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B12's Mike Golding and Steve Rutter may hail from England, but their hearts are in Detroit. Devotees of the warm, synth-propelled glide and future-rhythm drive particular to such Motor City pioneers as Juan Atkins and Derrick May, Golding and ... Full DescriptionRutter were actually once missionaries who carried the techno torch and its attendant gospel across the Atlantic. Together with such ardent English crusaders as The Black Dog, As One, and Stasis, B12 built the earliest bridges between suburban British bedrooms and the streets of Techno City, U.S.A.
Following in the propensity that techno artists have for fostering multiple aliases, B12 is actually a collective label for several projects--Cmetric, Redcell, and Musicology. TIME TOURIST, Golding and Rutter's second formal B12 album, transcends these confusing name-game permutations and delivers a solid set of loftily melodic mindscapes, fantastic sci-fi sounds, and fancifully funky rhythms. "Cymetry," a busy, ingeniously orchestrated dance of lunar take-offs and landings, is music for spaceports. Tracks like "Epilion" and "Radiophonic Workshop" suggest dancehall universes where multiple mirror-ball suns cast spangled starlight upon the intertwined rotations of lambent planetary bodies. Hide DescriptionPurchase Time Tourist CD To buy, Click on price to add to cart | | Also Bought |
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THE BEATLES (generally known as "The White Album" because of its cover) was a sprawling two-record set, highlighting the distinct personalities in the group as they matured and moved further away from each other. With the four Beatles playing like session men on each other's songs, the making of the album was fraught with tension. John Lennon's songs included a bitter take on people who read too much into the Beatles' lyrics ("Glass Onion"), reflections on loneliness and alienation ("Yer Blues," "I'm So Tired"), and the avant garde sound collage "Revolution 9."
George Harrison's songs offered black humor ("Piggies") and tender sadness ("While My Guitar Gently Weeps," with Eric Clapton on guitar). Paul McCartney provided both light, lyric songs ("Ob-La-Di, Ob-La-Da," "Honey Pie"), and rockers ("Back In The U.S.S.R.," the explosive "Helter Skelter"). Ringo Starr made his solo songwriting debut with the goofy country/ska lilt of "Don't Pass Me By" and sang the album closer "Good Night."
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