Southern by the grace of God and not the least bit shy about reminding you of it, the Quadrajets may have been weaned on punk rock, but industrial-strength hard rock has an equal place in their hearts, and you can hear the two colliding like a pair of freight trains on the band's second full-length, 1996's Alabama Hip Shake. Alabama Hip Shake CD music Cranking three big ol' guitars through amps jacked up to God knows what, the Quadrajets suggest some sort of unholy alliance between Lynyrd Skynyrd and the ...See Full Description
Quadrajets - Alabama Hip Shake Album Track Listing
Alabama Hip Shake songs. Track Listing of songs: DISC 1; I'm in the Mood; Hellhound on My Trail; St. Louis Blues; Kind Hearted Woman; Black Angel Blues; Fixin' to Die Blues; Guess Who?; Lord, I Just Can't Keep from Crying; Key to My Door; C & A Blues; Roosevelt Blues; I Have to Do My Time; Sugar Mama Blues No. 1; Heavy Heart Blues; DISC 2; Every Day I Have the Blues; Boogie Chillen'; Worried Life Blues; Cow Cow Blues; Baby Get Lost; Suicide Blues; Kindhearted Woman Blues; Gypsy Woman; Poor Man's Blues; Parchman Farm Blues; God Moves on the Water; Chain Gang Blues; Ain't Nobody's Business; Death Cell Blues; DISC 3; I Feel Like Going Home; Rockin' Chair Blues; This Is the Blues; Crawlin' King Snake; Cross Road Blues; Black Cat Blues; Me and My Gin; Sleepy Man Blues; My Baby's Gone; Money Spending Woman; Anna Lee; Turpentine Blues; At Last; Thrill Is Gone;
Alabama Hip Shake CD music. Tributee: Muddy Waters. Track Listing of songs: I'm Ready; Long Distance Call; She's 19 Years Old; I Got a Rich Man's Woman; Rollin' & Tumblin'; Forty Days & Forty Nights; Gypsy Woman; Same Thing, The; I Can't Be Satisfied; Just To Be With You; Mean Red Spider; Hoochie Coochie Man; Got My Mojo Working; Trouble No More; [Untitled];
Alabama Hip Shake songs. Digitally remastered by Phil De Lancie (1994, Fantasy Studios, Berkeley, California).
Unfairly, Dexter Gordon is perhaps remembered more for his well-documented drug problems and his starring role in the 1986 film 'ROUND MIDNIGHT (for which he received an Oscar nomination) than for his music. GENERATION, recorded in 1972 towards the end of a self-imposed European exile, shows why this is so unjust. Gordon's playing is simply superb. He blows with bluesy intensity on two very different reinterpretations of Miles Davis' "Milestones," and explores new rhythmic arenas with confidence on an arresting, lengthy version of Thelonious Monk's quirky "We See."
The quintet, featuring the great trumpeter Freddie Hubbard, swings effortlessly (for example, on the graceful ...
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