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Peterson, Oscar - We Get Requests CD Cover Art
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Oscar Peterson We Get Requests CD

Oscar Peterson Discography of CDs
5 stars (2 Customer Reviews)
Regular Price: $18.97
In Stock:   $14.39 CDAdd to Cart

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All tracks have been digitally remastered.

This is part of the Verve Master Editions series.

Recorded at RCA Studios, New York, New York. Includes liner notes by Phil Bailey.

Oscar Peterson Trio: Oscar Peterson (piano); Ray Brown (bass); Ed Thigpen (drums).

Vme-
We Get Requests Music


Detailed We Get Requests Music Information



List Price $18.97 (You save $4.58)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Piano
Label Verve
Orig Year 1964
All Time Sales Rank   21612  
CD Universe Part number 1177452
Catalog number 521442
Discs 1
Release Date Jul 29, 1997
Studio/Live Studio
Mono/Stereo Stereo
Producer Jim Davis
Engineer Bob Simpson
We Get Requests Music


We Get Requests Other Versions



Oscar Peterson We Get Requests Songs


Oscar Peterson We Get Requests Album Track Listing



Click on the Song Sample buttons below to play song samples
Windows MediaRealAudio MediaMP3 Track Sample1.Corcovado (Quiet Nights of Quiet Stars)
Windows MediaRealAudio MediaMP3 Track Sample2.Days of Wine and Roses, The
Windows MediaRealAudio MediaMP3 Track Sample3.My One and Only Love
Windows MediaRealAudio MediaMP3 Track Sample4.People
Windows MediaRealAudio MediaMP3 Track Sample5.Have You Met Miss Jones?
Windows MediaRealAudio MediaMP3 Track Sample6.You Look Good to Me
Windows MediaRealAudio MediaMP3 Track Sample7.Girl From Ipanema, The
Windows MediaRealAudio MediaMP3 Track Sample8.D & E
Windows MediaRealAudio MediaMP3 Track Sample9.Time and Again
Windows MediaRealAudio MediaMP3 Track Sample10.Goodbye, J.D.

If you're having problems playing the samples, you can try selecting a different format
Windows Media Windows Media   Real Audio Real Audio   Adobe Flash Adobe Flash
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Digitally remastered using 20-bit technology by Suha Gur (Polygram Studios). This 1957 session brings together two of the most important tenor saxophonists in jazz history. Coleman Hawkins is known as the father of the jazz sax, while Webster may be its greatest balladeer. COLEMAN HAWKINS ENCOUNTERS BEN WEBSTER highlights the talents of both tenor men nicely, with Hawkins and Webster consistently complementing each other's playing. In fact, they develop a kind of conversational interplay that is quite beautiful, particularly on the gentle "It Never Entered My Mind" and the slowly swinging "Shine on Harvest Moon." Although the rest of the band consists of stellar musicians (including pianist Oscar Peterson and guitarist Herb Ellis), they concede the spotlight to Hawkins and Webster, whose dual saxophones more than carry the record. Other standout tracks include the sultry ballad "Tangerine" and the Latin-flavored "La Rosita." This is part of the Verve Master Editions series. Recorded ...
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Master jazz pianist Oscar Peterson had his longest-running trio with bassist Ray Brown and drummer Ed Thigpen, and NIGHT TRAIN may be their finest moment. The repertoire here is comprised mostly of standards, although the choices seem deliberate. In treatments of jazz chestnuts like "C-Jam Blues" and "Georgia On My Mind," the trio works inside these well-known songs, painting over familiar colors and re-working traditional melodies, while staying true to the spirit of each tune. The chemistry between Thigpen, Brown, and Peterson is unassailable. Peterson, in particular, is at the top of his game here, running the whole history of jazz through his dexterous, nimble fingers with an in-the-pocket ease not always apparent on his earlier recordings. NIGHT TRAIN was produced by Norman Granz, who had already sold Verve Records to MGM, but continued to record his favorite artists, of whom Peterson was one. The production is superb, and translates especially well via remastering. The Verve re-issue features additional tracks, including alternate takes, rehearsals, full versions of "My Heart Belongs to Daddy" and "Volare," and an incomplete take of Charlie Parker's "Now's the Time." New packaging, expanded ...
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Prior to this 2000 release, Diego Cortez had been working more or less behind the scenes in the experimental areas where ambient and sampled music intersect. He has long been an active participant in the art world at large, working in visual as well as sonic media. Recorded during from 1997 to 1999, the album's 15 pieces were composed for acoustic piano and mixed media. The latter feature such potent collaborators as DJ Spooky, Arto Lindsay, and Ryuichi Sakamoto. While Cortez' music bears some sonic characteristics in common with ambient music, it is actually too full of foreground surprises to fall squarely into that category. "Delta" is a fairly straightforward duet for piano and the trumpet of Butch Morris. Subtly relentless bass playing dances around the minimalist piano architecture of "Jobim's Existence," while wind up music boxes and tape manipulation on "Between Your Face and Your Face" link this piece to such mid-20th century experimental composers as Morton Subotnick and Milton Babbitt. Prod/Mixed By DJ Spooky;W/Arto Lindsay,Ryuichi Sakamoto &More Recorded in New York, New York. Personnel: ...
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We Get Requests Music Review


Customer We Get Requests Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Oscar forever!
One of the best albums mr.Peterson ever made! SWINGING LIKE MAD! np4.
Submitted by najponk (stuffakov)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

5 stars Great Jazz Trio
Maybe the best album ever recorded by O. P.
Submitted by lorpant (Cesena, Italy)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

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