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Codeine: Stephen Immerwahr (vocals, bass); John Engle (guitar); Chris Brokaw (drums). Additional personnel: Jon Fine (guitar); David Grubbs (piano). Personnel: Jon Fine (guitar); David Grubbs (piano). Recording information: 1992. Unknown Contributor Roles: Brokaw; Stephen Immerwahr; Jon Fine; Engle. Arranger: David Grubbs. A six-song EP that appeared between the two albums proper, without sharing any songs with either, Barely Real essentially extends the same musical and lyrical spirit of Frigid Stars, with a couple of slight but intriguing changes woven in. Admittedly, that won't be apparent on the first song, "Realize," which fully confirms that Codeine's combination of deliberate pace and electric guitar playing both, along with softly sung rumination courtesy of Immerwahr, is pretty much its compositional mode rather than affectation. Those put off by earlier Codeine won't want to continue; those taken by its way of doing things will happily embrace it. From there Barely Real makes its careful way over about twenty-five minutes, with some guest performers popping up to leaven things. One Jon Fine adds "noisy guitar" to the mix on "Jr.," with a quick stuttering main riff to its credit, while David Grubbs contributes both piano and arrangement for "W." It's a highlight of Barely Real, essentially a Grubbs solo performance, but still sounding exactly like something Codeine would write. Other high points include the echo and burying in the mix of Immerwahr's voice on "Hard to Find" and the slightly surprising conclusion, a cover of MX-80 Sound's "Promise of Love" done in a bit of a late-night jazz club style with more typical Codeine interjections towards the end. ~ Ned Raggett Codeine Barely Real Songs Barely Real Review
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Purchase Barely Real CD To buy, Click on price to add to cart | Low I Could Live In Hope CD (1994)
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$10.95 Low: Alan Sparhawk (vocals, guitar); Mimi (vocals, percussion); John (bass). Personnel: Alan Sparhawk (vocals, guitar); Mimi Parker (vocals, percussion). Recording information: 1994. Like so many of their contemporaries, Low are repeatedly lumped into numerous derivative and nondescript headings intended to encompass slow-paced, instrument-driven music that maintains an indie aesthetic. Quite simply, no category can truly reveal the beauty and glory of Low's debut record I Could Live in Hope. Sad core? Not even close! I Could Live in Hope is an incredibly joyous journey ...
| | Low Long Division CD (1995)
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$10.19 Low: Alan Sparhawk (vocals, guitar); Zak Sally (bass); Mimi Parker (drums, background vocals). Personnel: Alan (vocals, guitar); Mimi (vocals, percussion); Kramer (Mellotron). It's not just Kramer's production that gives Low the feel of snooze-rock champions Galaxie 500. The male vocals (provided by guitarist Alan) are lazy, wistful, and occasionally disappointed, alternately sounding like Dean Wareham and Michael Stipe. Red House Painters, the ...
| | Allman Brothers Band Dreams CDs (1989) Box Set
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$38.49 DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts. Personnel includes: Gregg Allman, Dickey Betts (vocals, guitar); Duane Allman (guitar, dobro, background vocals); Paul Hornsby, Scott Boyer, Elvin Bishop, Tommy Talton, Steve Beckmeier, Rickey Hirsch, John Hug, Dan Toler (guitar); John Hughley (steel guitar); Tom Doucette (harmonica); Steve Madaio, Pat Rizzo, Dave Luell (horns); Steve ...
| | Codeine Frigid Stars CD (1991)
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$8.99 Codeine: Stephen Immerwahr (vocals, bass); Chris Brokaw (guitar, drums); John Engle (guitar). Personnel: Stephen Immerwahr (vocals); Chris Brokaw (guitar, drums); John Engle (guitar). Recording information: Brooklyn, NY (08/1990). Photographer: Laura Larson. The cover of Frigid Stars sets the mood well -- a negative black and white shot of some stars, looking even more haunting as a result. As for the album, the tone isn't simply being cold or unemotional, but simply gripped by a deep black mood, where everything seems on the verge of suddenly going wrong or collapsing. There's ...
| | Codeine White Birch CD (1994)
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| | Dragon Ball Z Best Of 4 Best Of Dragonball Z: American Soundtrack Vol. IV CD (2001) Original Soundtrack
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| | Eurythmics Peace CD (1999) Bonus Tracks; Reissue; Remastered; Deluxe Edition; Digipak
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Eurythmics: Annie Lennox (vocals); Dave Stewart (guitar). Additional personnel includes: Chris Sharrock (strings); Andy Wright (keyboards, percussion, programming); Chucho Merchan, Dave Catlin-Birch (bass); Pete Lewinson, Steve Lewinson (drums); Pro Arte Orchestra Of London. Eurythmics: Dave Stewart , Annie Lennox. Personnel: Dave Stewart (vocals, guitar); Annie Lennox (vocals); Chris Sharrock (drums); Andy Wright (programming). Audio Mixer: Ash Howes. Audio Remasterer: Ian Cooper . Liner Note Author: Phill Savidge. Recording information: The Church Studios, London, England. Photographers: Anoushka Fisz; Richard Avedon. Nearly a decade after Eurythmics went on an unannounced, virtually unnoticed hiatus in 1990, Annie Lennox and Dave Stewart returned with the heavily publicized Peace. Both Lennox and Stewart had been silent since 1995, which means that reuniting really wasn't a sacrifice, since their solo careers had stalled. In fact, it was a wise idea to re-team, both commercially and artistically, since their best and most popular music was made together. What's odd is that Peace strongly resembles Lennox's Diva. True, Eurythmics were moving toward the melodramatic grandeur of Diva on their final '80s album, We Too Are One, yet they still had an innate sense of quirkiness and a desire to take risks. In 1999, they're more about craft, which only emphasizes the maturity of the music. That's not entirely a bad thing, even if it means that Peace needs a couple of spins before the songs begin to register. Lennox and Stewart know how to write gently insinuating melodies and how to layer their tracks with small sonic details, weaving lush tapestries of sound. Peace keeps its alluring mood throughout; even when they attempt to revisit their Stones-y tendencies, the songs play as sleekly and smoothly as the ballads that dominate the record. In one sense, that's good, because it means that Peace keeps a consistent tone from front to back, but it also means that most of the songs blend together. There are no standout singles here, and that's the hardest thing to accept about the record since Eurythmics were one of the best singles bands of the '80s. Even so, Peace is a successful debut for Eurythmics, Mark II -- it's classy adult pop, delivered with style ...
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