| | George Strait Holding My Own CD George Strait Discography of CDs
(1 Customer Review)
By the time he released his twelfth album Holding My Own in 1992, George Strait had been having hits for over a decade, a long time in any kind of pop music, so it should come as no surprise that when this hit the market it was surrounded by albums cut by singers inspired by Strait. As such, the title itself can be read as a little bit defensive, proving that Strait was indeed comparing well to such new stars as Garth Brooks, and there are other slight signs of Strait and producer Jimmy Bowen reacting to the shifting times. There's the return of a coat of gloss on such slow singles as "So Much Like My Dad," a slight tempering of Western swing, a brightening of the Telecasters and beat on the uptempo tunes, which does result in the delightful modern rockabilly of "It's Alright with Me," reminiscent of nothing less than an updated Ricky Nelson tune. All these changes are incorporated within the framework of Strait's traditional country, sitting alongside the shuffles and barroom ballads that are familiar but have hardly worn out their welcome at this point. It's a sound as comfortable as a pair of slippers and Strait is appealing as ever here; appealing enough to disguise that for as likeable as many of these songs are, they're not among his best. That may be true, but even average George Strait is quite enjoyable, and, in retrospect, this not only held its own against the new guys, it's aged better than many of their LPs -- it only pales in comparison to other records by Strait himself. ~ Stephen Thomas Erlewine
One-Way Sales/Non-Returnable
Audio Mixer: Steve Tillisch.
Recording information: Emerald Studio; Sound Stage.
Photographer: Mike Rutherford.
Personnel: George Strait (vocals); Steve Gibson, David Anthony (acoustic guitar); Reggie Young, Rick McRae, Benny MacArthur (electric guitar); Buddy Emmons, Mike Daily (steel guitar); Johnny Gimble, Gene Elders (fiddle); Jim Horn (alto flute, saxophone); Floyd Domino, Ronnie Huckaby (piano); Joe Chemay, Terry Hale (bass); Larrie Londin, Mike Kennedy (drums); Curtis Young, Liana Manis (background vocals).
Personnel: David Anthony, Steve Gibson (guitar, acoustic guitar); Gene Elders (guitar, fiddle); Gene Daily (guitar); Rick McRae, Rick McRai, Benny MacArthur, Reggie Young (electric guitar); Mike Daily, Buddy Emmons (steel guitar); Johnny Gimble (fiddle); Jim Horn (alto flute, saxophone); Ronnie Huckaby, Floyd Domino (piano); Larrie Londin, Michael Kennedy, Mike Kennedy (drums); Curtis Young, Liana Manis (background vocals).
Entertainment Weekly (5/15/92, p.64) - "..On HOLDING MY OWN, Strait's most hard-core country album, he positions himself alongside such legends as Buck Owens and George Jones as a superior interpreter of pain and yearning.." - Rating: A- George Strait Holding My Own Songs Holding My Own Music Review Purchase Holding My Own CD To buy, Click on price to add to cart | George Strait If You Ain't Lovin' (You Ain't Livin') CD (1988)
Holding My Own album
$5.99
| | George Strait Something Special CD (1985)
Holding My Own CD music
$7.29
| | George Strait Livin' It Up CD (1990)
Holding My Own music CDs
$5.25
| | George Strait Right Or Wrong CD (1983)
Holding My Own songs
$5.25 The electric pianos that kick off "You Look So Good in Love," the opening song on George Strait's third album Right or Wrong, may suggest that Strait is softening a bit, but that first impression is a bit misleading. As soon as that ballad is over, he launches into the Bob Wills standard that gives this album its title and he's as dexterous and as pure country as ever, and the rest of the album follows the lead of its title song, not the opening cut. To be sure, there are other ballads and slightly slicker ...
| | George Strait Strait Country CD (1981)
Holding My Own album
$5.19 Given George Strait's stature and his enduring popularity, it's easy to forget just how startling his debut Strait Country was in 1981. At the time, country music was given over to lush country-pop crossovers, aging outlaws, urban cowboy swagger and the emergence of Alabama-styled country-rock, all sounds that evoked the dawn of the Reagan era (and still do to this day), but Strait flew in the face of all of these trends, drawing deep on honky tonk tradition, undeniably rooted in Texas but willing to wander outside of the Lone Star State's borders. This restlessness manifested itself most notably on Strait's clear love of Merle Haggard, evident on the warm, breezy "Blame It on Mexico" ...
| | George Strait Beyond The Blue Neon CD (1989)
Holding My Own CD music
$5.25
| | Willie Nelson Singin' With Willie CD (2004)
Holding My Own music CDs
$17.89
| | Carolyn Mark Pros And Cons Of Collaboration CD (2004)
Holding My Own songs
$13.35 Vancouver-based singer Carolyn Mark is from the old-time era of country music as defined on the sweeping "Overture," which moves from dirge-like arrangements to early honky-tonk to a traditional country lament. It sounds as if it's ...
| | Crazy 8's Law And Order CD (1984)
Holding My Own album
$13.39
| | David Allan Coe Ride CD (2005)
Holding My Own CD music
$7.19 Liner Note Author: Chuck Young.
| | Kynne Last Days CD (2008) Special Edition
Holding My Own music CDs
$16.45
| | Rick DiDia & Aireene Espiritu The Ten Ton Feather CD (2009)
Holding My Own songs
$15.19 Crossing the borders of folk, blues, bluegrass, country, rock and roll, gospel, stomps and hollers, Rick DiDia and Aireene Espiritu invoke an evocative musical landscape that flows seamlessly through various breaks in mood, tempo and melody and makes the old sound new in an old sort of way.Since pairing up three years ago, this guitar and ukulele duo has supported musical legends Willie Nelson, Rickie Lee Jones, Odetta, Susan Tedeschi and Derek Trucks, Robin Trower, Sugar Pie Desanto, and Ramblin' Jack Elliot. Their versatility in songwriting has also enabled them to share shows with acts as diverse as Rogue Wave, My Morning Jacket, Bill Tapia, Hot Buttered Rum, Harry Manx, and the Carolina Chocolate Drops. This list puts them in great company, and continues to serve as a beacon for them when developing their own musical careers. Aireene, a native of the Philippines, plays a 1950's Martin tenor ukulele, and crafts simple yet hauntingly beautiful songs that are highlighted by the strength and richness of her 'spot on' vocal delivery. Rick plays guitar in various tunings and has developed a unique lap-style playing method that results in an intriguing array of chords, single note lead runs and sliding that looks as if he is chasing notes from one end of the neck to the other. Their rich mixture of personalities, cultures and musical approaches - one simple and the other complex - sets the tone for an unassuming duo that walks small but carries a big sound. Their sound is made even larger by the near perfect pairing of their voices and their uncomplicated approach to performing which leaves few barriers between themselves, the song, and their audience. This direct yet intimate style has led them from stages at the legendary Fillmore in San Francisco and the House of Blues in Las Vegas, to top-tier perfromance ...
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