| | Savoy Brown Blues Keep Me Holding On CD Savoy Brown Discography of CDs
(1 Customer Review)
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Recorded at Showplace Studios, Dover, New Jersey.
Savoy Brown: Kim Simmonds (vocals, guitar); Nathaniel Peterson (vocals, bass); Tom Compton (drums).
Additional personnel: Duke Robillard (guitar); Paul Oscher (harmonica); Dave Maxwell (piano); Leo Lyons (bass); Roger Earl (drums).
Blister Pack
Down Beat (7/00, p.74) - 3 stars out of 5 - "...Kim Simmonds continues to stay in the fray, joining up with bassist Nathaniel Peterson and drummer Tom Compton for this album...switching off on lead vocals...and the untiring rock warrior's guitar most always gets the job done..." Dirty Linen (4-5/00, p.76) - "...starts unassumingly with a lazy harp/slide ramble, 'Going Down To Mobile'....The songs are mostly Simmonds originals with a couple Willie Dixon nuggets....Simmonds and his buddies do blues-rock righteously enough to do them proud." Blues Keep Me Holding On Music | List Price | $11.98 (You save $1.59) | | Category | Rock Albums, R&B CDs, Blues, Rock/Pop, British Blues | | Label | Lightyear | | Orig Year | 1999 | | All Time Sales Rank | 20963  | | CD Universe Part number | 1160312 | | Catalog number | 54323 | | Discs | 1 | | Release Date | May 25, 1999 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Kim Simmonds | | Engineer | Ben Elliott | | Personnel | Kim Simmonds - vocals, guitar Tom Compton - drums Nathaniel Peterson - vocals, bass
Also: Leo Lyons, Duke Robillard, Roger Earl, Paul Oscher, Dave Maxwell, Leo Lions |
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$12.65 My life was a turbulent conundrum during the writing and recording of ‘Sassafrass’ I was just coming to closure with yet another tumul-tuous relationship (that ended badly), a few of my immediate family members were stricken with serious health issues, I was betrayed by a couple of close friends over women and money, I’d lost my job, I couldn’t afford proper studio time, I had two cars repossessed and fell bed ridden ill for weeks with both the flu and acute pneumonia.Murphy’s law was in full effect.The contradiction kicked in when I realized that the worse my circum-stances were, the more prolific my song writing was. Half of many of the songs on ‘Sassafrass’ and all of both ‘Catwalk In Paris’ and ‘Apasionado’ were literally recorded in bed with an overhead mic and my instruments in my lap. Which is why in the album credits I indicate that mostly post-production was done at Phantom. I often rushed the work I recorded at Phantom. And though, I didn’t always think so, I now find its rawness appealing.I spent as much time watching the clock as I did recording when I was in the studio... even though Darryl often gave me a break on the rates. My technical knowledge of mixing (and especially mastering) paled in comparison to where I am now and I think it showed in the final product. Still, for all of its technical imperfections, ‘Sassafrass’ remains a superiorly creative sentimental favorite of my mine, my family’s, friends and admirers of my work.Years after its initial release and regional success it is still a consistent seller... for that I am appreciative and proud. Even though, ‘Sassafrass’ was the last time I recorded my music outside of my own recording facility, I am forever grateful to Darryl Mosely and Eddie West for their (above and beyond business) considerations and friendship. This music possibly saved my life and certainly saved my soul. Thus, the title ‘Sassafrass’ is evocative of a homemade tea that my parents would sometimes serve when I was a child. I liked it because it tasted like root beer (my then favorite soda), but it also served a medicinal purpose. Analogous to this album, I wanted to create music that was both entertaining and ...
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