| | William Aura World Keeps Turning CD William Aura Discography of CDs
Higher Octave purported in its early days to be a new age outfit, and if this disc represented the future of new age, it was a positive sign. Actually, Higher Octave used discs like this to expand their scope far beyond the new age genesis throughout the '90s. Aura gets by with a little help from flutist Richard Tibbits on the tropical "You Feel So Good," but mainly controls the show, texturing upbeat melodic synth with engaging bass grooves and some acoustic guitar. The disc keeps a pleasant tone throughout, but Aura infuses just enough percussiveness to keep things hopping. ~ Jonathan Widran
Composer: William Aura.
Personnel: William Aura (vocals, guitar, harp, zither, keyboards, percussion); Monica Pege (vocals); Jeff Mahoney (guitar); Richard Tibbitts, Paul Horn (flute); Richard Buxton (keyboards, vibraphone); Jim Wood (keyboards, percussion); David Thomas , Eric Denton (keyboards); Rudy Applewhite (steel drum); Chris Byerley, Frank Briggs (percussion); Joe Steiner, Paul Naton (programming).
Recording information: Wizard Mountain Studio, Santa Barbara, CA.
Unknown Contributor Role: Dominic Camardella.
Arranger: William Aura. World Keeps Turning Music William Aura World Keeps Turning Songs | 1. | World Keeps Turning |
| 2. | You Feel So Good |
| 3. | Behind the Smile |
| 4. | Purple Shadows |
| 5. | Change of Heart |
| 6. | Alpha Rock |
| 7. | Asian Eyes |
| 8. | Wishing You Well |
|
World Keeps Turning Review
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Purchase World Keeps Turning CD To buy, Click on price to add to cart | Loreena McKennitt A Mediterranean Odyssey CDs (2009)
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Loreena McKennitt's A MEDITERRANEAN ODYSSEY collection includes an 11-track anthology of her more Mediterranean-influenced works entitled OLIVE AND THE CEDAR, as well as a ten-track live performance recorded in 2009 called FROM ISTANBUL TO ATHENS. McKennitt's transition from Celtic balladeer to worldbeat superstar began in the early '90s with the genre-hopping VISIT. Her penchant for Mediterranean/Far East/Middle Eastern instrumentation came to fruition on 1994's MASK AND MIRROR and 1997's BOOK OF SECRETS, the latter of which spawned her biggest commercial hit "The ...
| | Pure Moods CD (1997)
World Keeps Turning CD music
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From the exotic world-music flavor of Enigma's "Return to Innocence" to Enya's weightless, ethereal "Orinoco Flow (Sail Away)," to the deeply moving "Theme From 'The Mission'" by Ennio Morricone, the songs on this compilation are mostly mood-enhancing instrumentals that complement each other perfectly.
With it's rich ...
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| | Enya Day Without Rain CD (2000)
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A DAY WITHOUT RAIN won the 2002 Grammy Award for Best New Age Album.
Celtic songbird Enya is nothing if not consistent--A DAY WITHOUT RAIN won't disappoint anyone who was entranced by her first major hit "Orinoco Flow." The same blend of adult-contemporary pop, Celtic overtones, and peaceful, new age-derived ambience fills these songs. Enya knows how to set a mood, and she takes her time establishing the themes here; the title cut that opens the album doesn't even have any words, just Enya's harmoniously overdubbed humming.
Speaking of overdubs, Enya sang and played every single thing on A DAY WITHOUT RAIN herself, demonstrating both an impressive versatility ...
| | Mannheim Steamroller Fresh Aire CD (1975)
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All tracks have been digitally remastered using HDCD technology.
New Age pioneers Mannheim Steamroller--a vehicle for composer Chip Davis--have been criticized for being derivative and worse, but no-one has ever said they lack ambition. FRESH AIRE I is the first in an eight-album series, four of which deal with the seasons of the year, the other four with mankind's curiosities.
These 12 instrumental selections tell the story of Spring from its own perspective. Musically, Davis set out to make the series as eclectic as possible. Tracks such as "Chocolate Fudge" ...
| | Sammy Hagar Nine On A Ten Scale CD (1976) (Import) United Kingdom
World Keeps Turning music CDs
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While most would suggest that the seminal American hard rock debut from the Sammy Hagar-fronted Montrose is the real coming-out for the singer/guitarist, serious Hagar fans might disagree and offer that title to Nine on a Ten Scale. After two discs with Montrose (a self-titled record and Paper Money), Hagar struck out on his own and quickly released this solo debut after Capitol Records snatched up the hot young vocalist in 1976. If Hagar was anxious to show that he had musical skills that extended way beyond the gravel-voiced, Led Zeppelin-esque howling that he had demonstrated with Ronnie Montrose's heavy metal outfit, this recording definitely accomplishes that goal. Featuring mostly Hagar-penned material, and plenty of the singer's own guitar work as well, this disc ...
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