Alto saxophonist Paul Desmond has been considered one of the avatars of the cool school of jazz. One of the few saxophonists of his generation to not be overly influenced by Charlie Parker, Desmond favored a sound that was somewhat mellow, suave, smooth and dry--so much so that critics and fans would liken his style to "a very dry martini." These appellations certainly weren't meant to imply that there's no emotion or swing in his playing, only that the focus is away from forced emotionalism.
TAKE TEN was recorded in 1963, with a small crew of sympatico musicians, including one of the finest mainstream jazz guitarists ever, Jim Hall. Hall and Modern Jazz Quartet drummer Connie Kay are the closest thing to "counterparts" on their instruments to the Desmond approach: tight, economical, tasteful. Everyone compliments each other perfectly. The program mixes originals, standards ("Alone Together") and several bossa nova pieces ("Samba De Orpheau," "Theme From Black Orpheus"). Desmond makes each piece his own. Nicely recorded, this album is recommended for both fans and newcomers.
Recorded at Webster Hall, New York, New York between June 5 & 25, 1963.
Composers: Isham Jones; Andre Michel Salvet; Hugh Peretti; Luigi Creatore; Luiz Bonfá; Phil Silvers; Antônio Maria; Arthur Schwartz; Paul Desmond.
Lyricists: Gus Kahn; Howard Dietz; James Van Heusen.
Personnel: Paul Desmond (alto saxophone); Jim Hall (guitar); Connie Kay (drums).
Liner Note Author: Gene Kalbacher.
Recording information: Webster Hall Studios, New York, NY (06/19/1961-06/25/1963); Webster Hall, New York, NY (06/19/1961-06/25/1963).
Photographer: Ray Avery.
Personnel: Paul Desmond (alto saxophone); Jim Hall (guitar); Gene Cherico, Gene Wright (bass); Connie Kay (drums).
Paul and Hall The combination of paul's "dry martini" alto sax , jim hall's silky guitar is fabulous again. Add the best rythen guys around and this disc is a must own for desmond lovers.The guy might just be the best alto sax palyer to ever live.I am well on my way to my personal goal of owning everything he ever recorded. This disc is a beautiful addition to that goal. Submitted by cjchickering (Michigan) Was This Review Helpful? YesNo 1 of 1 found this helpful.
Desmond Aside from the first cut, I think this is one of Desmond's best CDs. Seems like Desmond and Hall always work well together and guarantee great listening. Really like this CD. Submitted by Ed (Escondido, CA) Was This Review Helpful? YesNo 1 of 1 found this helpful.
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