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In 1988, prior to their graduation from Ohio's Antioch College (where the band was formed), the Gits recorded a collection of tracks for a cassette-only release. The cassette, which appeared nearly 4 years before their first "official" album FRENCHING THE BULLY, features early versions of what came to be Gits classics ("Cut My Skin it Makes Me Human" and "Kings & Queens" are especially good). There is also the inevitable track or two that displays more enthusiasm than actual skill, and the odd cover, such as a gritty, sneering version of the Stooges "Loose" that does Iggy and the boys proud.
Other standouts include a version of "It All Dies Anyway" that is slightly looser and more swinging than the subsequent version from FRENCHING THE BULLY, "Snivelling Little Rat Faced Git" (which, incidentally, was the band's original name), a intricate blink-and-you-miss-it sliver of pure punk, and "Still You Don't Know What It's Like," which recalls X circa-UNDER THE BIG BLACK SUN. KINGS & QUEENS is a surprisingly well-formed album for what essentially amounts to a collection of demo recordings, and another must-have chapter in the saga of the Gits.
This recording of THE GITS was made in Ohio in 1988 before their emigration to Seattle. It was recorded in a studio in one take to two stereo tracks. 100 cassettes were produced and sold in a matter of days. After the murder of Gits front-woman Mia Zapata, the band decided to release this early recording.It shows a musical depth and feeling not heard very often in punk music. It showcases Mia Zapata's vocal range and ability to improvise like a great blues singer.I recommend it to anyone new to the music of THE GITS, or those wanting to delve deeper into the musical contributions of THE GITS or Zapata as an artist.
Recorded at Soundspace, Yellow Springs, Ohio in 1988. "Graveyard Blues" was recorded live at the Canal Street Tavern, Dayton, Ohio. Originally released as PRIVATE LUBS, in 1988. Includes liner notes by Peter Sheehy.
The Gits: Mia Zapata (vocals); Joe Spleen (guitar); Matt Dresdner (bass); Steve Moriarty (drums).
Alternative Press (3/97, p.67) - 3 (out of 5) - "...documents...the Gits' early days...invites the listener into the band's world at a time when it was not saturated with pain, but rather filled with promise." Gits Kings And Queens Songs Kings And Queens Review
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Purchase Kings And Queens CD To buy, Click on price to add to cart | Beatles Please Please Me CD (1963)
Kings And Queens
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| | Gits Seafish Louisville CD (2000)
Kings And Queens
$11.59 This is an Enhanced audio CD which contains regular tracks and multimedia computer files.
This CD contains previously unreleased songs, live performances and remixed, remastered material.
Recorded live on January 14, 1993. Includes liner notes by Peter Sheehy.
After the murder of singer Mia Zapata in 1993, the remaining Gits decided to make a change and formed Evil Stig ("Gits Live" backward) with Joan Jett to record an album and perform a benefit concert in 1995 to the memory of Zapata. Seafish Louisville acts as a fine example of another sort of memorial for Zapata, as it highlights her rousing, powerful voice. The album is primarily a collection of live recordings of this Seattle band, with outtakes and such sprinkled in. The music is pulsing, driving, and at times will take on a grungy, metallic taste. The final track is an instrumental, almost as if the band demonstrates the massive loss they feel personally, as well as how central Zapata was to the sound of the Gits. ~ Jeremy Salmon
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| | Yo La Tengo And Then Nothing Turned Itself Inside Out CD (2000)
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| | Gits Frenching The Bully CD (1992)
Kings And Queens
$11.59 Remixed from the original master tapes by Jack Endino and The Gits.
FRENCHING THE BULLY, the Gits' debut album--and the only one released before the murder of singer Mia Zapata--encapsulates the band's sound and fury in a way that few debuts do. The skeleton of their sound, Steve Moriarty's high-speed drumming, is fleshed out with Matt Dresdner's astonishingly flexible bass and Joe Spleen's scorched-earth guitar heroics. The real star, though, is Zapata's voice. Occasionally ragged and often spine-chilling, but always powerful--comparisons to Janis Joplin are not entirely unwarranted--she belts out lyrics that often deal with the struggle to survive in the face of internal or external hostility.
Standouts include "Another Shot of Whiskey," an extremely catchy slab of vitriol with some very subtle hooks, the swaggering "Slaughter of Bruce," a take on country punk (emphasis on the punk) with a drum break more passionate than skillful, and the pair of "While You're Twisting I'm Still ...
| | Gits Enter: The Conquering Chicken CD (1994)
Kings And Queens
$11.59 Before the Gits' second album, Enter: The Conquering Chicken, could be completed, lead singer Mia Zapata was brutally raped and murdered, lending an atmosphere of solemnity to the proceedings that might not otherwise be so prevalent. The tone of this record is actually lighter than the previous one, although that's due in large part to some of the filler material necessitated by Zapata's absence; most of it is lighthearted, especially given the circumstances, and there are two versions of "Social Love" back to back, one a solo acoustic performance by Zapata. The first half of the record holds much of its substance, including a surprisingly effective cover of Sam Cooke's "A Change Is Gonna Come," and Zapata's fully fleshed-out originals can be positively harrowing. Enter: The Conquering Chicken can't quite be up to the level of Frenching the Bully, since there's no way the album could ...
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