| | Guru Jazzmatazz CD Guru Discography of CDs
(2 Customer Reviews)
As half of the pioneering duo Gang Starr, Guru can count himself among a select handful of innovators (DJ Jazzy Jeff, Stetsasonic, Native Tongues) who in the late '80s introduced jazz's tonal complexity into the hip-hop universe. It makes a certain amount of sense then, that his solo debut is actually a series of collaborations with various jazz artists. Although retro by design (the packaging makes use of the classic Blue Note graphic style), and regressive in it's violation of hip-hop's "maximum effect/minimum means" law of production values, JAZZMATAZZ nonetheless opened up a space for a progressive interplay between hip-hop and jazz.
The man who picked DJ Premier out of a stack of anonymous demos in the Wild Pitch offices hadn't lost his ear for choosing musical conspirators and here he draws on the talents of fusion legends like Roy Ayers and trumpet virtuoso Donald Byrd. Despite their august presence, some of the disc's strongest moments showcase younger artist like Paris-based MC Solaar and his DJ Jimmy Jay (Le Bien Le Mal), Brand New Heavies vocalist N'Dea Davenport on "Trust Me," and Courtney Pine on "Sights in the City."
Recorded at D&D Studios, New York, New York. Includes liner notes by Bill Adler.
Personnel: Guru (rap vocals); Big Shug, Black Jack, Mickey "Mus Mus," The Cutthroats (vocals); Zachary Breaux (guitar); Gary Barnacle (saxophone, flute); Simon Law (keyboards); DJ Jazzy Nice, DJ Jimmy Jay (scratches); Lil' Dap (drums).
Engineers include: Joe Quinde, Craig Marcus, Kieran Walsh.
Rolling Stone (6/24/93, p.83) - 3.5 Stars - Very Good - "...JAZZMATAZZ dishes up a pottage of fat jazz rhythms set off by message-oriented lyrics...proves that given the proper chemistry, a marriage of opposites can create a new union that stands independent and proud in a league of its own..." Spin (6/93, p.82) - Highly Recommended - "...The album slides along as if it's on ball bearings...a noble and successful effort, an album that, like the sexy-sweet relationship jazz and hip hop enjoy, is easy to get into, and hard to pull yourself away from..." Q (8/93, p.92) - 4 Stars - Excellent - "...Guru may be heavily steeped in the jazz tradition but his roots are in hip hop, with the result that...JAZZMATAZZ delivers on the rap front..." Down Beat (6/93, p.38) - 3.5 Stars - Good Plus The Source (5/93, p.72) - "...solid, innovative and relaxed variations on jazz and hip-hop. This should also silence those who mistakenly believe that rap is not musical..." Musician (6/93, p.89) - "...offers his audience a chance to hear some talented players as artists in their own right, not just fodder for somebody else's samples..." Jazzmatazz Music | List Price | $11.98 (You save $2.79) | | Category | Rock/Pop Albums, Jazz CDs, R&B, Pop, Rap, Soul/R&B, Urban Soundtrack, Acid Jazz | | Label | Virgin | | Orig Year | 1993 | | All Time Sales Rank | 12723  | | CD Universe Part number | 1135950 | | Catalog number | 21998 | | Discs | 1 | | Release Date | May 18, 1993 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Guru | | Recording Time | 44 minutes | | Personnel | Gary Barnacle - saxophone, flute Guru - rap vocals Big Shug Lil Dap - drums Zachary Breaux - guitar Simon Law - keyboards Black Jack D.J. Jazzy Nice " The Cutthroats - vocals D.J. Jimmy Jay - scratches Mickey "Mus Mus
Also: Branford Marsalis, Donald Byrd, Roy Ayers, N'Dea Davenport, Courtney Pine, Lonnie Liston Smith, Ronny Jordan, MC Solaar |
Purchase Jazzmatazz CD To buy, Click on price to add to cart | Guru Jazzmatazz II: The New Reality CD (1995)
Jazzmatazz album
$9.39 The follow-up to the heavily acclaimed Jazzmatazz, Vol. 1. This album might not have quite as much jazz-rap power as the first volume did, but it's still quite good. Some of the big guns of jazz found their way into the album, including Branford Marsalis (who, of course, had already experimented with urban beats a bit with his Buckshot Lefonque project), Freddie Hubbard, Ramsey Lewis, and Kenny Garrett. Underground rapper Kool Keith (at this point still ...
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| | D'Angelo Voodoo CD (2000)
Jazzmatazz music CDs
$10.99 VOODOO won the 2001 Grammy Award for Best R&B Album. "Untitled (How Does It Feel)" won the 2001 Grammy Award for Best Male R&B Vocal Performance. The song was also nominated for the 2001 Grammy Award for Best R&B Song.
When D'Angelo popped on the scene in '97 with his critical and commercial breakthrough BROWN SUGAR, he brought a gush of refreshing air to the musty world of soulful, sensual R&B. When VOODOO was released, little in the R&B world had changed, as the same stale, color-by-numbers vocals sung over the simplest of beats--ripped off from Teddy Riley or Timbaland--dominated the genre. But once again, the singer/songwriter (for that's what he is) dropped a dose of energy into the soul planet with his invigorating, ...
| | Christine Hitt You'D Be So Nice To Come Home To CD (1999)
Jazzmatazz songs
$14.59 This is an Enhanced audio CD which contains regular audio tracks and multimedia computer files.
An artist from Minnesota who studied piano at U-Minnesota and U-Arizona, Hitt recorded these sessions at Southern Illinois University and Studio 88 in St. Louis. This is her debut CD, revealing her talents as a pleasant enough vocalist and pianist whose ultimate comparison could be to Diana Krall, but who ostensibly sounds nothing like the pop-jazz chanteuse. In fact, Hitt plays better piano and sings in a less affected way -- very naturally and comfortably in her midrange. She's not histrionic, but she scats quite skillfully on many occasions, swings without flash or cabaret inclinations, and avoids blatant cuteness. Bassist Tom Kennedy and drummers Jeff Hamilton (five cuts) and Todd Strait (nine cuts) stoke the rhythm, while guitarist Rick Haydon and clarinetist Scott Alberici appear here and there. Ray Kennedy is credited on piano, but his name is missing from any track listings; Hitt sings and plays her own piano throughout, unless there's a typo. This program of 15 standards varies as one might expect, from love ballads and Brazilian music to fun tunes, though there isn't much blues. Hitt scats on the title track, and on "Joyride" she scats exclusively, not singing a written lyric; she ...
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