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Pachelbel / Tchaikovsky - Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So CD Cover Art

Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So CD

 Pachelbel / Tchaikovsky CDS
5 stars (1 Customer Review)

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Category Classical, Romantic Period, 20th Century Period, Baroque Period, Fantasy, Quartet, Serenade, Carol, Canon, Gigue
Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So Music


Detailed Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So Music Information



List Price $9.98 (You save $0.69)
Label Telarc
All Time Sales Rank   6488  
CD Universe Part number 1129507
Catalog number 80080
Discs 1
Release Date Oct 25, 1990
Mono/Stereo Stereo
Recording Time 47 minutes
Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So Classical Review


Customer Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars The Best Canon
Pachelbel's Canon in D Major is one of the best known classical themes, and can be found on a variety of recordings. The best CD by far is with The Saint Louis Symphony Orchestra conducted by Leonard Slatkin. The sound is superb, the performance is lush, and the rest of the disc contains wonderful companion pieces.
Submitted by basicrep (Charleston SC)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

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Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So Songs


Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So Songs Detailed Work Information



1. Quartet for Strings no 2 in D major: 3rd movement, Andante "Nocturne"  (7:07)
   Common Name  Quartet For Strings
   Composer  Alexander Borodin (1833 - 1887)
   Conductor  Leonard Slatkin
   Genre  Quartet / Romantic Period
   Date Written  1881
   Ensemble  St. Louis Symphony Orchestra
   Period  Romantic
   Country  Russia
   Recording  Studio
   Venue  Powell Symphony Hall, St Louis
   Recording Date  10/12/1982
2. Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon  (6:04)
   Common Name  Canon And Gigue For 3 Violins And Basso Continuo
   Composer  Johann Pachelbel (1653 - 1706)
   Conductor  Leonard Slatkin
   Genre  Baroque Period / Canon
   Ensemble  St. Louis Symphony Orchestra
   Period  Baroque
   Country  Germany
   Recording  Studio
   Venue  Powell Symphony Hall, St Louis
   Recording Date  10/12/1982
3. Serenade for Strings in C major, Op. 48  (28:48)
   Common Name  Serenade For Strings
   Composer  Peter Ilyich Tchaikovsky (1840 - 1893)
   Conductor  Leonard Slatkin
   Genre  Romantic Period / Serenade
   Date Written  1880
   Ensemble  St. Louis Symphony Orchestra
   Period  Romantic
   Country  Russia
   Recording  Studio
   Venue  Powell Symphony Hall, St Louis
   Recording Date  10/12/1982
4. Fantasia on Greensleeves  (4:27)
   Composer  Ralph Vaughan Williams (1872 - 1958)
   Conductor  Leonard Slatkin
   Genre  20th Century Period / Carol / Fantasy
   Date Written  1934
   Ensemble  St. Louis Symphony Orchestra
   Period  20th Century
   Country  England
   Recording  Studio
   Venue  Powell Symphony Hall, St Louis
   Recording Date  10/12/1982


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Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So Music


Elements featured on Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So CD



Composers on Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So CD : Alexander Borodin, Johann Pachelbel, Peter Ilyich Tchaikovsky, Ralph Vaughan Williams

Conductors on Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So CD : Leonard Slatkin

Ensembles on Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So CD : St. Louis Symphony Orchestra

Genres on Pachelbel: Kanon; Et Al / Slatkin, Saint Louis So CD : 20th Century Period, Baroque Period, Canon, Carol, Fantasy, Quartet, Romantic Period, Serenade

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2nd Rel;Combination Of Clatter Ing Percussion,Droning Strings
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Selections recorded 1941-1942.
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This recording received the 1998 Gramophone magazine award for "Best Chamber Recording" and was nominated for the 1999 Grammy Award for "Best Chamber Music Performance." The string quartet has long been considered the central vehicle for a composer to express his most intimate thoughts; Bartók was no exception. From the late romanticism of the first quartet to the gloom of the final one (written during World War II) the cycle traverses the whole of Bartók's compositional life. Despite the upheaval in music during his lifetime (the composer admitted that Alban Berg's twelve-tone 'Lyric Suite' changed his life) Bartók neither entirely abandoned tonality nor jettisoned his folk-based idioms. From the first quartet to the last, all of the composer's trademark signatures are here--the spiky rhythms, jagged juxtapositions and the relentless motoric drive of the fast movements. Though a music jury would be hard-pressed to cite a standout track, they might choose the eerie but gorgeous "night music" movement from the Fourth quartet, surely one of the most riveting slow movements in modern quartet literature. In the hands of the Takács all the quartets receive vibrant and committed performances. Fanfare (5-6/98, pp.78-79) - "...The current ensemble is not as smoothly integrated as the original Takács, but it has a more colorful sound....For those who like to compare alternate versions...this colorful, sumptuously recorded new Takács recording...has much to offer..." BBC Music (5/98, p.56) - Performance: 5 (out of 5), Sound: 5 (out of 5) - "...The players' rhythmic dynamism and heights of virtuosity, their capacity for rapid shifts of mood and their strongly poetic collective imagination are ideal for Bartók....The performances are all delightful and enlightening..." REVIEWS:
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Track Listing of songs: Die Vier Jahreszeiten: Der Sommer 3. Satz; Thais: Meditation; Scabourough Fair; Ungarischer Tanz Nr. 5; Nocturne C-dur; Gymnopedie Nr. 2; Prelude Nr. 1; Air; Danny Boy; Czardas; Ankunft der Königin von Sheba; Ave Maria; Das Mädchen mit den Flachshaaren; Gymnopedie Nr. 1; Prelude Nr. 2; Der Hummelflug; Banjo ; Fiddle; Zigeunerweisen; Urge For Going; Melody In The Wind;
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