| | Fauré: Nocturnes, Impromptus, Etc / Vlado Perlemuter CD Faure / Perlemuter CDS
Vlado Perlemuter,Piano Fauré: Nocturnes, Impromptus, Etc / Vlado Perlemuter Music | List Price | $15.97 (You save $2.18) | | Label | Nimbus | | Orig Year | 12/2/1992 | | All Time Sales Rank |  26088  | | CD Universe Part number | 1123082 | | Catalog number | 5165 | | Discs | 1 | | Release Date | Dec 02, 1992 | | Recording Time | 1 1 |
Fauré: Nocturnes, Impromptus, Etc / Vlado Perlemuter Review
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Fauré: Nocturnes, Impromptus, Etc / Vlado Perlemuter Songs | 1. Thème et variations, for piano in C sharp minor, Op. 73: Theme: Quasi Adagio (11:23) | | Composer | Gabriel Fauré (1845 - 1924) | | Performer | Vlado Perlemuter (Piano) | | Genre | Romantic Period | | Date Written | 1895 | | Period | Romantic | | Venue | Wyastone Concert Hall, Monmouth, Wales | | Recording Date | 03/09/1982 | | 2. Thème et variations, for piano in C sharp minor, Op. 73: Variation I: Lo stesso tempo (6:17) | | Common Name | Nocturne For Piano | | Composer | Gabriel Fauré (1845 - 1924) | | Performer | Vlado Perlemuter (Piano) | | Genre | Nocturne / Romantic Period | | Date Written | 1875 | | Period | Romantic | | Country | France | | Venue | Wyastone Concert Hall, Monmouth, Wales | | Notes | Wyastone Concert Hall, Monmouth, Wales (09/21/1982-09/22/1982) | | 3. Thème et variations, for piano in C sharp minor, Op. 73: Variation II: Più mosso (4:00) | | Common Name | Impromptu For Piano | | Composer | Gabriel Fauré (1845 - 1924) | | Performer | Vlado Perlemuter (Piano) | | Genre | Impromptu / Romantic Period | | Date Written | 1883 | | Period | Romantic | | Country | France | | Venue | Wyastone Concert Hall, Monmouth, Wales | | Notes | Wyastone Concert Hall, Monmouth, Wales (09/21/1982-09/22/1982) | | 4. Thème et variations, for piano in C sharp minor, Op. 73: Variation III: Un poco più mosso (7:58) | | Common Name | Nocturne For Piano | | Composer | Gabriel Fauré (1845 - 1924) | | Performer | Vlado Perlemuter (Piano) | | Genre | Nocturne / Romantic Period | | Date Written | 1894 | | Period | Romantic | | Country | France | | Venue | Wyastone Concert Hall, Monmouth, Wales | | Notes | Wyastone Concert Hall, Monmouth, Wales (09/21/1982-09/22/1982) | | 5. Thème et variations, for piano in C sharp minor, Op. 73: Variation IV: Lo stesso tempo (6:00) | | Common Name | Barcarolle For Piano | | Composer | Gabriel Fauré (1845 - 1924) | | Performer | Vlado Perlemuter (Piano) | | Genre | Barcarolle / Romantic Period | | Date Written | 09/1894 | | Period | Romantic | | Country | France | | Venue | Wyastone Concert Hall, Monmouth, Wales | | Notes | Wyastone Concert Hall, Monmouth, Wales (09/21/1982-09/22/1982) | | 6. Thème et variations, for piano in C sharp minor, Op. 73: Variation V: Un poco più mosso (7:48) | | Common Name | Nocturne For Piano | | Composer | Gabriel Fauré (1845 - 1924) | | Performer | Vlado Perlemuter (Piano) | | Genre | Nocturne / Romantic Period | | Date Written | 1898 | | Period | Romantic | | Country | France | | Venue | Wyastone Concert Hall, Monmouth, Wales | | Notes | Wyastone Concert Hall, Monmouth, Wales (09/21/1982-09/22/1982) | | 7. Thème et variations, for piano in C sharp minor, Op. 73: Variation VI: Molto adagio (2:25) | | Common Name | Impromptu For Piano | | Composer | Gabriel Fauré (1845 - 1924) | | Performer | Vlado Perlemuter (Piano) | | Genre | Impromptu / Romantic Period | | Date Written | 1909 | | Period | Romantic | | Country | France | | Venue | Wyastone Concert Hall, Monmouth, Wales | | Notes | Wyastone Concert Hall, Monmouth, Wales (09/21/1982-09/22/1982) | | 8. Thème et variations, for piano in C sharp minor, Op. 73: Variation VII: Allegretto moderato (5:44) | | Common Name | Nocturne For Piano | | Composer | Gabriel Fauré (1845 - 1924) | | Performer | Vlado Perlemuter (Piano) | | Genre | Nocturne / Romantic Period | | Date Written | 1915 | | Period | Romantic | | Country | France | | Venue | Wyastone Concert Hall, Monmouth, Wales | | Notes | Wyastone Concert Hall, Monmouth, Wales (09/21/1982-09/22/1982) | | 9. Thème et variations, for piano in C sharp minor, Op. 73: Variation VIII: Andante molto moderato (6:44) | | Common Name | Nocturne For Piano | | Composer | Gabriel Fauré (1845 - 1924) | | Performer | Vlado Perlemuter (Piano) | | Genre | Nocturne / Romantic Period | | Date Written | 1921 | | Period | Romantic | | Country | France | | Venue | Wyastone Concert Hall, Monmouth, Wales | | Notes | Wyastone Concert Hall, Monmouth, Wales (09/21/1982-09/22/1982) |
Fauré: Nocturnes, Impromptus, Etc / Vlado Perlemuter Music Composers on Fauré: Nocturnes, Impromptus, Etc / Vlado Perlemuter CD : Gabriel Faure Genres on Fauré: Nocturnes, Impromptus, Etc / Vlado Perlemuter CD : Barcarolle, Impromptu, Nocturne, Romantic Period Performers on Fauré: Nocturnes, Impromptus, Etc / Vlado Perlemuter CD : Vlado Perlemuter Purchase Fauré: Nocturnes, Impromptus, Etc / Vlado Perlemuter To buy, Click on price to add to cart | Horowitz Plays Prokofiev, Barber, Kabalevsky: Sonatas CD (1990)
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Digitally remastered by Dan Hersch (DigiPrep, Hollywood, California).
The deluxe CD package on Varese Sarabande (all two and a half hours) is always the first recommendation for this classic soundtrack, but budget-minded film-music buffs will still find plenty of pleasures on this, the original LP release. Readily found in top-quality used bins, Alex North's imposing but always intriguing backdrop to the 1963 Liz Taylor vehicle mixes its measured bombast with plenty of methodical mystery (dark, tomb-issue gems like "A Gift for Caesar" and "Taste of Death"), snake-charmer kitsch ("Caesar's Assassination"), and sweeping romanticism ("Dying Is Less the Love"). North executes each of these moods with the taste and restraint of the best soundtrack composers, dropping in enough left turns to keep even the more ...
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Mary Fahl made good music as the singer for the eclectic October Project. She was always a surprise, looking so delicate but having such a big, almost classical voice. She still has the big voice, but she's opting for an easier course of being eclectic by tossing faint nods at different styles while trying to hew firmly to the center of the road; she's sort of a thinking man's Celine Dion with rootsy touches. Is she successful? Well, the fact that two of these pieces have already appeared in movie soundtracks means yes. "Going Home" is fake Irish, with by-the-numbers chord changes and a violin solo from Mark O'Connor that he could probably knock off in his sleep. There's plenty of piano, and a fair bit of orchestral (or keyboard) swell on the songs, and the type of singing that passes for passion without ever having a whole lot of depth "Ben Aindi Habibi" does at least try to be different, but even that is diluted ...
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Track Listing of songs: Sie schrieen aber noch mehr; Erbarm es Gott; Knnen Trnen meiner wangen; Da nahmen die Kriegsknechte; O Haupt voll Blut und Wunden; Und da sie ihn verspottet hatten; Ja freilich will in uns das Fleisch und Blut; Komm, ssses Kreuz; Und da sie an die Sttte kamen; Ach Golgatha; Sehet, Jesus hat die Hand; Und von der sechtsten Stunde an; Wen ich einmal soll schreiden; Und siehe da, der Vorhang im Tempel zerriss; Am Abend, da es khle war; Mache dich, mein Herze, rein; Und Joseph nahm den Leib; Nun ist der Herr zur Ruh gebracht; Wir setzen uns miet Trnen nieder; Und er kam und fand sie aber schlafend; So ist mein Jesus nun gefangen; Und siehe, Einer aus denen; O Mensch, bewein dein Snde gro; Ach, nun ist mein Jesu hin; Die aber Jesum gegriffen hatten; Mir hat die Welt trglich gericht; Und wiewohl viel falsch Zeugen herzutraten; Mein Jesus schweigt zu falschen Lgen; Geduld; Und der Hohepriester antwortete; Wer hat dich so geschlagen; Petrus aber sa drauen im Palast; Erbarme dich; Bin ich gleich von dir gewichen; Des Morgens aber hielten alle Hohepriester; Gebe mir meinem Jesum wieder; Sie hielten aber einen Rat; Befiel du deine Wege; Auf das Fest aber hatte ...
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A diverse performer with extensive solo and ensemble experience, Audrey Cupples has traveled throughout the United States, performing in such prestigious concert halls as New York's Carnegie Hall and Boston's Symphony Hall. Ms. Cupples was also part of an historic 18-day concert tour of the Soviet Union in 1990 that took her to Kiev, Moscow, Leningrad, L'vov, and Minsk. In 1992, she traveled to England for another concert tour that took her to the White Cliffs of Dover and London, where the final concert was ...
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