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Jaco Pastorius CD

Jaco Pastorius Discography of CDs
4.3 stars (3 Customer Reviews)
Regular Price: $11.98
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With one album, this self-titled first release, bass phenomenon Jaco Pastorius was catapulted into the position of the greatest electric bass player that ever lived. Officially discovered by Blood, Sweat & Tears drummer Bobby Colomby, Jaco's ...    Full Description

Jaco Pastorius Music


Detailed Jaco Pastorius Music Information



List Price $11.98 (You save $2.73)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Bass
Label Epic
Orig Year 1976
All Time Sales Rank   5199  
CD Universe Part number 1140750
Catalog number 64977
Discs 1
Release Date Aug 01, 2000
Studio/Live Studio
Mono/Stereo Stereo
Producer Bobby Colomby
Engineer David Palmer; Don Puluse
Recording Time 42 minutes
Personnel Narada Michael Walden
Howard Johnson - baritone saxophone
Lenny White
Don Alias - bongos, congas, bells, okonko y iya, afuche, percussion
Jaco Pastorius - bass
Peter Gordon - French horn
Kermit Moore
Max Pollikoff
Al Brown - viola
Leroy Williams - steel drums

List all 26 contributors
Additional Info Remastered
Jaco Pastorius Music


Jaco Pastorius Other Versions



Jaco Pastorius Songs


Jaco Pastorius Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Donna Lee
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Come On, Come Over
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Continuum
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Kuru / Speak Like A Child
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Portrait of Tracy
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Opus Pocus
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Okonkole y Trompa
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Cha-Cha, (Used to Be A)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Forgotten Love
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Cha-Cha, (Used to Be A) - (previously unreleased, bonus track)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.6/4 Jam - (previously unreleased, bonus track)

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 Kind Of Blue
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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz. Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions. Bill Evans' translucent chords and Paul Chambers' famous bass line herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' labyrinthine elation. The fat, shimmering beat of the classic Evans/Chambers/Cobb rhythm team is an oasis of calm throughout the childish blues "Freddie Freeloader." Often ...
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CD $9.25  4.4 stars Audio Samples Definitive Album
Master Sound releases are 24-karat gold CDs remastered from first-generation masters. This process utilizes 20-bit technology and Sony's "Super Bit Mapping" system. This is a Super Audio CD playable only on Super Audio CD players. Probably the best fusion album ever made, and the coming together of five precociously talented musicians. Joe Zawinul and Wayne Shorter assembled the unit with little knowledge that the complex music would become so accessible. Two compostions stand out; the graceful 'A Remark You Made', an evocative love song without words, and the hit single 'Birdland' (so successful it was even used by Akai for a major advertising campaign). On these two Zawinul compostions their genius bass player Jaco Pastorius gives a taste of what he was capable of. He bent the notes to make them talk, and that high octave solo on 'Birdland' is still a treasured moment. Recorded at Devonshire Sound Studios, North Hollywood, California. Includes liner notes by Peter Keepnews. Recorded at Devonshire Sound Studios, North Hollywood, California. Includes liner notes by John Ephland. Weather Report: Joe Zawinul (vocals, acoustic & Fender Rhodes pianos, synthesizer); Jaco Pastorious (vocals, fretless bass, mandocello, drums, steel drums); ...
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WORD OF MOUTH was Jaco Pastorius' the first solo group recording, and it does a good deal to substantiate the widely held claims concerning the bassist's genius and wizardry. As a technician, Pastorius was untouchable, and his radical, melodic approach (he seems to play both rhythm and lead at once) forced a generation of bassists to reconceptualize their relationship to the instrument. Pastorius' skills are on full display on this recording, as shown by the first cut, "Crisis," which lives up to the feeling of its title as a mind boggling, rapid-fire bass line tears through a tapestry of fragmentary instrumental sounds. The pieces that follow are stylistically varied and ...
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This audio document of The Corrs' Dublin homecoming concert has pretty much everything fans of Irish pop could wish for, including an appearance from Bono in his earthly incarnation, fresh from an audience with President George W. Bush. It's to the band's credit that the charismatic singer fails to steal the show, despite creditable efforts via an anthemized version of Ryan Adams' beautifully downtempo "When the Stars Go Blue," and a great, leering rendition of Lee Hazlewood and Nancy Sinatra's "Summer Wine." Somewhat more mysteriously, Rolling Stone Ron Wood also turns up on what sounds dangerously close to a lounge version of Jimi Hendrix's "Little Wing," but this minor faux pas is redeemed by the Irish folk medley "Joy of Life/Trout in the Bath" which arguably features more full-on Irishness than the Dublin production of RIVERDANCE. There's also a lovely rendition of Neil Young's "Only Love Can Break Your Heart" that's topped only by Ron Wood's reappearance on a finale of the Stones' "Ruby Tuesday." VH1 PRESENTS THE CORRS LIVE IN DUBLIN is a fine ...
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As the sole major-label progressive-metal act, Dream Theater invariably set the standard as the flagship band of the genre. With the numerically themed OCTAVARIUM (including eight tracks signifying the band's eighth release) the shred-rock quintet continues to challenge themselves creatively. Opening track "The Root Of All Evil" picks up the thread that began with "The Glass Prison" (SIX DEGREES OF INNER TURBULENCE) and carried forward to "This Dying Soul" (TRAIN OF THOUGHT). Drummer Mike Portnoy's lyrics for these songs read like a set of deeply personal journal entries documenting his painful recovery experience, further disclosed by a footnote nod to Alcoholics Anonymous co-founder Bill Wilson. OCTAVARIUM chiefly finds Dream Theater stepping back from elaborate fretboard acrobatics, focusing on vocal-based, song-oriented material ("I Walk Beside You," "The Answer Lies Within"); much in the spirit of AWAKE and their breakthrough album IMAGES AND WORDS. "Sacrificed Sons" captures the heartbreak of the 9/11 tragedy, while the ...
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Tracks 1-3 recorded live at Birdland, New York, New York on October 8, 1963. Tracks 4-6 recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 6 and November 18, 1963. Originally released on Impulse (50). Includes liner notes by Leroi Jones and Michael Cuscuna. Digitally remastered usuing 20-bit technology by Erick Labson (MCA Music Media Studios). By 1963, when LIVE AT BIRDLAND was recorded, the John Coltrane Quartet had evolved into the finest working band in all of jazz, achieving an extraordinary balance of freedom and form, visceral intensity and romantic sensitivity. Each member was an innovator in his own right. From McCoy Tyner's powerful orchestrations, to bassist Jimmy Garrison's indomitable pulse and Elvin Jones' telepathic polyrhythms, this was a thrilling group at a peak of wonder and discovery. Jones' dancing 6/8 pulse and elemental barrage of tom and cymbal colors make the quartet sound like a big band on their exciting version of "Afro-Blue." Tyner's rocking two-handed rhythms and original chordal voicings bring the tune's melodic strains to a fine boil, when Trane re-enters with a screaming, rhythmically challenging solo. The saxophonist approaches "I Want To Talk About You" as a virtuoso ballad vehicle, and the contrast between dense rhythmic/harmonic ideas and simple melodic eloquence bring this performance to an earthy emotional peak. The dancing polyrhythms which announce "The Promise" suggest how far the quartet had reshaped the basic 4/4 rhythm of jazz. Tyner's left hand keeps the pulse churning, as he uncoils swift, graceful single-note leads and crunching block chords, transforming a pathetic nightclub piano into a choir of angels. Trane's soprano re-appears at an emotional crest, supporting him and Elvin with big, brassy chords that echo their conversation. A pair of studio tracks round out the set. Tyner's droning chorus of tears and the beckoning thunder ...
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Jaco Pastorius Music Review


Customer Jaco Pastorius Reviews 




Average Rating: (4.3 out of 5 stars) 4.5 stars

5 stars A Must-Have For Any Bassist
This album is a definite must-have for all bass players out there. This recording is over 25 years old, but it has been remastered and it sounds excellent. The two bonus tracks and extensive liner notes are a nice touch as well. Portrait Of Tracy, my favorite song on the album, is absolutely beautiful.
Submitted by a reviewer (California, USA) Verified Buyer
Was This Review Helpful? Yes No

3 stars Historic
This is one of the greatest recordings in music history and proves, track by amazing track, why Jaco Pastorius, almost 20 years since his murder is still heralded as the best electric bassist ever! This album encompasses the full range of jazz ( and some r&b too- "Come On, Come Over"). Jaco opens with Charlie Parker's "Donna Lee" and plays the complex melody, the harmony, and the solo with only scant percussion accompanyment and no overdubbs! In fact, Jaco uses no bass overdubbs on the whole album! It's like he thought it was cheating.
Submitted by St.Davey (Windham, Me.)
Was This Review Helpful? Yes No

5 stars "The Late World's Greatest Bass Player"
This is his debut recording as a leader with 2 bonus tracks and additional liner notes as well as remastered from the original. A classic recording that needs to be in every serious jazz col- lector's library. Immense talent that is incredible for a debut recording. The remastered sound isn't bad either.
Submitted by wdsjcs (Louisville, Ky, USA)
Was This Review Helpful? Yes No

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