| | Rossini: Messe Solonnelle/Stabat Mater CD Pavarotti / Rossini CDS
Award Winner Rossini: Messe Solonnelle/Stabat Mater Music | List Price | $17.98 (You save $6.49) | | Label | London | | Orig Year | 8/26/1997 | | All Time Sales Rank |  4934  | | CD Universe Part number | 1169635 | | Catalog number | 455023 | | Discs | 2 | | Release Date | Aug 26, 1997 | | Recording Time | 2 24 |
Rossini: Messe Solonnelle/Stabat Mater Review
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Rossini: Messe Solonnelle/Stabat Mater Songs | 1. Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: No. 13, "O salutaris hostia" (87:17) | | Composer | Gioachino Rossini (1792 - 1868) | | Conductor | Romano Gandolfi | | Performer | Vittorio Rosetta (Harmonium)
Ruggero Raimondi
Lucia Valentini Terrani
Mirella Freni
Leone Magiera (Piano)
Luciano Pavarotti | | Genre | Mass / Romantic Period | | Date Written | 1863 | | Ensemble | La Scala Theater Chorus | | Period | Romantic | | Recording Date | 1977 | | 2. Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: No. 14, "Agnus Dei" (52:37) | | Common Name | Stabat Mater For 2 Sopranos Tenor Bass Chorus & Orchestra | | Composer | Gioachino Rossini (1792 - 1868) | | Conductor | Istvan Kertesz | | Performer | Yvonne Minton
Hans Sotin
Pilar Lorengar
Luciano Pavarotti | | Genre | Oratorio / Romantic Period | | Date Written | 1841 | | Period | Romantic | | Country | Italy | | Venue | Kingsway Hall, London, England | | Recording Date | 12/1970/03/1971 |
Rossini: Messe Solonnelle/Stabat Mater Music Composers on Rossini: Messe Solonnelle/Stabat Mater CD : Gioachino Rossini Conductors on Rossini: Messe Solonnelle/Stabat Mater CD : Istvan Kertesz, Romano Gandolfi Ensembles on Rossini: Messe Solonnelle/Stabat Mater CD : La Scala Theater Chorus Genres on Rossini: Messe Solonnelle/Stabat Mater CD : Mass, Oratorio, Romantic Period Performers on Rossini: Messe Solonnelle/Stabat Mater CD : Mirella Freni, Hans Sotin, Pilar Lorengar, Lucia Valentini Terrani, Leone Magiera, Luciano Pavarotti, Ruggero Raimondi, Vittorio Rosetta, Yvonne Minton Purchase Rossini: Messe Solonnelle/Stabat Mater To buy, Click on price to add to cart | Bill Evans Intuition CD (1974)
Rossini: Messe Solonnelle/Stabat Mater
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Digitally remastered by Phil De Lancie (1990, Fantasy Studios, Berkeley, California.
The fullness of this duet album's sound suffers only slightly from the lack of a drummer, compensating with deeply satisfying intuitive interplay between pianist Evans and longtime collaborator Gomez. Evans experiments on INTUITION with the electric Fender-Rhodes piano for his original tunes, "Show-Type Tune" and "Are You All the Things," but he is at his most assertive and polished when playing acoustic piano. Particular standouts are the two songs by Bronislau Kaper, the romantic ballad "Invitation," and, with particular care and expression, the theme "Hi Lili, Hi Lo," from the musical "Lili." Gomez is a full participant, using the bass the way he did as a member of the Bill ...
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Rossini: Messe Solonnelle/Stabat Mater
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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions.
Bill Evans' translucent chords and Paul ...
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Track Listing of songs: Slavonic Dance Op.46 Nr.1 in C Major; Slavonic Dance Op.46 Nr.2 in E minor; Slavonic Dance Op.46 Nr.3 in A flat Major; Slavonic Dance Op.46 Nr.4 in F Major; Slavonic Dance Op.46 Nr.5 in A Major; Slavonic Dance Op.46 Nr.6 in D Major; Slavonic Dance Op.46 Nr.7 in C minor; ...
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Anne Martindale Williams has enjoyed a successful career as Principal Cellist of the Pittsburgh Symphony Orchestra since 1979. Throughout her tenure with the Orchestra, she has often been featured as soloist both in Pittsburgh and on tour in New York at Carnegie Hall and Avery Fisher Hall. She has also collaborated with guest artists such as Yehudi Menuhin, André Previn, Lynn Harrell and Pinchas Zukerman in numerous chamber music performances. Her solo in The Swan on the Pittsburgh Symphony’s recording of Carnival of the Animals by Saint-Saëns was described by Grammophon critic Edward Greenfield as “…the most memorable performance of all.”Mrs. Williams divides her time between the orchestra, teaching at Carnegie Mellon and Duquesne universities, and solo and chamber music performances in America, Europe and the Far East. Mrs. Williams has appeared in several nationally televised productions including “Concertos,” produced by the BBC and “Previn and the Pittsburgh,” produced by WQED. She also is a member of the Carnegie-Mellon Trio, which performs throughout the United States.Anne Martindale Williams has given master classes at many universities and festivals throughout the country, including SUNY at Stony Brook, Manhattan School of Music, the National Orchestral Institute, Aspen and the Masterworks festivals. She also enjoys performing at many of America’s prestigious summer music festivals including Aspen, Caramoor, Skaneateles, Maui, Rockport, Grand Teton, Strings in the Mountains, and Mainly Mozart in San Diego.Anne Martindale Williams has performed as soloist with the Pittsburgh Symphony Orchestra in Schumann’s Concerto in A minor, Tippett’s Triple Concerto, Previn’s Reflections, Bach’s Brandenburg Concertos Nos. 3 and 6, Strauss’s Don Quixote, Bloch’s Schelomo, Dvorák’s Cello Concerto, Dutilleux’s Tout un monde lointain, Saint-Saëns’ Concerto No. 1 and Brahms’ Double Concerto, as well as Elgar’s Introduction and Allegro for String Quartet. In recent seasons she was featured in Elgar’s Cello Concerto, Haydn’s Sinfonia Concertante for Violin, Cello, Oboe, Bassoon and Orchestra, and Walton’s Cello Concert.Mrs. Williams is a graduate of the Curtis Institute of Music where she studied with Orlando Cole. Her Tecchler cello was made in Rome in 1701. Her husband, Joe, is the Director of Student Ministries at Beverly Heights United Presbyterian Church. They reside in Pittsburgh with their daughter, Claire. -----------------When the precocious ten-year-old ended his first full-length recital in Dallas, many in the audience predicted for Stephen Nielson a stellar career. And since that event, Mr. Nielson has dazzled audiences with an artistry that has been lauded all over the world. From his orchestral debut at the age of 11, to his success at the Queen Elizabeth Competition in Brussels, to his earning the Distinguished Performer and Phi Beta Kappa honors at the famed Indiana University School of Music, he has consistently justified that early enthusiastic response and prediction.His ...
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