| | Edition Bachakademie Vol 101 - Clavier Übung Part III CD Bach, Johann Sebastian CDS
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Edition Bachakademie Vol 101 - Clavier Übung Part III Songs Purchase Edition Bachakademie Vol 101 - Clavier Übung Part III To buy, Click on price to add to cart | Novosobirsk So Taneyev: Oresteia Overture & Interlude, Canzona, Etc / Sanderling, Et Al CD (2009)
Edition Bachakademie Vol 101 - Clavier Übung Part III
 $7.19   | | Herbie Hancock Gershwin's World CD (1998) Hybrid; SACD Hybrid
Edition Bachakademie Vol 101 - Clavier Übung Part III
$15.95  
GERSHWIN'S WORLD won the 1999 Grammy Award for Best Jazz Instrumental Performance, Individual Or Group. "St. Louis Blues" won the 1999 Grammy Award for Best Male R&B Vocal Performance and Best Instrumental Arrangement Accompanying Vocal(s).
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
The epitome of a 20th Century musician, Herbie Hancock has always traversed wildly divergent stylistic paths, finding his way easily into jazz, funk, fusion, dance-pop and more. His ability to make valid individual statements in all these genres is part of what makes his compositions and performances so rich. So it doesn't seem at all incongrous for Hancock to interpret the work of George Gershwin, redefining much of the Gershwin canon in the process (with assistance from some world-class compatriots). Hancock's stated aim for GERSHWIN'S WORLD is to get inside the pieces, illustrating their essence rather than knocking off rote versions of these standards. Towards that end, "St. Louis Blues" is transmogrified by the soulful vocals and funky chromatic harmonica ...
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Edition Bachakademie Vol 101 - Clavier Übung Part III
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Edition Bachakademie Vol 101 - Clavier Übung Part III
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Edition Bachakademie Vol 101 - Clavier Übung Part III
$13.89  | | Beethoven: Triple Concerto, Septet /Shaham, Bronfman, Zinman CD (2006)
Edition Bachakademie Vol 101 - Clavier Übung Part III
$5.59 | | Beethoven: The Complete Piano Sonatas / Alfred Brendel CDs (1996)
Edition Bachakademie Vol 101 - Clavier Übung Part III
$131.89
| | R. Strauss: Arias / Julia Varády, Fischer-Dieskau, Et Al CD (2000) (Import) Import
Edition Bachakademie Vol 101 - Clavier Übung Part III
$25.09
This disc was nominated for the 2000 Gramophone magazine award for "Best
The enthralling singer-actress Julia Varady has remarked that "as a singer one must consider Richard Strauss as bel canto." This pronouncement raises the expectation that upon listening to this recording of Varady singing excerpts from four Strauss operas one will hear both long connected melodic line and a variety of carefully modulated vocal colors-hallmarks of the "beautiful singing" of the 19th century.
After a careful glance at the demanding music she has selected to perform here, her statement would be wishful thinking for most dramatic sopranos. But Varady is no run-of-the-mill soprano. Indeed, the singing on this recording ...
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Edition Bachakademie Vol 101 - Clavier Übung Part III
$14.29 | | Herbert: The Red Mill / Thompson, Ohio Light Opera Festival CDs (2001)
Edition Bachakademie Vol 101 - Clavier Übung Part III
$29.79 | | Corelli, Telemann, Et Al: Music For Recorder / Verhagen, Etc CD (2002)
Edition Bachakademie Vol 101 - Clavier Übung Part III
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Live Recording
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Edition Bachakademie Vol 101 - Clavier Übung Part III
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9cds-Eugen Jochum
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Edition Bachakademie Vol 101 - Clavier Übung Part III
$15.19
PROGRAM NOTES This recording is an exploration of music from the French court of the early 17th century, much of it surviving from the Ballet de cour, which was a lavish courtly entertainment much like the English masque, complete with songs, dances and extravagant costumes and staging. The popular songs extracted from the Ballets were known as airs de cour. Themes in the poetry of most airs seem to dwell upon one of three subjects; unrequited love, the sometimes inexplicable interactions of mythological deities, or idyllic scenes of nymphs and shepherds. Our descriptor, airs de court, is taken from Jean Baptiste Besard's Thesaurus Harmonicus (Cologne, 1603), one of the earliest sources for the airs performed here. While most of the music on this disc was originally published to represent music that was sung and played at the royal courts, the audience for these publications was the merchant class, who were eager to invest their wealth in emulating the trappings of the noble houses. Understanding this crucial link enables us to take the music one step closer from the museum to the present moment by redefining the repertory as domestic music. We also include two psalm settings for voice and lute to emphasize the significant role psalm singing played in domestic life in the 16th and 17th centuries. 'Mignonne allons voir si la rose', a song of seduction from the poetry of Pierre Ronsard, is found only as a single melody line in its original setting (Jehan Chardavoine, Recueil de chansons en forme de voix de ville, 1576). In reconstructing a plausible rendition, we discovered that the tune works perfectly with minor adjustments to Adrian Le Roy’s Passemeze harmonization. Since LeRoy set several other poems by Ronsard in a similar manner, we feel our setting is historically justifiable and we trust it is eminently listenable. The 'Preludium in d' is from a collection of psalm settings with variations for solo lute by Nicolas Vallet (Regia Pietas, Amsterdam, 1620). Vallet, a Protestant expatriate from France, also published a collection of psalms for lute and voice (Een en twintich Psalmen Davids, Amsterdam, 1615), from which we perform Psalm 137, Estans assis aux rives aquatiques. The psalm tune appears in long note values and was originally intended to be sung by the lutenist while playing the elaborate filigree of polyphonic decoration. 'Si jamais mon ame blessée' is among the better-known airs de cour attributed to Pierre Guédron. It was first published as a solo air with lute accompaniment by Jean Baptiste Besard in his Thesaurus Harmonicus (Cologne, 1603). For our recording, we have chosen a later setting from the series of prints published by Ballard (1615) which, with its more refined rhythmic subtleties, we believe more closely represents the composer’s original conception of the air than does the slightly more ornamented version found in Besard. The 'Courante' by Jacques Gaultier is a fine example of this delicate dance form with its characteristic ‘broken style’ variations. Jacques was a more colorful representative of the famous Gaultier family, who produced at least four famous lutenists, and he spent most of his life as an exile in England, apparently on the lam from a murder rap. Our recording of this piece is, to our knowledge, the first. 'Rosette pour un peu d’absence' is a playfully ...
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Edition Bachakademie Vol 101 - Clavier Übung Part III
$18.39
Track Listing of songs: Adagio für Streicher op. 11 Nr. 2; Jesu, joy of man's desiring; 3. Allegro; 3. Adagio; Belle nuit ô nuit d'amour; Air; Clair de lune; In paradisum; Adagio; Nocturne; 2. Adagio; ...
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