| | Roy Knight Singers Motown Legends CD Roy Knight Singers Discography of CDs
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Amid the generous helpings of compilations devoted to Gladys Knight and her cousins, this Motown collection is a rather erratic journey through the group's tenure at that mighty music machine during the '60s. The compilation starts off with their last hit for the label, the heartbreaking "Neither One of Us (Wants to Be the First to Say Goodbye)" and mixes it in with various minor hits, album cuts, and cover versions of hits already established by Motown artists ("Every Little Bit Hurts" and "I Wish It Would Rain" are two of the most prominent examples). While this may be an interesting compilation for devotees, casual listeners might find it awkward that the group's biggest hit for Motown "I Heard It Through the Grapevine" isn't even included here. It's this lack of attention when selecting tracks for a supposed Legends series that is almost comparable to the group's Motown tenure itself, as they were often treated as outsiders or relegated to working with a "B" team of producers instead of the mighty Holland-Dozier-Holland trio. This one's definitely for collector's only. Casual listeners would be best served by a more expansive and thorough overview, like Rhino's Soul Survivors: The Best of Gladys Knight & the Pips 1973-1988. ~ Rob Theakston Roy Knight Singers Motown Legends Songs Motown Legends Review
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$25.35 For nearly three decades Powder Blues has been Canada’s favorite blues band. Their music incorporates elements of Swing, Blues, Jazz, Rock & Roll and Rhythm & Blues into their unique and instantly identifiable sound. This broad approach has resulted in an appeal whose demographic is so wide that it is not unusual to find people from seven to seventy swaying side by side at a Powder Blues concert. Throughout the years they have toured ceaselessly throughout Canada, the United States and overseas, spreading the joy of a music that makes people smile and dance.Fads come and go, as in the current resurgence of Swing, Juke and Jive music, but Powder Blues is no follower of trends. When they first burst upon the recording scene in late 1979, with their self-financed and self-produced debut album, ‘Uncut’, after nearly two years of wood shedding and honing their unique blend of sounds in Vancouver’s then flourishing nightclub scene, the established recording industry label giants shrugged their effort off as ‘not commercial’. The band was told there was ‘no market for the blues’.Undiscouraged, the band pressed the album at their own expense and proceeded to sell it off stage and deliver it to radio stations. When the switchboards at the stations lit up with calls asking ‘who’s that?’ other stations followed suit. After selling nearly 30,000 copies in a matter of weeks, the major record labels came calling and entered a bidding war for ...
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