| | Clementi: Piano Sonatas / Jos Van Immerseel CD - Import Immerseel, Jos van CDS
Clementi: Piano Sonatas / Jos Van Immerseel Music | List Price | $14.97 (You save $0.78) | | Label | Accent | | All Time Sales Rank |  32592  | | CD Universe Part number | 1173102 | | Discs | 1 | | Release Date | Mar 25, 2008 | | Mono/Stereo | Stereo | | Recording Time | 52 minutes | | Additional Info | Import |
Clementi: Piano Sonatas / Jos Van Immerseel Review
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Clementi: Piano Sonatas / Jos Van Immerseel Songs | 1. Sonatas (2) for Keyboard, Op. 24 (13:19) | | Common Name | Sonatas For Keyboard | | Composer | Muzio Clementi (1752 - 1832) | | Performer | Jos van Immerseel (Fortepiano) | | Genre | Classical Period / Sonata | | Date Written | by 1789 | | Period | Classical | | Country | London, England | | Venue | Finchcocks, Goudhurst, Kent, England | | Recording Date | 10/1979 | | 2. Sonatas (6) for Piano, Op. 25: no 5 in F sharp minor (14:01) | | Common Name | Sonatas For Piano | | Composer | Muzio Clementi (1752 - 1832) | | Performer | Jos van Immerseel (Piano) | | Genre | Classical Period / Sonata | | Date Written | 1790 | | Period | Classical | | Country | London, England | | Recording | Studio | | Venue | Finchcocks, Goudhurst, Kent, England | | Recording Date | 10/1979 | | 3. Sonatas (3) for Piano, Op. 37: no 2 in G major (11:48) | | Common Name | Sonatas For Piano | | Composer | Muzio Clementi (1752 - 1832) | | Performer | Jos van Immerseel (Piano) | | Genre | Classical Period / Sonata | | Date Written | by 1798 | | Period | Classical | | Recording | Studio | | Venue | Finchcocks, Goudhurst, Kent, England | | Recording Date | 10/1979 |
Clementi: Piano Sonatas / Jos Van Immerseel Music Composers on Clementi: Piano Sonatas / Jos Van Immerseel CD : Muzio Clementi Genres on Clementi: Piano Sonatas / Jos Van Immerseel CD : Classical Period, Sonata Performers on Clementi: Piano Sonatas / Jos Van Immerseel CD : Jos van Immerseel Purchase Clementi: Piano Sonatas / Jos Van Immerseel To buy, Click on price to add to cart | Haydn: Piano Trios / Beaux Arts Trio CDs (2009) SACD Hybrid
Clementi: Piano Sonatas / Jos Van Immerseel
 $15.49  
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
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Clementi: Piano Sonatas / Jos Van Immerseel
$31.89 | | Ensemble Devotio Moderna God Shall Be Praised - Music From Lüne Convent / Ulrike Volkhardt, Et Al CD (2009)
Clementi: Piano Sonatas / Jos Van Immerseel
$14.55
The six 12th-century women's convents nestled on Lüneburg Heath in Northern Germany are treasure troves of hitherto unexplored medieval music manuscripts. Ulrike Volkhardt, the director of the specialist Ensemble Devotio moderna, in conjunction with music historian Ulrike Hascher-Burger, has undertaken a thorough examination of the convent archives, and the fruits of their labors form a series on the Cantate label. Bringing this music to life is a painstaking but enthralling process. Not only was the music transcribed and the instrumentation construed, but some of the instruments had to be reconstructed, reproducing--or at least approximating--sounds not heard for hundreds of years. The result is sweetly introspective music, principally from the 13th to the 16th centuries, that in its gentle simplicity belies the arduous nature of its rebirth.
Includes super flumina babylonis. Ensemble: Devotio moderna.
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Clementi: Piano Sonatas / Jos Van Immerseel
$10.15 
Mention "minimalism" and certain names will pop up, both within and outside of the classical world: Terry Riley, Steve Reich, John Adams. The most famous one, however, would be Philip Glass. Unlike most 20th Century composers, Glass has reached far beyond the concert hall: his work includes film soundtracks (THE TRUMAN SHOW, THE THIN BLUE LINE), multimedia presentations ('1000 Airplanes on the Roof"), and collaborations with pop/rock writers/performers (his SONGS FOR LIQUID DAYS album).
With SOLO PIANO, Glass presents himself "unplugged" - no electronic keyboards or synthesizers, and no overdubs, either - just solo piano. Here, Glass' connection to the established "classical" tradition is most evident. Though his pieces are "minimal" (subtly altered repeated patterns or melodic motifs), yet they have an unsentimental beauty and heartfelt grace that one would hear in J.S. Bach's English Suites, as well as the piano music of Chopin and Erik Satie. Portions of the suite 'Metamorphosis' are based on Glass' score for THE THIN BLUE LINE; these short pieces are forlornly entrancing without being drippy or "trance-like." The finale, 'Wichita Sutra Vortex,' is a uniquely and quintessentially "American" piece. It draws upon gospel music in the same way Ives and Copland drew from the well of American folk tunes, but where those composers worked in ironic portions or references to the tunes, Glass absorbs the deep feeling and tones of gospel, without recalling any particular song. Both Glass fans and minimalist neophytes should hear this.
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