| | Bach: Clavier Übung, Book 3 CD Bach, Johann Sebastian CDS
Bach: Clavier Übung, Book 3 Music | List Price | $31.97 (You save $3.72) | | Label | Haenssler | | Orig Year | 7/13/1999 | | All Time Sales Rank |  63414  | | CD Universe Part number | 1136406 | | Catalog number | 92101 | | Discs | 2 | | Release Date | Jul 13, 1999 | | Recording Time | 1 41 |
Bach: Clavier Übung, Book 3 Review
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MY HITS & LOVE SONGS is a retrospective for classic country songwriter Glen Campbell. U.K.-issued on Capitol Records, there are 36 essentials here including Hank Williams' "Your Cheating Heart," "
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This three-hour tribute to the music of Wolfgang Amadeus Mozart is hosted by Andre Previn. The show travels to some of the destinations Mozart worked in--specifically Frankfurt, Munich, and Vienna on this installment--and features some haunting interpretations of his works.
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A documentary on one of the world's greatest composers, MOZART ON TOUR is hosted by André Previn, with various musicians offering faithful interpretations of classic Mozart works.
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This is the definitive American collection of music by Nana Mouskouri, the Greek singer who became a chanteuse of world music and especially French pop. Form the earliest tracks like "Ave Maria" and her gorgeous reading of Simon & Garfunkel's "Scarborough Fair," to Georges Bizet's "Habanera" and even Edwin Hawkins' "Oh Happy Day!" All of these appear on the first disc, but it's on disc two where the collection gets moving with her readings of "The Rose," "Prelude un Enfant," and, of course, Michel LeGrand's "Quand on S'Aime." Gold is simply high quality in 24-bit remastered sound from beginning to end. ~ Thom Jurek
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2009 Winner, Best Classical/Vocal Album, JPF AwardsEDITORIAL REVIEW"Subtle and effective variety within an artistic unity. This CD reminds one of how good these songs are just as musical sound. A very beautiful recording." --Christopher Goodwin in Lute News, newsletter of the Lute Society (UK)PROGRAM NOTES This recording is an exploration of music from the French court of the early 17th century, much of it surviving from the Ballet de cour, which was a lavish courtly entertainment much like the English masque, complete with songs, dances and extravagant costumes and staging. The popular songs extracted from the Ballets were known as airs de cour. Themes in the poetry of most airs seem to dwell upon one of three subjects; unrequited love, the sometimes inexplicable interactions of mythological deities, or idyllic scenes of nymphs and shepherds. Our descriptor, airs de court, is taken from Jean Baptiste Besard's Thesaurus Harmonicus (Cologne, 1603), one of the earliest sources for the airs performed here. While most of the music on this disc was originally published to represent music that was sung and played at the royal courts, the audience for these publications was the merchant class, who were eager to invest their wealth in emulating the trappings of the noble houses. Understanding this crucial link enables us to take the music one step closer from the museum to the present moment by redefining the repertory as domestic music. We also include two psalm settings for voice and lute to emphasize the significant role psalm singing played in domestic life in the 16th and 17th centuries. 'Mignonne allons voir si la rose', a song of seduction from the poetry of Pierre Ronsard, is found only as a single melody line in its original setting (Jehan Chardavoine, Recueil de chansons en forme de voix de ville, 1576). In reconstructing a plausible rendition, we discovered that the tune works perfectly with minor adjustments to Adrian Le Roy’s Passemeze harmonization. Since LeRoy set several other poems by Ronsard in a similar manner, we feel our setting is historically justifiable and we trust it is eminently listenable. The 'Preludium in d' is from a collection of psalm settings with variations for solo lute by Nicolas Vallet (Regia Pietas, Amsterdam, 1620). Vallet, a Protestant expatriate from France, also published a collection of psalms for lute and voice (Een en twintich Psalmen Davids, Amsterdam, 1615), from which we perform Psalm 137, Estans assis aux rives aquatiques. The psalm tune appears in long note values and was originally intended to be sung by the lutenist while playing the elaborate filigree of polyphonic decoration. 'Si jamais mon ame blessée' is among the better-known airs de cour attributed to Pierre Guédron. It was first published as a solo air with lute accompaniment by Jean Baptiste Besard in his Thesaurus Harmonicus (Cologne, 1603). For our recording, we have chosen a later setting from the series of prints published by Ballard (1615) which, with its more refined rhythmic subtleties, we believe more closely represents the composer’s original conception of the air than does the slightly more ornamented version found in Besard. The 'Courante' by Jacques Gaultier is a fine example of this delicate dance form with its characteristic ‘broken style’ variations. Jacques was a more colorful representative of the famous Gaultier family, who produced at least four famous lutenists, and he spent most of his life as an exile in England, apparently on the lam from a murder rap. Our recording of this piece is, to our knowledge, the first. 'Rosette pour un peu d’absence' is a playfully indignant setting of a poem by Philippe Desportes (1546-1606) and the melody may be derived from a four-part ...
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