive, slurred style). The ensemble churns out eloquent, improvised licks on superior takes of "San Francisco Holiday" and "Four In One," (which features one of Monk's loopiest themes). Cuts from the 1961 Paris concert find the band at once more comfortable and more willing to experiment (Rouse and Monk get loose on "Jackie-ing"). The rare, full-length version of "Epistrophy" which shifts, barrels and spills through its changes, is an additional treat.
Unavailable in the U.S.! Live recordings from four different concert sources, previously only available on the Complete Riverside Recordings ...
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Additional Tracks
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