| | Edition Bachakademie Vol 101 - Clavier Übung Part III CD Johann Sebastian Bach Discography of CDs
Edition Bachakademie Vol 101 - Clavier Übung Part III Music | List Price | $31.97 (You save $3.72) | | Category | Classical Albums, Classical Composers CDs, Chamber Music/Recitals, Baroque Period, Prelude, Duet, Fugue, Chorale Prelude, Invention, Fughetta | | Label | Hänssler Classic | | All Time Sales Rank |  63542  | | CD Universe Part number | 1136406 | | Catalog number | 92101 | | Discs | 2 | | Release Date | Jul 13, 1999 |
Edition Bachakademie Vol 101 - Clavier Übung Part III Review
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This is the definitive American collection of music by Nana Mouskouri, the Greek singer who became a chanteuse of world music and especially French pop. Form the earliest tracks like "Ave Maria" and her gorgeous reading of Simon & Garfunkel's "Scarborough ...
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2009 Winner, Best Classical/Vocal Album, JPF AwardsEDITORIAL REVIEW"Subtle and effective variety within an artistic unity. This CD reminds one of how good these songs are just as musical sound. A very beautiful recording." --Christopher Goodwin in Lute News, newsletter of the Lute Society (UK)PROGRAM NOTES This recording is an exploration of music from the French court of the early 17th century, much of it surviving from the Ballet de cour, which was a lavish courtly entertainment much like the English masque, complete with songs, dances and extravagant costumes and staging. The popular songs extracted from the Ballets were known as airs de cour. Themes in the poetry of most airs seem to dwell upon one of three subjects; unrequited love, the sometimes inexplicable interactions of mythological deities, or idyllic scenes of nymphs and shepherds. Our descriptor, airs de court, is taken from Jean Baptiste Besard's Thesaurus Harmonicus (Cologne, 1603), one of the earliest sources for the airs performed here. While most of the music on this disc was originally published to represent music that was sung and played at the royal courts, the audience for these publications was the merchant class, who were eager to invest their wealth in emulating the trappings of the noble houses. Understanding this crucial link enables us to take the music one step closer from the museum to the present moment by redefining the repertory as domestic music. We also include two psalm settings for voice and lute to emphasize the significant role psalm singing played in domestic life in the 16th and 17th centuries. 'Mignonne allons voir si la rose', a song of seduction from the poetry of Pierre Ronsard, is found only as a single melody line in its original setting (Jehan Chardavoine, Recueil de chansons en forme de voix de ville, 1576). In reconstructing a plausible rendition, we discovered that the tune works perfectly with minor adjustments to Adrian Le Roy’s Passemeze harmonization. Since LeRoy set several other poems by Ronsard in a similar manner, we feel our setting is historically justifiable ...
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