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Metheny, Pat - Rejoicing CD Cover Art
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Pat Metheny Rejoicing CD

 Pat Metheny Discography of CDs
5 stars (1 Customer Review)

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 Our Price: $14.69  CD

Recorded at Power Station, New York, New York in November 1983.

Personnel: Pat Metheny (guitar); Charlie Haden (acoustic bass); Billy Higgins (drums).

Rejoicing Music


Detailed Rejoicing Music Information



List Price $17.98 (You save $3.29)
Category Rock/Pop Albums, Jazz CDs, Pop, Jazz Instrument, Guitar
Label ECM
Orig Year 1984
All Time Sales Rank   28433  
CD Universe Part number 1178908
Catalog number 817795
Discs 1
Release Date Feb 29, 2000
Studio/Live Studio
Mono/Stereo Stereo
Producer Manfred Eicher
Engineer Jan Erik Kongshaug
Recording Time 43 minutes
Personnel Pat Metheny - guitar

Also: Charlie Haden, Billy Higgins
Pat Metheny Rejoicing Songs


Pat Metheny Rejoicing Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Lonely Woman
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Tears Inside
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Humpty Dumpty
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Blues For Pat
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Rejoicing
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Story From a Stranger
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Calling, The
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Waiting For an Answer

Rejoicing Music


Rejoicing Other Versions



Pat Metheny
Rejoicing  (1984) Japan
CD$33.45
Rejoicing Music Review


Customer Rejoicing Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Beyond the Jazz Ground
"Rejoicing" makes a perfect companion to "Beyond the Missouri Sky." Haden and Metheny share a magnetism on the ground that can only be matched by Lyra and Orion in the night sky. Each tune shines with lyrical brilliance; be it in the softened freedom of Ornette Coleman's "Lonely Woman," the dazzling blur of Metheny's clean runs on the title track, or the wailing synthguitar of "The Calling." Higgins on drums complements all the string action. Harmony, harmolodics, and eudemonics: the joy of the musicianship on this album uplifts the listener with its magic.
Submitted by a reviewer (Montreal, Quebec (Canada))
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Trio 99-00
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Pat Metheny Trio 99-00 CD  (2000)

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CD $14.85  Top 500 Audio Samples Definitive Album
"(Go) Get It" won the 2001 Grammy Award for Best Jazz Instrumental Solo. For this set, Pat Metheny once again took time out of his busy schedule as a contemporary jazz superstar to take a straight-ahead trio into the studio for a day of casual blowing. Like his other previous efforts in this vein, QUESTION AND ANSWER and REJOICING, Metheny gets back to what he does best and lets it all hang out with partners Larry Grenadier and Bill Stewart. What's most impressive is that there was never any intent to make a record; it was merely a set-up-and-play atmosphere when these three virtuosos grabbed a couple of days to enjoy the act of making great music together. From the outset it is obvious that Metheny came to play his best as he sets the music ablaze with the opening burner "(Go) Get It." Stewart and Grenadier are the perfect match for Metheny's legendary musicianship as the trio covers a wide range of stylistic extremes, from the acoustic nebula of "Just Like The Day" to Wayne Shorter's harmonically offbeat "Capricorn." Metheny even covers himself with a fiery reading of his previously recorded gem "Lone Jack" and the unforgettably melodic "Travels." Of special note is the trio's slow and groovy take on the Coltrane classic "Giant Steps." Recorded ...
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Recorded live in Dallas, Texas; Nacogdoches, Texas; Philadelphia, Pennsylvania; Hartford, Connecticut; Sacramento, California in July, October and November 1982. A double album that flirts with rock, folk, country and Latin - but is emphatically a jazz album. Metheny is equipped with probably his best ever live group; Steve Rodby, Dan Gottlieb, Nana Vasconcelos, and his right arm, keyboard virtuoso Lyle Mays. The recording exudes warmth, and often improves on tracks already issued on studio albums; for example, 'Phase Dance' is played with more verve and 'Song For Bilbao' sounds more passionate in a live context. The diamond in the mine, ...
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Guitarist Pat Metheny's atmospheric, "smooth" (when that word didn't carry ugly connotations) jazz was just about ready to set the world afire when this Pat Metheny Group effort hit the racks. Metheny's was one of the tighter outfits in modern jazz when this eponymous album was released in 1978 on ECM, the label that really mattered for them in the '70s. The Group's idiosyncratic blending of folk, blues stylings, improv spaciness, and supple rock underpinnings were unlike anything then happening in jazz. The opener, "San Lorenzo," establishes the mood. Ten-plus minutes of shimmering cymbals pierce a veil of stark bass, luminescent synthesizer motifs, and, of course, Metheny's resolutely gorgeous ...
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BRIGHT SIZE LIFE, his first solo album, is an anomaly in the Pat Metheny discography. Rather than inaugurating a new era in his music, it celebrates the end of another. Of the eight superb arrangements that make up BRIGHT SIZE LIFE, only the gentle ballad "Unity Village" (an overdubbed duet between electric 6- and 12-string guitars) made it to the Pat Metheny Group repetoire. And yet, some 20 years after documenting the music of his first working group, BRIGHT SIZE LIFE endures as among the finest, freshest trio recordings in the history of jazz. Metheny's enormous lyric gifts were first revealed during a two-year stint as the second guitarist (on electric 12-string, behind Mick Goodrick) in Gary Burton's group, where he developed a powerful rapport with drummer Bob Moses. And like Burton, Metheny's attraction to modern jazz was balanced by a deep feeling for all aspects of cultural Americana; thus, echoes of country music, Presbyterian hymn books and the blues resonate in the title tune and "Omaha Celebration." But it is the near-telepathic empathy between Metheny and fretless bass guitar innovator Jaco Pastorious that defines the creative tension on BRIGHT SIZE LIFE. With powerhouse drummer Moses providing a fluid cymbal-inflected polyrhythmic underpinning, the yin and yang of these two string players meld into one greater voice. On "Missouri Uncompromised" and "Round Trip/Broadway Blues" their collective interplay at exuberant swing tempos is phenomenal, as Pastorious instinctively rounds out every Metheny phrase with elegant contrapuntal figures. Yet for all his melodic revelry, Pastorious and Moses never stop grooving or drop the tempo ...
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Pat Metheny's WATERCOLORS is sonically a much simpler record than many of his regular group's albums, but it's nonetheless a musically engaging venture that once again challenges the parameters of modern jazz. With his longtime partner keyboardist Lyle Mays, European bassist Eberhard Weber, and drummer Danny Gottlieb, Metheny leads the listener through a galaxy of ethereal moods, dancing rhythms, and soaring melodies. Add to this the underlying theme of water, and Metheny has all the ingredients for a musical masterpiece. As expected, the music has the European New Age quality that is imbued on most ECM discs, but Metheny's knack for creating pastoral colors forged with rich musical foundations is as strong as ever. Whether it's on dancing quartet pieces like the opening title track and the delightfully melodic "Lakes" or programmatic swathes of expression like the solo piece "Icefire," Metheny displays his signature flowing style that defines him as one of the guitar world's most gifted artists. ...
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