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Pianist/Composer/Arranger;Big Band Jazz Recorded at Avatar Studios, New York, New York from December 1-3, 1998. Jason Lindner Ensemble: Jason Lindner (piano, Fender Rhodes piano); Myron Walden (alto saxophone); Jimmy Greene (tenor ... Full Descriptionsaxophone, flute); Charles Owens (tenor saxophone); David Schumacher (baritone saxophone, bass clarinet); Omer Avital (acoustic bass); Daniel Freedman (drums); Kahlil Kwame Bell (percussion).
Additional personnel: MC Benu Merata (rap vocals); George Tardy (tenor saxophone); Avishai Cohen (acoustic & electric basses); Dwayne Bruno (acoustic bass); Jeff Ballard (drums).CMJ (8/14/00, p.30) - "...Proves that he knows his history, leading a 12-piece band through a tasteful program that nods in the direction of Mingus' brashness and Ellington's contemplative side....an innovative and joyous work..."
JazzTimes (11/00, p.103) - "...The beginnings of one of the most impressive big bands to emerge in years..." Hide Description Premonition Music | List Price | $11.97 (You save $2.38) | | Category | Rock/Pop Albums, Jazz CDs, Jazz Instrument, Piano | | Label | Stretch | | Orig Year | 2000 | | All Time Sales Rank |  187548  | | CD Universe Part number | 1148724 | | Catalog number | 9026 | | Discs | 1 | | Release Date | Jul 11, 2000 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Bob Belden; Jason Lindner | | Engineer | James Farber | | Personnel | Avishai Cohen, Jeff Ballard, Dwayne Bruno, George Tardy, M.C. Benu Merata, Charles Owens, Jimmy Greene, Myron Walden, Omer Avital, Gregory Tardy, David Schumacher |
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James Carter seems capable of almost anything on the saxophone. He veers easily from the deeply lyrical to the fractured and postmodern, from clear mastery of old-school bop to frenetic outside playing, without ever seeming forced or derivative. While much of LIVE AT BAKER'S KEYBOARD LOUNGE keeps the traditional jazz fires burning, Carter is never afraid to get labyrinthine, punchy, stratospherically cerebral, and downright tough.
Recorded live at a club in Carter's hometown of Detroit, LIVE AT BAKER'S showcases his skill on three saxophones--soprano, tenor, and baritone. There is tight and easy interplay with the rhythm section, and the guests give the gig additional sparkle. Johnny Griffin and Larry Smith lend their tenor and ...
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Even if you could find someone who wanted to, even if you could find some cynical, embittered individual who hated all things sentimental and old-fashioned, there would be nothing they could do--it is virtually impossible to diminish the popularity of George and Ira Gershwin's songs in the cultural consciousness. The tunes, no matter how overplayed, are just too good-- lyrics clever and memorizable, melodies infectious and immanently hummable. This Verve compilation of Gershwin hits as treated by the irascible Louis Armstrong and the rich stylings of Ella Fitzgerald includes all the favorites.
There are selections from Ella's famous performances with the Nelson Riddle Orchestra, including "Things Are Looking Up," "'S Wonderful" and also the duo's interpretation of PORGY AND BESS with the spirited "I Got Plenty O' Nuttin," and, of course, "Summertime." The disc's finest numbers though, are the recordings with the Oscar Peterson trio. These versions of "They Can't Take That Away From Me" and "How Long Has This Been Going On" forego the swelling arrangements of the larger orchestra for the more intimate feel of the combo. Throughout, Armstrong's inimitable conversational rasp contrasts and complements Fitzgerald's studied, exacting intonation to create a wonderful dynamic that adds even greater life and longevity to these well-known tunes.
Ella ...
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