| | Urban Dance Squad Life 'N Perspectives Of A Genuine Crossover CD Urban Dance Squad Discography of CDs
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Includes a bonus live disc from the LIFE 'N PERSPECTIVES OF A GENUINE CROSSOVER tour.
2nd Rel;From 1991
Recorded at I.C.P. Studios, Brussels in Spring, 1991.
Urban Dance Squad: Rudeboy (vocals); Tres Manos (guitars, vocals), D.J.D.N.A. (turntables, sound effects); Sil (bass, triangle, background vocals); Magic Stick (drums, percussion, farfisa, vocals).Down Beat (3/92, p.38) - 4.5 Stars - Very Good Plus - "..creatively combines rap, thrash, funk, sound collages, ska and Arabic harmonies in one intriguing package...This band is bursting with talent and ideas.." Life 'N Perspectives Of A Genuine Crossover Music | List Price | $16.97 (You save $3.28) | | Category | Rock Albums, Rock/Pop CDs, Rap | | Label | Triple X Entertainment | | Orig Year | 1991 | | All Time Sales Rank |  164444  | | CD Universe Part number | 1159296 | | Catalog number | 51254 | | Discs | 2 | | Release Date | Jan 05, 1999 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Urban Dance Squad | | Engineer | D.J. Oum | | Personnel | D.J.D.N.A. - turntables, sound effects
Magic Stick - drums, percussion, farfisa, vocals
Rudeboy - vocals
Sil - bass, triangle, background vocals
Tres Manos - guitars, vocals
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Urban Dance Squad Life 'N Perspectives Of A Genuine Crossover Songs Life 'N Perspectives Of A Genuine Crossover Review
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Purchase Life 'N Perspectives Of A Genuine Crossover CD To buy, Click on price to add to cart | Jay-Z The Blueprint 3 CD (2009)
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On THE BLUEPRINT 3, still unretired Jay-Z announces "the only rapper to rewrite history without a pen." It's a standard Jigga boast, but the Brooklyn icon has earned the bragging by backing it up, particularly on his gold-label, top-shelf BLUEPRINT series. Ever-ready for battle, Jay-Z takes on autotune, crossover radio, and many other hip-hop concerns with the gloriously jagged rap elan for which he's become known.
When Jay-Z first made a series out of his best album, 2001's The Blueprint, it became a game of high expectations. The first volume saw Jay-Z as vital as he'd ever been, storming back to the hardcore after a few years of commercial success. THE BLUEPRINT 2 took a different tack, with guest shots to compliment his sinuous flows. BLUEPRINT 3 is somewhere between the two, closer to the vitality and energy of the original but not without the crossover bids and guest features of the latter. Kanye West is in the producer's chair for seven tracks, and it's clear he was reaching for the same energy level as the original. "What We Talkin' About" begins the album with a wave of surging, oppressive synth, while Jay-Z enumerates (with an intriguing lack of detail) what he's said and what's been said about him, ending with a nod not to the past but the future (and Barack Obama). There's plenty more lyrical violence to come, but most of the targets are much safer than they were eight years earlier (i.e. opening single and smash hit "D.O.A. [Death ...
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