| | Dave Holland Extensions CD Dave Holland Discography of CDs
Dave Holland's most notable work with a guitarist in the past was with John Abercrombie, and their collective trio Gateway with drummer Jack DeJohnette. For this set his quartet includes guitarist Kevin Eubanks, along with longtime musical cohorts ... Full DescriptionSteve Coleman on alto saxophone and Marvin "Smitty" Smith on drums. The album opens and closes with compositions by Eubanks.
"Nemesis" is a fairly straightforward post-bop structure that lets everyone strut their wares in fine form. "Color of Mind" is unapologetically funky, and provides a perfect rhythmic bed for Coleman to sail over with glee. Holland's two pieces, "Processional" and "The Oracle" are both subtle and atmospheric, providing a fine contrast to the greater rhythmic density of the other tunes. Coleman, whose been writing a piece or two on most of Holland's albums he appears on, here offers two of his most contrasting numbers. "Black Hole" adheres to his angular and propulsive standards, while "101 Degrees Fahrenheit (Slow Meltdown)" employs mysterious and cinematic dramatics.
Recorded at Power Station, New York, New York in September 1989.
Dave Holland Quartet: Dave Holland (bass); Steve Coleman (alto saxophone); Kevin Eubanks (guitar); Marvin "Smitty" Smith (drums).Q (1/91) - 3 Stars - Good - "Holland's bass is the formidable linchpin, soulful and propulsive throughout." - Recommended as one of the five best jazz albums of 1990. - "Lovely, lissome, rhythmically flexible 1990s contemporary bop."
Village Voice (2/5/91) - Performance A / Sound B - "The people telling you that the Holland is one of last year's best aren't exaggerating." Hide Description Dave Holland Extensions Songs | 1. | Nemesis |
| 2. | Processional |
| 3. | Black Hole |
| 4. | Oracle, The |
| 5. | 101 Degrees Fahrenheit (Slow Meltdown) |
| 6. | Color of Mind |
|
Extensions Review
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Purchase Extensions CD To buy, Click on price to add to cart | Masada Quintet Stolas: Book Of Angels Volume 12 CD (2009)
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STOLAS is the 12th volume in John Zorn's BOOK OF ANGELS series of compositions, and it's a welcome and compelling idea that he decided to re-form his stellar Masada quintet for the occasion. In addition to the rhythm section of Joey Baron and Greg Cohen, trumpeter Dave Douglas, and pianist Uri Caine, Zorn enlisted tenor sax giant Joe Lovano to replace him on all but one cut where he adds his alto, making the group a sextet. Here klezmer, Yiddish folk music, bossa nova, and other Latin jazz all come together in a seamless meld of tunes that accent the symmetry of ensemble play as much as they do an extremely advanced sense of ensemble harmonics, rhythmic invention, and, of course, tautly arranged spaces for individual improvisation--check out the album's longest cut, "Tagriel," for evidence as Zorn's composition not only travels genres but centuries. The ...
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