| | Four Seasons Greatest Hits, Vol. 1 CD Four Seasons Discography of CDs
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The Four Seasons were never in a class with Frankie Lymon & the Teenagers or Little Anthony & the Imperials, and Franki Valli's voice tended to sound shrill. But despite their imperfections, Valli and friends came up with their share of fun, enjoyable teen pop in the early '60s. In fact, it's hard to imagine the early '60s without teen pop favorites like "Candy Girl" and "Big Girls Don't Cry." Spanning 1962-1965, Greatest Hits, Vol. 1 boasts many of the Newark, NJ, group's definitive early hits, including "Stay," "Walk Like a Man," "Sherry," "Big Girls Don't Cry." and "Candy Girl." One hears the group maturing somewhat on 1965's classic, Beach Boys-influenced "Bye, Bye, Baby," which became a major hit for the Bay City Rollers in 1975. Obviously, Greatest Hits, Vol. 1 isn't meant to be an in-depth study of Valli and the Four Seasons, but for the casual listener, this CD and its companion, Vol. 2, are easily recommended. ~ Alex Henderson
Frankie Valli & The Four Seasons: Frankie Valli, Bob Gaudio, Nick Massi, Tommy DeVito (vocals).
Includes liner notes by Gene Sculatti.
Compilation producers: Richard Foos, Gary Stewart.
Greatest Hits, Vol. 1 Music Four Seasons Greatest Hits, Vol. 1 Songs Greatest Hits, Vol. 1 Review
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Purchase Greatest Hits, Vol. 1 CD To buy, Click on price to add to cart | Frankie Valli Greatest Hits CD (1996)
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| | Santana Supernatural CD (1999)
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SUPERNATURAL won the 2000 Grammy Award for Album Of The Year and for Best Rock Album. "Smooth" won the 2000 Grammy Award for Song Of The Year, Best Pop Collaboration With Vocals and for Record Of The Year. "The Calling" won the 2000 Grammy Award for Best Rock Instrumental Performance. "Maria Maria" won the 2000 Grammy Award for Best Pop Performance By A Duo Or Group With Vocal. "El Farol" won the 2000 Grammy Award for Best Pop Instrumental Performance. "Put Your Lights On" won the 2000 Grammy Award for Best Rock Performance By A Duo Or Group With Vocal. "Love Of My Life" was nominated for the 2000 Grammy Award for Best Pop Collaboration With Vocals. "El Farol" was nominated for the 2000 Grammy Award for Best Instrumental ...
| | Four Seasons Greatest Hits, Vol. 2 CD (1991)
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The mid-'60s were a time of transition for Franki Valli and the Four Seasons. The teen market had put Valli on the map, but he ...
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| | Allroy For Prez CD (1988)
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| | Crispy Ambulance Plateau Phase CD (1982) Import; Remastered; Reissued
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This rerelease of Crispy Ambulance's 1982 debut PLATEAU PHASE contains 13 tracks of Factory Records post punk. This remastered CD contains the 12 inch versions of "The Presence," "Concord Square," and "Sexus."
The one studio album Crispy Ambulance put out over its career, The Plateau Phase boldly aimed to stand out as an experimental rock album and achieved its goal with style and power. With tips of the hat to everyone from early-'70s Pink Floyd and aggro Krautrock to the later song-smashings of Throbbing Gristle, The Plateau Phase isn't an out-and-out masterpiece, but comes awfully close. If anything, the comparisons at the time of release to Joy Division resulted from the label association -- as a singer, Alan Hempsall ...
| | Ray Ventura Maria De Bahia CD (1997) (Import) France
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| | Lars Frederiksen & The Bastards Lars Frederiksen & The Bastards CD (2001)
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Lars Frederiksen And The Bastards includes: Lars Frederiksen (vocals, guitar); Big Jay Bastard (bass); Scott Abels (drums, percussion); Unknown Bastard (background vocals).
It looks more complicated onscreen than it is in reality. Singer/guitarist Lars Frederiksen sat down with his Rancid bandmate Tim Armstrong and wrote a batch of songs mostly about his youthful experiences in his hometown Campbell, CA. Frederiksen then recruited a group -- bassist Big Jay, drummer Scott Abels, and the ubiquitous Unknown Bastard on backing vocals -- and recorded the songs with Armstrong overseeing production duties. Obviously, ...
| | 32 Country Gospel Favorites CDs (2005)
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| | Bright Eyes Motion Sickness: Live Recordings CD (2007) (Import)
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At the time of the Winter 2005 tour documented by MOTION SICKNESS: LIVE RECORDINGS, Conor Oberst--aka Bright Eyes--was among the most reviled and worshipped artists in indie rock. Fortunately for listeners, hype subsides and MOTION SICKNESS leaves the facts: the Oberst of 2005 was a young man in the midst of crafting an undeniable catalog of good songs, and using a newer, more mature vocal delivery to get them across. Only traces remain here of the cloying ticks of his well-publicized youth, and in their wake is a loose, confident persona that can turn a poetical turn of phrase into a pop mantra better than anyone since you-know-who.
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| | Horrors CD (2006) Extended Play
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A lot of the Horrors' appeal and the almost viral spread of their popularity in the U.K. is due to their visual flair. Their look is a hybrid of big-haired, black-on-black goth, punk, and mod that could very well be the missing link between the Addams Family and emo. Likewise, the video for their single "Sheena Is a Parasite" -- which was the first clip video auteur Chris Cunningham directed in years -- further honed their equally stylish, scary, and witty image. Even without the eye candy, their music holds up well; this self-titled EP, which collects the songs from their U.K. singles from spring and summer 2006, is a very entertaining snapshot of their high-style horror-punk. Based on these five songs, the Horrors know the roots of their look and sound backward and forward, which is why their riff on it manages to be pretty convincing. And, just as their image mixes and modernizes different eras, their sound incorporates shockabilly, '60s garage rock, '50s and '60s novelty, and slightly more straightforward punk like the Stranglers and the Damned. Faris Badwan is a potentially great punk vocalist; he rasps and snarls, but somehow you can make out all (or at least most) of what he's screaming about. Meanwhile, Spider Webb's Vox Continental organ squeals like it's being tortured. The Horrors features two loving covers of songs by quintessential British eccentrics: an increasingly violent version of "Crawdaddy Simone," ...
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