| | Laszlo Kiss Gy Hear The Sound Of Tarogato CD - Import Laszlo Kiss Gy Discography of CDs
Personnel includes: Laszlo Kiss Gy (tarogato); Andras Lilkes (bass).
Recorded in May 1998. Includes liner notes by Magyar Nyelvu Ismertetovel. Hear The Sound Of Tarogato Music Laszlo Kiss Gy Hear The Sound Of Tarogato Songs | 1. | Ormeny Dal :: Armenian Song |
| 2. | Roman Invartita es Haidau :: Romanian "Invartita" And "Haidau" |
| 3. | Szlovak Nepdalcsokor :: Slovak Folk-Songs |
| 4. | Valtozatok Kondastancra :: Variations To A Pigman Dance |
| 5. | Ket Cigany Nepdal :: Two Gypsy Folk-Songs |
| 6. | Rakoczi Kesergoje es Figurazo :: Rakoczi's Lament And Men's Dance |
| 7. | Kuruc Dalok, Tancok :: Songs And Dances From The "Kuruc" Era |
| 8. | Huszarnotak, Katonadalok :: Hussar Tunes, Soldier's Songs |
| 9. | Korispataki Szekely Tancok :: Szekler Dances From Korispatak |
| 10. | Magyar Nepdalok :: Hungarian Folk-Songs |
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Hear The Sound Of Tarogato Review
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Details TBA. Col. 2005.
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There's a pervading darkness to Salvagesound's release "12 Reductions (2005)", a feeling of somthing haunted and mysterious, enigmas and riddles and secrets all wrapped up around eachother in a knot that can't be undone without losing yourself in it's intricacies. Using processed field recordings and found sounds, Matthew Poulakakis of Salvagesound has created a wonderful collection of tracks that sets fire to the imagination."corq" opens the disc with a series of scraping and abstract sounds suggesting percussive elements but too random and alien to be heard as drums. It's a suspenseful piece, a very dramatic work that creeps along slowly but effectively towards it's resolution. "tuebe" follows, a track that brings to mind the sound of the void as portrayed by a drifting drone. It's nice work, quite engaging in it's minimalism as form and shape become apparent throughout. Track three, "Alvalva", continues along similar lines, building on a theme and then diverging into new territory. Irregular chirps give this track an organic sense, a feeling of life caught in the middle of an industrial wasteland. "terranoid" introduces metallic ringing to the mix, playing randomly overtop an oscillating drone. A small melody can be heard just on the edge of the track, something to anchor the listener's senses but too faint to identify beyond it's presence. "ixuni" comes in at track number five, an oscillating drone rising and falling overtop a pulsing tone remeniscent of an engine. There's a feeling of movement here, a really nice use of oblique motion that suggests travel and distance crossed. A very effective track.Track six, "squeue", adds more melodic elements to the mix, a processed piano playing mournful melodies alongside the sounds of metal bowing. It's a subtle shift in the tone of the disc, but a significant one in terms of the way that the listener hears the remaining tracks. "elloidal" follows, a dark and bleak aural landscape to be sure but one filled with a tragic beauty and mournfulness that strikes a chord inside. Tones rise and fall through the mix, the sound of water and waves providing a backdrop over which everything plays. Very powerful. "hovertour" incorporates a repeated phrase overtop a fragmented sample, daring the listener ...
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Erin Bode is a jazz singer in the sense that her contemporaries Norah Jones, Nellie McKay, and Melody Gardot are jazz singers: it's easier to call her that than to mention the acoustic folk, singer-songwriter rock, and adult-contemporary pop influences that also define her work. THE LITTLE GARDEN, her third album overall but first for a large label, is the St. Louis-based singer's most accomplished work yet, incorporating her myriad influences into a coherent whole that keeps her distinctively high-pitched, appealingly ...
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