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Includes covers of songs by Mac Rebbenack ("Storm Warning"), the 13th Floor Elevators, Dick Dale, Ivory Joe Hunter and others. Personnel: Teisco Del Rey (guitar, guitorgan, 6-string bass), Rick "Caspar" Rawls, Mikko Lankinen, David Grissom, ... Full DescriptionChris Cush (guitar), Clifford "Honky Tonk" Scott, Steve Douglas (tenor saxophone), Jean-Jacques Barrera, Tom Nyman, Keith Ferguson, Steve Soest, Peter Stuart, Speedy Sparks (bass), Janne Haavisto, Mike Buck, Elan Portnoy, Johnny Perez (drums), Matti Pitsinki (percussion, organ), Unknown Maracas, Jr., Bernie Larsen (percussion).
Engineers: Michael Beinhorn, Jeffry Holt, Doug Doyle, Brent Backhus, Stuart Sullivan, Fred Remmert, Bill Johnson, Bill Munyon, Ben Blank.
Hide Description Many Moods Of Teisco Del Rey Music Many Moods Of Teisco Del Rey Songs Purchase Many Moods Of Teisco Del Rey CD To buy, Click on price to add to cart | Aqua Velvets Nomad CD (1996)
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Engineers: Ben Blank (tracks 1-4, 7-11, 13); Marty Lester (track 5); Jay Hudson (track 6); Jay Hudson, Darol Anger (track 12).
Personnel includes: Teisco Del Rey (electric guitar, guitorgan, mando-guitar, 6-string bass); Mike Geier, Zoe Poore, Abra Moore (vocals); Herman The German (spoken vocals); Pierre Pelegrin (spoken vocals, bass); Mitch Watkins (acoustic guitar); Rick "Casper" Rawls (acoustic ...
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Guitarist Pat Metheny is one of the few artists that can perform an entire album by himself and sound like whole orchestra on his own. NEW CHAUTAUQUA finds the modern guitar master employing a myriad of stringed instruments, in both solo works and multi-tracked collages, to great effect. Each piece is awash in Metheny's signature pastoral style, full of lush strummed chords and angular melodic lines. So complete is the guitarist's musical creation that it is difficult to distinguish the seams dividing his many instrumental voices, sounding as if he had played them all simultaneously. For the listener, this creates a sublime sonic experience.
The tracks range from dense epics like the opening title track to the programmatic "Daybreak," a delicate solo work that produces a dramatic effect that is both lonesome and comforting. Metheny stays acoustic for much of the disc, employing stunning finger picking on the folk-styled "Country Poem" and the intricate ...
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Between 1967 and 2004, the SMILE sessions were pretty much the Dead Sea Scrolls of pop music. Well documented as head Beach Boy Brian Wilson's answer to the Beatles' masterpiece SGT. PEPPER'S LONELY HEARTS CLUB BAND (which was itself largely an answer to the Beach Boys' PET SOUNDS), the tracks laid down in '67 for the projected SMILE album were the furthest afield anyone nominally operating under the pop/rock umbrella had ever ventured. Notoriously, intraband conflict (Mike Love, in particular, found the Wilson/Van Dyke Parks-penned conceptual work too far out) kept the record from being released. With several oceans' worth of water under the bridge, Wilson finally decided to finish the aborted project three-and-a-half decades later, adhering closely to the original blueprints. The results are as timelessly breathtaking as the original version must have been to the lucky few who first heard the initial tapes.
With sterling support from his backing band the Wondermints, Wilson meticulously pieced together the conceptual, orchestral puzzle of SMILE into a rewarding, cohesive whole. Even decades down the line, it still sounds miles away from anything else in the world of popular music. A series of extended vignettes tied together with seamlessly arranged melodic latticework, SMILE is a masterpiece that incorporates the ...
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