| | Sebadoh Harmacy CD Sebadoh Discography of CDs
 (2 Customer Reviews)
These indie-rock pioneers generally adhere to two songwriting formulas--heartwrenching ballads of love lost, and punked-out guitar freakouts. They keep getting better at both. HARMACY is their first album since frontman Lou Barlow (he of many ... Full Descriptionheartwrenching ballads) danced his way onto the airwaves with his other band, the Folk Implosion, and it's their most accessible album to date. If the airwaves are ready for Sebadoh themselves, then Sebadoh sound like they're ready, too.
With their ballads, Sebadoh are somehow able to write bona fide tearjerkers without seeming melodramatic. These songs are intensely personal tales delineating the fragilities that come with falling in love. The band plays exquisite and beautiful folk-rock, and the vocals are positively tragic. But Sebadoh also know how to have fun. On the other half of HARMACY, Sebadoh play rumbling, cacophonous rock songs. These are where the trio's playful lo-fi roots are most apparent. Songs like "Hillbilly II" and "I Smell A Rat" leave little distance between the Sebadoh of today and the experimental Sebadoh of several years ago.
Engineers: Tim O'Heir, Eric Masunaga, Wally Gagel.
Sebadoh: Lou Barlow (vocals, guitar, bass); Jason Loewenstein (vocals, guitar, bass, drums); Bob Fay (vocals, bass, drums).
Additional personnel: Mark Perretta (guitar, bass).
Rolling Stone (1/23/97, p.44) - Ranked #8 on Rolling Stone's list of the "Ten Best Albums" of 1996.
Rolling Stone (9/5/96, p.60) - 3.5 Stars (out of 5) - "...[Sebadoh's] best album to date....`Willing To Wait' is, hands down, [Lou Barlow's] finest (if unhappiest) hour....Edited down to just Barlow's songs and the best of [Jason] Loewenstein's, HARMACY would be a near-perfect album. As it is, it's merely wonderful..."
Spin (9/96, p.147) - 8 (out of 10) - "...HARMACY finds Barlow and his bandmates still parked on relationship lane. And they would give everything they own just to have you back again....[Sebadoh] maintain their status as champions of the private moment..."
Q (9/96, p.120) - 4 Stars (out of 5) - "...they cover the history of US indie pop...telling tales of teenage folly for the post-Generation X generation, with scenes played out in the bedrooms, through cable TV shows and on the skateboards of the new guitar pop fan."
Alternative Press (10/96, p.103) - 3 (out of 5) - "...neurotically hooky indie rock, heart-soaked balladry..."
Option (11-12/96, pp.128-129) - "...a rich, hook-filled record that justifies much of their acclaim. HARMACY's 19 tunes run from thrashing rock to melodic indie pop, and are almost uniformly wonderful....Enjoyably loose without turning self-indulgent..."
Melody Maker (8/17/96, p.48) - Recommended - "...And say you actually wanted, on a what-the-hell kind of day, to Experience Sebadoh. What would you pick to start? Well, simple, this one. HARMACY, in brief, is what I shall wave triumphantly from now on..."
Musician (9/96, p.86) - "...HARMACY proves that a good melody conquers all....[Lou Barlow's] confident tunesmithing belies the hesitant introspection....Jason Lowenstein actually grabs a larger share of the writing credits...but it's Barlow's eight tunes that provide the dramatic weight..."
Village Voice (2/25/97) - Ranked #36 in the Village Voice's 1996 Pazz & Jop Critics' Poll.
NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #38 in NME's 1996 critics' poll.
NME (Magazine) (8/17/96, p.52) - 6 (out of 10) - "...ironically, Sebadoh have just made a very British album....it...starts off pretty stupendously, with a trio of songs...that can only be described as `gorgeous'....The 19 tracks here are studded with quicksilver pop gems..." Hide Description Harmacy Music | List Price | $11.98 (You save $1.69) | | Category | Rock Albums, Alternative CDs, Rock/Pop | | Label | Sub Pop | | Orig Year | 1996 | | All Time Sales Rank |  14690  | | CD Universe Part number | 1120441 | | Catalog number | 370 | | Discs | 1 | | Release Date | Aug 20, 1996 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 50 minutes | | Personnel | Lou Barlow - vocals, guitar, bass
Jason Loewenstein - vocals, guitar, bass, drums
Bob Fay - vocals, bass, drums
Also: Mark Perretta |
Harmacy Music Review Average Rating: (4.5 out of 5 stars)   Excellence
A solid album from beginning to end, Lou Barlow and gang reach from slow melodic love songs like, 'Willing to Wait', to fast punkish rawknroll in, 'Love to Fight', and 'I Smell a Rat'. Some bands may be stretching their sound thin ranging back and forth, but Sebadoh pulls it off superbly. Most certainly worth a listen if Bakesale was up your alley.
Submitted by Bob (Austin, TX)
Was This Review Helpful? Yes No
 Rock Solid Album
This is such a great album. It goes from the smoothness of songs like "On Fire" and "Beauty of the Ride" to practical head-bangers like "Crystal Gypsy" and "Mind Reader." Those are probably my favorite tracks. Also way up on the list are "Too Pure" and "Prince-S." Have to admit I know no other Sebadoh, but my friend recommended this to me and I just had to agree. Wow. This is a great band. I might go so far as to say if you like Fastball (I have all three of their albums and I love, love, love them) you should try out Sebadoh. These guys kind of remind me of Fastball (not all the time. They're more varied than Fastball is) and that's a good thing.
Submitted by a reviewer (Palo Alto, CA)
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About Craig AddyMy background in music is very traditional. As a child I embarked on a musical education through the Royal Conservatory of Music. I learned my piano studies, did my technique drills, studied music theory and history, and took various Royal Conservatory exams culminating in a Performer’s ARCT. As a composer and performer, this education has been invaluable. But there is a part of my identity as a musician that does not flow out of the teachings of the Royal Conservatory of Music. That is my love and practice of improvising. I have always done it and never really thought about why or how it happened. I’ve only had three piano teachers and none of them actively promoted the skill - in fact, I never really told them I was doing it. My improvising has always been a very personal and somewhat hidden activity - something I just did for myself. In high school, a music teacher, Bob Rebagliati overheard me playing some of my piano compositions and encouraged me to join the jazz band. The three years I spent studying jazz improvisation with him represents the only formal training in improvisation that I have ever received. For whatever reason, I never really took to jazz improvising. In fact I would go so far as to say that at best I was no more than mediocre. I learned a few tricks and I certainly picked up a few chords I still use in my playing. All I know is that it is something I need to do and have always done. But I don’t see myself as a jazz improviser. I use no chord charts as a guide and I can’t rattle off or even recognise a complex chain of colourful chords if they are presented to me. I guess my chord chart is all the music I have learned and played as a student of the Royal Conservatory of Music. I simply sit at the piano, start playing, and draw on my traditional ...
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