| | Pavarotti - The Early Years Vol 1 CD Pavarotti, Luciano CDS
 (1 Customer Review)
Pavarotti - The Early Years Vol 1 Music | List Price | $7.99 (You save $0.30) | | Label | RCA Victor Gold Seal | | All Time Sales Rank |  5549  | | CD Universe Part number | 1131786 | | Catalog number | 62541 | | Discs | 1 | | Release Date | Sep 13, 1994 | | Mono/Stereo | Mono | | Recording Time | 51 minutes | | Re-Release | Yes |
Pavarotti - The Early Years Vol 1 Classical Review Pavarotti - The Early Years Vol 1 Songs 1. I puritani: A una fonte afflitto...Corre a vale (3:12)  Windows Media  Real Audio | | Common Name | I Puritani | | Composer | Vincenzo Bellini (1801 - 1835) | | Conductor | Argeo Quadri | | Performer | Luciano Pavarotti (Tenor - Arturo) | | Genre | Duet / Opera / Romantic Period | | Date Written | 1835 | | Ensemble | Catania Teatro Massimo Bellini Opera Orchestra | | Period | Romantic | | Language | Italian | | Country | Italy | | Recording | Live | | Venue | Catania, Italy | | Recording Date | 03/22/1968 | | 2. L'Elisir d'Amore: Una furtiva lagrima (4:53) Windows Media Real Audio | | Common Name | L'elisir D'amore | | Composer | Gaetano Donizetti (1797 - 1848) | | Conductor | Nino Bonavolonta | | Performer | Luciano Pavarotti (Tenor - Nemorino) | | Genre | Aria / Opera / Romantic Period | | Date Written | 1832 | | Ensemble | Rome Symphony Orchestra | | Period | Romantic | | Language | Italian | | Country | Italy | | Recording | Live | | Venue | Rome | | Recording Date | 02/01/1967 | | 3. L'Elisir d'Amore: Quanto è bella! Quanto è cara! (2:27) Windows Media Real Audio | | Common Name | Quanto E Bella Quanto E Cara, L'elisir D'amore | | Composer | Gaetano Donizetti (1797 - 1848) | | Conductor | Nino Bonavolonta | | Performer | Luciano Pavarotti (Tenor - Nemorino) | | Genre | Aria / Opera / Romantic Period | | Date Written | 1832 | | Ensemble | Rome Symphony Orchestra | | Period | Romantic | | Language | Italian | | Country | Italy | | Recording | Live | | Venue | Rome | | Recording Date | 02/01/1967 | | 4. La fille du régiment: Ah, mes amis...Pour mon âme (7:45) Windows Media Real Audio | | Common Name | La Fille Du Regiment | | Composer | Gaetano Donizetti (1797 - 1848) | | Conductor | Nino Sanzogno | | Performer | Luciano Pavarotti (Tenor - Tonio)
Giuseppe Morresi (Bass Baritone - Corporal) | | Genre | Aria / Opera / Romantic Period | | Date Written | 1840 | | Ensemble | Milan Teatro alla Scala Orchestra | | Period | Romantic | | Language | Italian | | Country | Italy | | Recording | Live | | Venue | Teatro Alla Scala, Milan, Italy | | Recording Date | 02/11/1969 | | 5. Manon: Ah! fuyez, douce image (4:45) Windows Media Real Audio | | Common Name | Ah Fuyez Douce Image | | Composer | Jules Massenet (1842 - 1912) | | Conductor | Peter Maag | | Performer | Luciano Pavarotti (Tenor - Chevalier des Grieux) | | Genre | Aria / Opera / Romantic Period | | Date Written | 1883-1884 | | Ensemble | Milan Teatro alla Scala Orchestra | | Period | Romantic | | Language | Italian | | Country | France | | Recording | Live | | Venue | Teatro Alla Scala, Milan, Italy | | Recording Date | 05/31/1969 | | 6. Manon: En fermant les yeux "Dream of des Grieux" (3:02) Windows Media Real Audio | | Composer | Jules Massenet (1842 - 1912) | | Conductor | Peter Maag | | Performer | Luciano Pavarotti (Tenor - Chevalier des Grieux)
Mirella Freni (Soprano - Manon Lescaut) | | Genre | Aria / Opera / Romantic Period | | Date Written | 1883-1884 | | Ensemble | Milan Teatro alla Scala Orchestra | | Period | Romantic | | Language | Italian | | Country | France | | Recording | Live | | Venue | Teatro Alla Scala, Milan, Italy | | Recording Date | 05/31/1969 | | 7. La Bohème: Che gelida manina (4:50) Windows Media Real Audio | | Common Name | La Boheme | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Nino Bonavolonta | | Performer | Luciano Pavarotti (Tenor - Rodolfo) | | Genre | Aria / Opera / Romantic Period | | Date Written | 1896 | | Ensemble | Rome Symphony Orchestra | | Period | Romantic | | Language | Italian | | Country | Italy | | Recording | Live | | Venue | Rome | | Recording Date | 02/01/1967 | | 8. La Bohème: O soave fanciulla (4:11) Windows Media Real Audio | | Common Name | La Boheme | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Leone Magiera | | Performer | Luciano Pavarotti (Tenor - Rodolfo)
Mirella Freni (Soprano - Mimì) | | Genre | Duet / Opera / Romantic Period | | Date Written | 1896 | | Ensemble | Modena Teatro Comunale Orchestra | | Period | Romantic | | Language | Italian | | Country | Italy | | Recording | Live | | Venue | Modena, Italy | | Recording Date | 12/29/1967 | | 9. La fille du régiment: Depuis l'instant (8:53) Windows Media Real Audio | | Common Name | La Fille Du Regiment | | Composer | Gaetano Donizetti (1797 - 1848) | | Conductor | Nino Sanzogno | | Performer | Luciano Pavarotti (Tenor - Tonio)
Mirella Freni (Soprano - Maria) | | Genre | Duet / Opera / Romantic Period | | Date Written | 1840 | | Ensemble | Milan Teatro alla Scala Orchestra | | Period | Romantic | | Language | Italian | | Country | Italy | | Recording | Live | | Venue | Teatro Alla Scala, Milan, Italy | | Recording Date | 02/11/1969 | | 10. Stabat mater: Cujus animam (6:19) Windows Media Real Audio | | Common Name | Stabat Mater | | Composer | Gioachino Rossini (1792 - 1868) | | Conductor | Carlo Maria Giulini | | Performer | Luciano Pavarotti (Tenor) | | Genre | Aria / Romantic Period / Stabat Mater | | Date Written | 1832/1842 | | Ensemble | Santa Cecilia Academy Rome Orchestra | | Period | Romantic | | Language | Latin | | Country | Italy | | Recording | Live | | Venue | Rome | | Recording Date | 12/22/1967 |
Pavarotti - The Early Years Vol 1 Music Composers on Pavarotti - The Early Years Vol 1 CD : Vincenzo Bellini, Gaetano Donizetti, Jules Massenet, Giacomo Puccini, Gioachino Rossini Conductors on Pavarotti - The Early Years Vol 1 CD : Nino Bonavolonta, Carlo Maria Giulini, Peter Maag, Leone Magiera, Argeo Quadri, Nino Sanzogno Ensembles on Pavarotti - The Early Years Vol 1 CD : Catania Teatro Massimo Bellini Opera Orchestra, Milan Teatro alla Scala Chorus, Milan Teatro alla Scala Orchestra, Modena Teatro Comunale Orchestra, Rome Symphony Orchestra, Santa Cecilia Academy Rome Orchestra Genres on Pavarotti - The Early Years Vol 1 CD : Aria, Duet, Opera, Romantic Period, Stabat Mater Performers on Pavarotti - The Early Years Vol 1 CD : Mirella Freni, Giuseppe Morresi, Luciano Pavarotti Purchase Pavarotti - The Early Years Vol 1 To buy, Click on price to add to cart | Luciano Pavarotti Pavarotti - The Early Years Vol. 2 CD (1995)
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About This CD Bach wrote six Suites for cello alone and six Partitas for violin alone. They were written in 1720; he was 35 years old. The most remarkable fact about these masterpieces is that they were written at all. In 1720, Bach was employed at the provincial court at Koethen, Saxony. His duties there were to provide music for specific occasions. Sunday services, weddings, and special events at court required his services as organist and composer, but there is no apparent reason for the writing of substantial works for cello or violin alone. There were no cello or violin masters in Bach's immediate vicinity. So, for whom were these works written and who played them? We don't know. One can only assume that Bach was flexing his compositional muscles in this labor of love. It is a lucky thing for us that he did. He was the first composer of stature to write for cello alone. In that, he was generations ahead of his time. Not until the 20th century do we find music comparable to Bach's for the solo cello. The Suite was a popular form in Bach's day. It came from France, as the French movement titles suggest, and was embraced by German composers as a neat way to compose dance-like music for public use. There are usually 6 movements in every Suite. The Prelude is the curtain-raiser and foreshadows the atmosphere of the work, the Allemande is more or less stately, the Courante is on the quick side, the Sarabande, very slow and introspective, the Bourées (or Gavottes) lighthearted, and the final Gigue is a romp. This is a very general description. The particulars vary from Suite to Suite. For me, the following describes the Suites: No. 3 in C Major - majestic, very positive. No. 2 in D Minor - introspective, delicate and the shortest of the three. No. 6 - a very different story. It was written for either the five-stringed Violoncello Piccolo or Viola Pomposo which was held under the chin and had a very short career. But, the instrument inspired Bach to write this masterpiece. No. 6 is in turn a sunny, rhapsodic, deeply philosophical work of large and generous proportions. It has a soprano quality because the cello uses a great deal of its uppermost registers. It is interesting to note that Bach has no dynamic markings in any of the Suites, except for No. 6, and here only in the first few measures of the Prelude. Bach trusted his performers to come up with the right interpretation. J.S. Bach ( 1685 -1750) He was born in Eisenach, Germany into a vast family of musicians. Largely self-taught, he survived a hard childhood and became the most important member of the Bach family. His genius combined outstanding performing ability with supreme creative powers. His art was of an encyclopedic nature, drawing together techniques, styles, and general achievements of his own and of earlier generations, and leading on to new perspectives, which influence is still felt to this way. Bach was twice married, he fathered twenty children, most of whom did not reach adulthood. He wrote Cantatas (sacred and secular), Masses, Passions and Oratorios, Motets, Chorales, Sacred Songs, Arias, works for organ and keyboard, Chamber music, Orchestral music, studies in counterpoint and canon. His last post was at the St. Thomas Church in Leipzig, ...
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