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Bach, Johann Sebastian - Edition Bachakademie Vol 101 - Clavier Übung Part III CD Cover Art

Edition Bachakademie Vol 101 - Clavier Übung Part III CD

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Category Classical, Classical Composers, Chamber Music/Recitals, Baroque Period, Prelude, Duet, Fugue, Chorale Prelude, Invention
Edition Bachakademie Vol 101 - Clavier Übung Part III Music


Detailed Edition Bachakademie Vol 101 - Clavier Übung Part III Music Information



List Price $31.97 (You save $3.72)
Label Hänssler Classic
All Time Sales Rank   60822  
CD Universe Part number 1136406
Catalog number 92101
Discs 2
Release Date Jul 13, 1999
Mono/Stereo Stereo
Recording Time 1 41
Edition Bachakademie Vol 101 - Clavier Übung Part III Review


Edition Bachakademie Vol 101 - Clavier Übung Part III Classical Reviews



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Edition Bachakademie Vol 101 - Clavier Übung Part III Songs


Edition Bachakademie Vol 101 - Clavier Übung Part III Songs Detailed Work Information



1. Prelude and Fugue for Organ in E flat major, BWV 552 "St. Anne"
   Common Name  St. Anne Prelude, Prelude And Fugue For Organ
   Catalog No.  BWV 552
   Composer  Johann Sebastian Bach (1685 - 1750)
   Performer  Kay Johannsen (Organ)
   Genre  Baroque Period / Fugue / Prelude
   Date Written  by 1739
   Period  Baroque
   Country  Leipzig, Germany
   Recording  Studio
2. Klavierubung Volume 3, BWV 669-689
   Catalog No.  BWV 669
   Composer  Johann Sebastian Bach (1685 - 1750)
   Performer  Kay Johannsen (Organ)
   Genre  Baroque Period / Chorale Prelude
   Date Written  1739
   Period  Baroque
   Country  Leipzig, Germany
   Recording  Studio
3. Duet for Organ in E minor, BWV 802
   Common Name  Duet For Organ
   Catalog No.  BWV 802
   Composer  Johann Sebastian Bach (1685 - 1750)
   Performer  Kay Johannsen (Organ)
   Genre  Baroque Period / Duet / Invention
   Date Written  by 1739
   Period  Baroque
   Recording  Studio
4. Duet for Organ in F major, BWV 803
   Common Name  Duet For Organ
   Catalog No.  BWV 803
   Composer  Johann Sebastian Bach (1685 - 1750)
   Performer  Kay Johannsen (Organ)
   Genre  Baroque Period / Duet / Invention
   Date Written  by 1739
   Period  Baroque
   Recording  Studio
5. Duet for Organ in G major, BWV 804
   Common Name  Duet For Organ
   Catalog No.  BWV 804
   Composer  Johann Sebastian Bach (1685 - 1750)
   Performer  Kay Johannsen (Organ)
   Genre  Baroque Period / Duet / Invention
   Date Written  by 1739
   Period  Baroque
   Recording  Studio
6. Duet for Organ in A minor, BWV 805
   Common Name  Duet For Organ
   Catalog No.  BWV 805
   Composer  Johann Sebastian Bach (1685 - 1750)
   Performer  Kay Johannsen (Organ)
   Genre  Baroque Period / Duet / Invention
   Date Written  by 1739
   Period  Baroque
   Recording  Studio


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Edition Bachakademie Vol 101 - Clavier Übung Part III Music


Elements featured on Edition Bachakademie Vol 101 - Clavier Übung Part III CD



Composers on Edition Bachakademie Vol 101 - Clavier Übung Part III CD : Johann Sebastian Bach

Genres on Edition Bachakademie Vol 101 - Clavier Übung Part III CD : Baroque Period, Chorale Prelude, Duet, Fugue, Invention, Prelude

Performers on Edition Bachakademie Vol 101 - Clavier Übung Part III CD : Kay Johannsen

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This disc was nominated for the 2000 Gramophone magazine award for "Best The enthralling singer-actress Julia Varady has remarked that "as a singer one must consider Richard Strauss as bel canto." This pronouncement raises the expectation that upon listening to this recording of Varady singing excerpts from four Strauss operas one will hear both long connected melodic line and a variety of carefully modulated vocal colors-hallmarks of the "beautiful singing" of the 19th century. After a careful glance at the demanding music she has selected to perform here, her statement would be wishful thinking for most dramatic sopranos. But Varady is no run-of-the-mill soprano. Indeed, the singing on this recording is both dramatically compelling and terribly beautiful. Her Salome is both disturbing and beguilingly youthful, while her Ariadne has a tragic heft befitting her plight. The opening Ariadne's "Es gibt ein Reich" sails on one long breath. While Varady always declaims the ...
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Edition Bachakademie Vol 101 - Clavier Übung Part III
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2009 Winner, Best Classical/Vocal Album, JPF AwardsEDITORIAL REVIEW"Subtle and effective variety within an artistic unity. This CD reminds one of how good these songs are just as musical sound. A very beautiful recording." --Christopher Goodwin in Lute News, newsletter of the Lute Society (UK)PROGRAM NOTES This recording is an exploration of music from the French court of the early 17th century, much of it surviving from the Ballet de cour, which was a lavish courtly entertainment much like the English masque, complete with songs, dances and extravagant costumes and staging. The popular songs extracted from the Ballets were known as airs de cour. Themes in the poetry of most airs seem to dwell upon one of three subjects; unrequited love, the sometimes inexplicable interactions of mythological deities, or idyllic scenes of nymphs and shepherds. Our descriptor, airs de court, is taken from Jean Baptiste Besard's Thesaurus Harmonicus (Cologne, 1603), one of the earliest sources for the airs performed here. While most of the music on this disc was originally published to represent music that was sung and played at the royal courts, the audience for these publications was the merchant class, who were eager to invest their wealth in emulating the trappings of the noble houses. Understanding this crucial link enables us to take the music one step closer from the museum to the present moment by redefining the repertory as domestic music. We also include two psalm settings for voice and lute to emphasize the significant role psalm singing played in domestic life in the 16th and 17th centuries. 'Mignonne allons voir si la rose', a song of seduction from the poetry of Pierre Ronsard, is found only as a single melody line in its original setting (Jehan Chardavoine, Recueil de chansons en forme de voix de ville, 1576). In reconstructing a plausible rendition, we discovered that the tune works perfectly with minor adjustments to Adrian Le Roy’s Passemeze harmonization. Since LeRoy set several other poems by Ronsard in a similar manner, we feel our setting is historically justifiable and we trust it is eminently listenable. The 'Preludium in d' is from a collection of psalm settings with variations for solo lute by Nicolas Vallet (Regia Pietas, Amsterdam, 1620). Vallet, a Protestant expatriate from France, also published a collection of psalms for lute and voice (Een en twintich Psalmen Davids, Amsterdam, 1615), from which we perform Psalm 137, Estans assis aux rives aquatiques. The psalm tune appears in long note values and was originally intended to be sung by the lutenist while playing the elaborate filigree of polyphonic decoration. 'Si jamais mon ame blessée' is among the better-known airs de cour attributed to Pierre Guédron. It was first published as a solo air with lute accompaniment by Jean Baptiste Besard in his Thesaurus Harmonicus (Cologne, 1603). For our recording, we have chosen a later setting from the series of prints published by Ballard (1615) which, with its more refined rhythmic subtleties, we believe more closely represents the composer’s original conception of the air than does the slightly more ornamented version found in Besard. The 'Courante' by Jacques Gaultier is a fine example of this delicate dance form with its characteristic ‘broken style’ variations. Jacques was a more colorful representative of the famous Gaultier family, who produced at least four famous lutenists, and he spent most of his life as an exile in England, apparently on the lam from a murder rap. Our recording ...
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