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Peterson, Oscar - We Get Requests CD Cover Art
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Oscar Peterson We Get Requests CD

 Oscar Peterson Discography of CDs
5 stars (2 Customer Reviews)

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 Our Price: $15.05  CD
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Get Oscar Peterson ringtones on your cell phone!
All tracks have been digitally remastered.

This is part of the Verve Master Editions series.

Recorded at RCA Studios, New York, New York. Includes liner notes by Phil Bailey.

Oscar Peterson Trio: Oscar Peterson (piano); Ray Brown (bass); Ed Thigpen (drums).

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We Get Requests Music


Detailed We Get Requests Music Information



List Price $18.98 (You save $3.93)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Piano
Label Verve
Orig Year 1964
All Time Sales Rank   20820  
CD Universe Part number 1177452
Catalog number 521442
Discs 1
Release Date Jul 29, 1997
Studio/Live Studio
Mono/Stereo Stereo
Producer Jim Davis
Engineer Bob Simpson
Oscar Peterson We Get Requests Songs


Oscar Peterson We Get Requests Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio Media1.Corcovado (Quiet Nights of Quiet Stars)
Windows MediaWindows MediaRealAudio MediaRealAudio Media2.Days of Wine and Roses, The
Windows MediaWindows MediaRealAudio MediaRealAudio Media3.My One and Only Love
Windows MediaWindows MediaRealAudio MediaRealAudio Media4.People
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Have You Met Miss Jones?$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio Media6.You Look Good to Me
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Girl From Ipanema, The$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.D & E$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Time and Again$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio Media10.Goodbye, J.D.

We Get Requests Music


We Get Requests Other Versions



Oscar Peterson
We Get Requests  Japan; Remastered; Super-High Material
CD$43.69
Oscar Peterson
We Get Requests  (1964) Import; United Kingdom
CD$15.75
Oscar Peterson
We Get Requests  (1964) Remastered For Sale Pre-Order Now! Available: Tuesday, November 17, 2009
CD$35.85
We Get Requests Music Review


Customer We Get Requests Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Oscar forever!
One of the best albums mr.Peterson ever made! SWINGING LIKE MAD! np4.
Submitted by najponk (stuffakov)
Was This Review Helpful? Yes No  12 of 12 found this helpful.

5 stars Great Jazz Trio
Maybe the best album ever recorded by O. P.
Submitted by lorpant (Cesena, Italy)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

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Coleman Hawkins Encounters Ben Webster
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CD $13.29  5 stars Top 100 Audio Samples Definitive Album
Digitally remastered using 20-bit technology by Suha Gur (Polygram Studios). This 1957 session brings together two of the most important tenor saxophonists in jazz history. Coleman Hawkins is known as the father of the jazz sax, while Webster may be its greatest balladeer. COLEMAN HAWKINS ENCOUNTERS BEN WEBSTER highlights the talents of both tenor men nicely, with Hawkins and Webster consistently complementing each other's playing. In fact, they develop a kind of conversational interplay that is quite beautiful, particularly on the gentle "It Never Entered My Mind" and the slowly swinging "Shine on Harvest Moon." Although the rest of the band consists of stellar musicians (including pianist Oscar Peterson and guitarist Herb Ellis), they concede the spotlight to Hawkins and Webster, whose dual saxophones more than carry the record. Other standout tracks include the sultry ballad "Tangerine" and the Latin-flavored "La Rosita." This is part of the Verve Master Editions series. Recorded ...
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CD $14.29  4.5 stars Top 100 Audio Samples Definitive Album
Master jazz pianist Oscar Peterson had his longest-running trio with bassist Ray Brown and drummer Ed Thigpen, and NIGHT TRAIN may be their finest moment. The repertoire here is comprised mostly of standards, although the choices seem deliberate. In treatments of jazz chestnuts like "C-Jam Blues" and "Georgia On My Mind," the trio works inside these well-known songs, painting over familiar colors and re-working traditional melodies, while staying true to the spirit of each tune. The chemistry between Thigpen, Brown, and Peterson is unassailable. Peterson, in particular, is at the top of his game here, running the whole history of jazz through his dexterous, nimble fingers with an in-the-pocket ease not always apparent on his earlier recordings. NIGHT TRAIN was produced by Norman Granz, who had already sold Verve Records to MGM, but continued to record his favorite artists, of whom Peterson was one. The production is superb, and translates especially well via remastering. The Verve re-issue features additional tracks, including alternate takes, rehearsals, full versions of "My Heart Belongs to Daddy" and "Volare," and an incomplete take of Charlie Parker's "Now's the Time." New packaging, ...
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Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24-karat gold and housed in a stress-resistant lift-lock jewel box. "You Can't Lose What You Ain't Never Had" and "The Same Thing" did not appear on the original version of FOLK SINGER. They were recorded at a separate session in April 1964, three months after FOLK SINGER was released. The title and cover photo of this 1963 recording were an attempt to cash in on the burgeoning American folk revival, but this is pure acoustic blues. Muddy began his career as a Robert Johnson-style solo acoustic performer, and the tunes on FOLK SINGER hark back to those days. He's accompanied sparsely by Willie Dixon, drummer Clifton James and a young Buddy Guy, who provide a stark, deliberate backdrop for Muddy's rich vocal and expressive bottleneck guitar work. The richness of Muddy's baritone is showcased effectively here, with more room than usual for his voice to resonate. The low-key setting allows Muddy to explore a fuller dynamic range as well. From the romantic yearning of "Long Distance Call" to the fatalism of the chain gang song "My Captain," Muddy's voice expresses entire worlds of emotion with only subtle dynamic changes. On FOLK SINGER's more downhearted cuts, there's a doomy, ominous quality that rivals the deepest emotional journeys of John Lee Hooker. By scaling down, Muddy managed to make his songs, guitar and voice seem exponentially magnified. Though it's one of his quietest albums, FOLK SINGER screams with naked emotion. Recorded at Tel Mar Recording Studios, Chicago, Illinois in September 1963 and April 1964. Originally released on Chess (1483). Includes liner ...
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Utano Rensyu
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Amor
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Manny Albam/The Jazz Workshop
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2006 two-on-one CD features the first two albums Manny Albam recorded under his own name. Many outstanding figures participated on the sessions including Joe Newman, Thad Jones, Conte Candoli, Bob Brookmeyer, Al Cohn, Milt Hinton, Urbie Green, Jimmy Cleveland, Hank Jones, Freddie Green, Eddie Costa and Osie Johnson. Albam's ...
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