| | Pat Travers Blues Tracks CD Pat Travers Discography of CDs
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Our Price: $13.45 CDFor Sale Usually ships in 1-2 days
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Live Recording
Personnel: Pat Travers (vocals, slide guitar); Michael Lee Firkins (vocals, guitar); Little John Chrisley (harmonica); Brad Russell (bass guitar); Joe Nevolo (drums).
Unknown Contributor Role: Michael Lee Firkins.
Arrangers: Mike Varney; Pat Travers.
Personnel: Pat Travers (vocals, guitar), Brad Russell (bass), Joe Nevolo (drums).
Additional personnel: Michael Lee Firkins (guitar), Little John Chrisley (harmonica).
Pat Travers Blues Tracks Songs | 1. | Memory Pain |
| 2. | Calling Card Blues |
| 3. | I Can't Quit You |
| 4. | Statesboro Blues  |
| 5. | I've Got News for You |
| 6. | I Ain't Superstitious |
| 7. | Built for Comfort |
| 8. | Mystery Train |
| 9. | Just Got Paid |
| 10. | Sitting on Top of the World |
| Blues Tracks Review
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Purchase Blues Tracks CD To buy, Click on price to add to cart | Pat Travers Crash And Burn CD (1980)
Blues Tracks album
$6.59 All songs written or co-written by Pat Travers except "Is This Love" (Bob Marley) and "Born Under A Bad Sign" (Booker T. Jones and William Bell).
Raw, amped-up blues-rock material, with loads of raucous guitar to recommend it. ~ Cub Koda
Digitally remastered by Suha Gur (Polygram Studios).
Live ...
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| | Henry Paul CD (1982)
Blues Tracks album
$10.49 By 1982, Henry Paul was completely devoid of musical direction, let alone inspiration. After issuing a truly fine album in Anytime a year before, Paul decided on yet another musical change in direction. On his eponymously titled final album for Atlantic before re-forming the Outlaws, Paul took the hard boogie stance of Feel the Heat and married it to pop hooks à la Boston, Loverboy, and Styx, making for a truly disastrous finale. The shrill edges in the vocals seem to be trying to get something out of Bruce Springsteen's mileage as well. But the choruses on "Nightline" are right off of Styx's Grand Illusion and Pieces of Eight albums. Synthesizers careen into incredibly shattering -- yet compressed -- power chords; the guitars and drums are more filtered through effects than they are played. While it seems Paul was doing everything he could to write hooks -- and who knows whether this might not have worked better if stripped down -- Peter Solley's production was so loaded with schlocky keyboard fills that it's impossible to dig the song from its instrumental trappings. Feel the Heat's bar rock sound returns on "Kamikaze Rock," with excellent lyrics: "Kamikaze rockin' and rollin' tonight/Just you and me baby." "Tragedy" has the synthed glockenspiels of Springsteen's Darkness on the Edge of Town, and "Desireé," which could have been a hymn to the porn actress, is so full of clumsy lines and hanging musical phrases that it's embarrassing. Only "Heat of the Night," with its lead vocal by Valerie Carter, is salvaged from total ruin, ...
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$10.99 This 2006 collection ably lives up to its name, providing a fine selection of recordings by the renowned blues duo of harp player Sonny Terry and guitarist Brownie McGhee. Sharing vocal duties, Terry and McGhee saunter through a set of classics here, including the laid-back "Early in the Morning Blues." Although these latter-day songs ...
| | Matt Cook Coast To Coast CD (2005)
Blues Tracks CD music
$18.99 (Original Liner Notes): I previously stated, "I hear bass and drums...next step?" Well if some extra punch was needed to get everyone's attention, here it is. Let me speak to some highlights. "Every Single Day" surrounds you with acoustic 12-strings galore, with prominent percussive off beats, just to keep things interesting. "Come Follow" jumps right in with a great piano intro followed by a melody that I defy you to stop humming after more than a brief listen. Buddies Jeff and JD are all over this one and everyone is having a good time. The "conga" sound works perfectly until ultimately relinquishing to a dramatic "string" fade. "Pure" is both passionate and intense and reveals the true strength of this young artist. The majestic and lilting break swirls around until leaving you on yet another satisfied level. "Train Generation" takes you down the "tracks" of Matt's keyboard while a syncopated drumbeat chugs along with him. We also get a chance to really hear Matt play piano.... this guy's good. "Change" is introspective and surely could be traced to early folk heroes like Phil Ochs, all delivered with a single voice track accompanied by ...
| | Kilborn Alley Blues Band Put It In The Alley CD (2006)
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$12.25 It shouldn't come as a surprise to any fan of Nick Moss that a band signed to his Blue Bella label and produced by him would have a gritty, tough and raw approach similar to his own. The Chicago-based five-piece Kilborn Alley Blues Band recorded its first album in only three days, so the feel of Put It in the Alley is as immediate and uncompromising as a live show. Songs shift moods from the basic, stripped down Windy City blues of "The Blues Takes Me In" to the Southern-fried R&B of "Thousand Miles." Lead singer/guitarist/frontman Andrew Duncanson sounds somewhat like a cross between Wet Willie's Jimmy Hall and early Boz Scaggs, using his soulful croon to soften the attack of the band's gruffer sound. But it's harp player Joe Asselin, who has surely listened to his Little Walter albums, that adds feral heat, especially on the seven-minute slow blues "The Breakaway." All but one of the songs is original, and although ...
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