When John Belushi tried to book Black Flag on "Saturday Night Live" the powers that be shook with fear and vetoed the idea on the spot. They did, however, suggest the band Fear as a replacement. Somewhat paradoxically, Fear, with all its sound, fury, and decidedly politically incorrect ideas, was somehow acceptable. Make no mistake, THE RECORD is aggressive, offensive, and loud--it is the sound of a kid flipping the bird. And there is a barreling, garage-like catchiness to anthems such as "I Love Living in the City." The difference between Fear and bands like Black Flag is a subtle but crucial one: Fear does not cross the line into aural violence. Perhaps it is the tongue-in-cheek quality to Lee Ving's rants about minority groups in "Let's Have a War." Ving may be giving everyone within earshot the finger but he's doing it from a moving car.
Recorded at Sound City Recording Studios, Van Nuys, California in December 1981.
Record Collector (magazine) (p.101) - 5 stars out of 5 -- "Probably the most exciting and impressive, one-dimensional, ill-mannered, distasteful, odious `hate' record ever made."
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Average Rating: (4.8 out of 5 stars)
One of the best LA hardcore outfits ever Fear receive less credit than they deserve when discussing the first wave of American hardcore. Their deliberately offensive lyrics and violently hostile stance became the stuff of legend and infamy (watch a clip from their Saturday Night Live appearance), and their defiance of political correctness combined with their hard to define sexuality confused and confounded fans who were unable to pigeonhole the band into much of anything beyond “punk.” Lee Ving’s vocals and the band’s musicianship are also often overlooked; the intricacy of their playing and song writing is often lost on many an audience. Perhaps no hardcore band was as tight as Fear or able to pull of the musical feats they did, like playing at 180 bmp in 7/8 time while singing about sex, beer, and violence and all the while ready to fight or maim the audience. Fear deserve special attention as one of hardcore’s finest outfits ever. Lee Ving and crew encapsulate the anger, disgust, irreverence, revolutionary spirit, and utter depravity of the L.A. scene in the early eighties. The Record is a must for anyone who considers themselves into punk and hardcore. Submitted by Devon (Pittsburgh, PA) Was This Review Helpful? YesNo 1 of 1 found this helpful.
killer classic this is the best band next to the germs that appeared in the dicline of western civilization in 1980, this was without a doubt fears best album and best works altogether with my 2 favs new yorks alright if you like saxophones and i dont care about you it dont get better then this great punk from 1980 Submitted by SAXONMAN (hicksville new york) Was This Review Helpful? YesNo
Politically Incorrect Meathead Fun Fear could never exist in these dying-to-be-offended times. Okay, so they fire off a few Bronx cheers to gays (but they do NOT encourage violence against them; in "Let's Have A War" they seem to advocate arming gays) but they're no more mysogynistic than, say, the Rolling Stones. Anyway, this album is so obviously tongue-in-cheek that only a moron could really get offended (sorry morons). Even the Dalai Lama has probably felt the sentiment of "I Don't are About You." Lee Ving's smart**s holler of a voice bounces off Philo Cramer's rubbery lead guitar nicely. This is a great party album. Submitted by a reviewer (Portland OR) Was This Review Helpful? YesNo
Awesome album Once I got this, I couldnt stop listening to it. Almost every song on here is awesome. It is one of the best LA Hardcore albums. Submitted by Matt Henry (Boonsboro MD) Was This Review Helpful? YesNo
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