| 1. Toccata and Fugue in D minor, BWV 565: Toccata (3:31) |
| Common Name | Toccata And Fugue |
| Catalog No. | BWV 565 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Seiji Ozawa |
| Genre | Baroque Period / Toccata |
| Date Written | by 1708 |
| Ensemble | Boston Symphony Orchestra |
| Period | Baroque |
| Country | Arnstadt, Germany |
| Recording | Studio |
| Notes | Arranger: Leopold Stokowski. |
| 2. Suite for Orchestra no 3 in D major, BWV 1068: Air (5:12) |
| Common Name | Suite For Orchestra |
| Catalog No. | BWV 1068 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Sir Neville Marriner |
| Performer | Thurston Dart (Harpsichord) |
| Genre | Air / Baroque Period / Overture / Suite |
| Date Written | circa 1729-1731 |
| Ensemble | Academy of St. Martin in the Fields |
| Period | Baroque |
| Country | Leipzig, Germany |
| Recording | Studio |
| 3. Well-Tempered Clavier, Book 1: Prelude and Fugue no 1 in C, BWV 846 - Prelude (3:16) |
| Common Name | Well Tempered Clavier Book 1 |
| Catalog No. | BWV 846 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Marisa Robles (Harp) |
| Genre | Baroque Period / Prelude |
| Date Written | 1722 |
| Period | Baroque |
| Country | Cöthen, Germany |
| Recording | Studio |
| 4. Brandenburg Concerto no 4 in G major, BWV 1049: 1st movement, Allegro (7:11) |
| Common Name | Brandenburg Concerto |
| Catalog No. | BWV 1049 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Raymond Leppard |
| Performer | Jose Luis Garcia [Violin] (Violin) David Munrow (Recorder) John Turner [recorder] (Recorder) |
| Genre | Baroque Period / Concerto |
| Date Written | circa 1720 |
| Ensemble | English Chamber Orchestra |
| Period | Baroque |
| Country | ?Cöthen, Germany |
| Recording | Studio |
| 5. Goldberg Variations, BWV 988: Theme "Aria" (3:50) |
| Common Name | Goldberg Variations |
| Catalog No. | BWV 988 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Andras Schiff (Piano) |
| Genre | Baroque Period / Variations |
| Date Written | 1741-1742 |
| Period | Baroque |
| Country | Nuremberg, Germany |
| Recording | Studio |
| Notes | This selection is a DDD recording. |
6. Wachet auf, ruft uns die Stimme, BWV 140: no 1, Wachet auf ruft uns die Stimme (5:30) Windows Media Real Audio |
| Common Name | Wachet Auf Ruft Uns Die Stimme |
| Catalog No. | BWV 140 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Raymond Agoult |
| Genre | Baroque Period / Cantata / Chorus |
| Date Written | 1731 |
| Ensemble | New Symphony Orchestra |
| Period | Baroque |
| Country | Leipzig, Germany |
| Recording | Studio |
| Notes | Arranger: Granville Bantock. |
| 7. Concerto for Violin no 1 in A minor, BWV 1041: 1st movement, Allegro assai (3:55) |
| Common Name | Concerto For Violin |
| Catalog No. | BWV 1041 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Salvatore Accardo |
| Performer | Salvatore Accardo (Violin) Christopher Middleton [hpsch] (Harpsichord) |
| Genre | Baroque Period / Concerto |
| Date Written | 1717-1723 |
| Ensemble | Chamber Orchestra of Europe |
| Period | Baroque |
| Country | Cöthen, Germany |
| Recording | Studio |
| Notes | This selection is a DDD recording. |
| 8. Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" (3:03) |
| Common Name | Herz Und Mund Und Tat Und Leben |
| Catalog No. | BWV 147 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Karl Munchinger |
| Genre | Baroque Period / Cantata / Chorale |
| Date Written | 1723 |
| Ensemble | Stuttgart Chamber Orchestra |
| Period | Baroque |
| Country | Leipzig, Germany |
| Recording | Studio |
| Notes | Arranger: Karl Münchinger. |
| 9. Concerto for Harpsichord in A major, BWV 1055: 1st movement, Allegro (4:01) |
| Common Name | Concerto For Harpsichord |
| Catalog No. | BWV 1055 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Andras Schiff |
| Performer | Andras Schiff (Piano) |
| Genre | Baroque Period / Concerto |
| Date Written | circa 1738-1739 |
| Ensemble | Chamber Orchestra of Europe |
| Period | Baroque |
| Country | Leipzig, Germany |
| Recording | Studio |
| Notes | This selection is a DDD recording. |
| 10. Suite for Cello solo no 3 in C major, BWV 1009: 5th movement, Bouree (3:38) |
| Common Name | Suite For Cello Solo |
| Catalog No. | BWV 1009 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Pepe Romero (Guitar) |
| Genre | Baroque Period / Bouree / Suite |
| Date Written | circa 1720 |
| Period | Baroque |
| Country | Cöthen, Germany |
| Recording | Studio |
| Notes | Arranger: Celedonio Romero. |
| 11. Concerto for Oboe and Violin in C minor, BWV 1060: 2nd movement, Adagio (5:15) |
| Common Name | Concerto For Oboe And Violin |
| Catalog No. | BWV 1060 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Sir Neville Marriner |
| Performer | Carmel Kaine (Violin) Tess Miller (Oboe) |
| Genre | Baroque Period / Concerto |
| Ensemble | Academy of St. Martin in the Fields |
| Period | Baroque |
| Recording | Studio |
| 12. Mass in B minor, BWV 232: Crucifixus (3:44) |
| Common Name | Crucifixus |
| Catalog No. | BWV 232 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Sir Neville Marriner |
| Genre | Baroque Period / Mass |
| Date Written | 1747-1749 |
| Ensemble | Academy of St. Martin in the Fields |
| Period | Baroque |
| Country | Leipzig, Germany |
| Recording | Studio |
| 13. Suite for Cello solo no 1 in G major, BWV 1007: 1st movement, Prelude (2:26) |
| Common Name | Suite For Cello Solo |
| Catalog No. | BWV 1007 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Janos Starker (Cello) |
| Genre | Baroque Period / Prelude / Suite |
| Date Written | circa 1720 |
| Period | Baroque |
| Country | Cöthen, Germany |
| Recording | Studio |
| 14. French Suite no 5 in G major, BWV 816: 7th movement, Gigue (3:29) |
| Common Name | French Suite |
| Catalog No. | BWV 816 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Andras Schiff (Piano) |
| Genre | Baroque Period / Gigue / Suite |
| Date Written | circa 1724 |
| Period | Baroque |
| Country | Leipzig, Germany |
| Recording | Studio |
| Notes | This selection is a DDD recording. |
| 15. Prelude for Lute in C minor, BWV 999 (1:27) |
| Common Name | Prelude For Lute |
| Catalog No. | BWV 999 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Eduardo Fernandez (Guitar) |
| Genre | Baroque Period / Prelude |
| Date Written | circa 1720 |
| Period | Baroque |
| Country | Cöthen, Germany |
| Recording | Studio |
| Notes | This selection is a DDD recording. |
| 16. Brandenburg Concerto no 5 in D major, BWV 1050: 3rd movement (5:11) |
| Common Name | Brandenburg Concerto |
| Catalog No. | BWV 1050 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Raymond Leppard |
| Performer | Richard Adeney (Flute) Jose Luis Garcia [Violin] (Violin) Raymond Leppard (Harpsichord) |
| Genre | Baroque Period / Concerto |
| Date Written | 1720-1721 |
| Ensemble | English Chamber Orchestra |
| Period | Baroque |
| Country | ?Cöthen, Germany |
| Recording | Studio |
| 17. Saint Matthew Passion, BWV 244: no 78, Wir setzen uns mit Tranen nieder (6:27) |
| Common Name | Saint Matthew Passion |
| Catalog No. | BWV 244 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Sir Georg Solti |
| Genre | Baroque Period / Chorus / Oratorio |
| Date Written | ?1727 |
| Ensemble | Chicago Symphony Chorus |
| Period | Baroque |
| Country | Leipzig, Germany |
| Recording | Studio |
| Notes | This selection is a DDD recording. |
| 18. Brandenburg Concerto no 2 in F major, BWV 1047: 1st movement, Allegro (4:54) |
| Common Name | Brandenburg Concerto |
| Catalog No. | BWV 1047 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Michael Copley (Recorder) Heinz Holliger (Oboe) Pina Carmirelli (Violin) Antonio Perez (Violin) Italo Colandrea (Violin) Guy Touvron (Trumpet) |
| Genre | Baroque Period / Concerto |
| Date Written | 1717-1718 |
| Ensemble | I Musici |
| Period | Baroque |
| Country | ?Cöthen, Germany |
| Recording | Studio |
| Notes | This selection is a DDD recording. |
| 19. Concerto for 2 Violins in D minor, BWV 1043: 2nd movement, Largo ma non tanto (6:28) |
| Common Name | Concerto For 2 Violins |
| Catalog No. | BWV 1043 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Sir Neville Marriner |
| Performer | Henryk Szeryng (Violin) Maurice Hasson (Violin) |
| Genre | Baroque Period / Concerto |
| Date Written | 1717-1723 |
| Ensemble | Academy of St. Martin in the Fields |
| Period | Baroque |
| Country | Cöthen, Germany |
| Recording | Studio |
| 20. Partita for Lute in E major, BWV 1006a: 1st movement, Prelude (3:52) |
| Common Name | Partita For Lute |
| Catalog No. | BWV 1006A |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Eduardo Fernandez (Guitar) |
| Genre | Baroque Period / Partita / Prelude |
| Date Written | after 1720 |
| Period | Baroque |
| Country | Germany |
| Recording | Studio |
| Notes | This selection is a DDD recording. |
| 21. Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata": Schafe konnen sicher weiden (4:30) |
| Common Name | Hunt Cantata Was, Was Mir Behagt Ist Nur Die Muntre Jagd |
| Catalog No. | BWV 208 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Karl Munchinger |
| Genre | Aria / Baroque Period / Cantata |
| Date Written | 1713 |
| Ensemble | Stuttgart Chamber Orchestra |
| Period | Baroque |
| Country | Cöthen, Germany |
| Recording | Studio |
| 22. Sonata for Viola da Gamba and Harpsichord no 3 in G minor, BWV 1029: 2nd movement, Adagio (3:12) |
| Common Name | Sonata For Viola Da Gamba And Harpsichord |
| Catalog No. | BWV 1029 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Janos Starker (Cello) Gyorgy Sebok (Piano) |
| Genre | Baroque Period / Sonata |
| Date Written | circa 1720 |
| Period | Baroque |
| Country | Cöthen, Germany |
| Recording | Studio |
| 23. Italian Concerto, BWV 971: 1st movement, Allegro (3:53) |
| Common Name | Italian Concerto |
| Catalog No. | BWV 971 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Andras Schiff (Piano) |
| Genre | Baroque Period / Concerto |
| Date Written | 1735 |
| Period | Baroque |
| Country | Leipzig, Germany |
| Recording | Studio |
| Notes | This selection is a DDD recording. |
| 24. Christmas Oratorio, BWV 248: no 10, Sinfonia in G major (6:37) |
| Common Name | Christmas Oratorio |
| Catalog No. | BWV 248 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Karl Munchinger |
| Genre | Baroque Period / Oratorio / Sinfonia |
| Date Written | 1734-1735 |
| Ensemble | Stuttgart Chamber Orchestra |
| Period | Baroque |
| Country | Leipzig, Germany |
| Recording | Studio |
| 25. Concerto for Violin no 1 in A minor, BWV 1041: 2nd movement, Andante (6:25) |
| Common Name | Concerto For Violin |
| Catalog No. | BWV 1041 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Salvatore Accardo |
| Performer | Salvatore Accardo (Violin) Christopher Middleton [hpsch] (Harpsichord) |
| Genre | Baroque Period / Concerto |
| Date Written | 1717-1723 |
| Ensemble | Chamber Orchestra of Europe |
| Period | Baroque |
| Country | Cöthen, Germany |
| Recording | Studio |
| Notes | This selection is a DDD recording. |
| 26. Partita for Keyboard no 1 in B flat major, BWV 825: Gigue (2:33) |
| Common Name | Partita For Keyboard |
| Catalog No. | BWV 825 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Eduardo Fernandez (Guitar) |
| Genre | Baroque Period / Gigue / Partita |
| Date Written | 1726-1731 |
| Period | Baroque |
| Country | Leipzig, Germany |
| Recording | Studio |
| Notes | This selection is a DDD recording. |
| 27. Suite for Orchestra no 2 in B minor, BWV 1067: Minuet (1:14) |
| Common Name | Suite For Orchestra |
| Catalog No. | BWV 1067 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Sir Neville Marriner |
| Performer | William Bennett [flute] (Flute) |
| Genre | Baroque Period / Minuet / Overture / Suite |
| Ensemble | Academy of St. Martin in the Fields |
| Period | Baroque |
| Country | Leipzig, Germany |
| Recording | Studio |
| Notes | Composition written: Leipzig, Germany (1738 - 1739). |
| 28. Suite for Orchestra no 2 in B minor, BWV 1067: Badinerie (1:25) |
| Common Name | Suite For Orchestra |
| Catalog No. | BWV 1067 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Sir Neville Marriner |
| Performer | William Bennett [flute] (Flute) |
| Genre | Badinerie / Baroque Period / Overture / Suite |
| Ensemble | Academy of St. Martin in the Fields |
| Period | Baroque |
| Country | Leipzig, Germany |
| Recording | Studio |
| Notes | Composition written: Leipzig, Germany (1738 - 1739). |
| 29. Concerto for Oboe in F major, BWV 1053: Siciliano (4:17) |
| Common Name | Siciliano, Concerto For Oboe |
| Catalog No. | BWV 1053 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Iona Brown |
| Performer | Heinz Holliger (Oboe) |
| Genre | Baroque Period / Concerto / Siciliana |
| Ensemble | Academy of St. Martin in the Fields |
| Period | Baroque |
| Recording | Studio |
| Notes | This selection is a DDD recording. |
| 30. Brandenburg Concerto no 3 in G major, BWV 1048: 1st movement, Allegro (5:34) |
| Common Name | Brandenburg Concerto |
| Catalog No. | BWV 1048 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Raymond Leppard |
| Genre | Baroque Period / Concerto |
| Date Written | 1711-1713 |
| Ensemble | English Chamber Orchestra |
| Period | Baroque |
| Country | ?Weimar, Germany |
| Recording | Studio |
| 31. Partita for Violin solo no 2 in D minor, BWV 1004: 1st mvt, Allemande (4:11) |
| Common Name | Partita For Violin Solo |
| Catalog No. | BWV 1004 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Kyung-Wha Chung (Violin) |
| Genre | Allemande / Baroque Period / Partita |
| Date Written | 1720 |
| Period | Baroque |
| Country | Cöthen, Germany |
| Recording | Studio |
| 32. Partita for Violin solo no 2 in D minor, BWV 1004: 4th movement, Gigue (3:06) |
| Common Name | Partita For Violin Solo |
| Catalog No. | BWV 1004 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Kyung-Wha Chung (Violin) |
| Genre | Baroque Period / Gigue / Partita |
| Date Written | 1720 |
| Period | Baroque |
| Country | Cöthen, Germany |
| Recording | Studio |
| 33. Concerto for Harpsichord in E major, BWV 1053: Allegro (2:54) |
| Common Name | Concerto For Harpsichord |
| Catalog No. | BWV 1053 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Andras Schiff |
| Performer | Andras Schiff (Piano) |
| Genre | Baroque Period / Concerto |
| Date Written | circa 1738-1739 |
| Ensemble | Chamber Orchestra of Europe |
| Period | Baroque |
| Country | Leipzig, Germany |
| Recording | Studio |
| Notes | This selection is presented in excerpted form. |
| 34. Jesus nahm zu sich die Zwolfe, BWV 22: no 5, Ertot uns durch dein Gute, erweck uns durch dein Gnad (3:11) |
| Common Name | Jesus Nahm Zu Sich Die Zwolfe |
| Catalog No. | BWV 22 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Performer | Alicia De Larrocha (Piano) |
| Genre | Baroque Period / Cantata / Chorale |
| Date Written | 1723 |
| Period | Baroque |
| Country | Cöthen, Germany |
| Recording | Studio |
| Notes | Arranger: Harriet Cohen. |
| 35. Concerto for Harpsichord in F minor, BWV 1056: 2nd movement, Largo - Arioso (2:54) |
| Common Name | Arioso, Concerto For Harpsichord |
| Catalog No. | BWV 1056 |
| Composer | Johann Sebastian Bach (1685 - 1750) |
| Conductor | Raymond Leppard |
| Performer | Raymond Leppard (Harpsichord) |
| Genre | Baroque Period / Concerto |
| Date Written | circa 1738-1739 |
| Ensemble | English Chamber Orchestra |
| Period | Baroque |