| | Carl Leukaufe Warrior CD Carl Leukaufe Discography of CDs
Chicago vibist fronts 2 different quintets on this straight bop album; the first feat. Jodie Christian-pno & Lin Halliday-sax; the second feat. Kevin Quail-trmb, Joe Iaco-pno, Richie Pardo-bss
Personnel includes: Carl Leukaufe (vibraphone); Jodie Christian, Lin Halliday, Kevin Quail, Jo Iaco.
Recording information: Riverside Studios, Chicago, IL (08/30/1995/07/22/1996).
Photographer: Bill Klewitz.
Vibist Carl Leukaufe, a Chicago jazz scene veteran, was half a century into his playing career when he made his recording debut as a leader with the 1996 release Warrior. It's an engaging set of mainstream bop that gives Leukaufe deserved exposure. Happy to submit to comparison with his contemporary, Milt Jackson, Leukaufe shares Bag's fluid, deceptively easygoing style, although his facility as an improviser is a notch behind Jackson's legendary abilities in this department. The session is equally noteworthy as a group effort: the personalities of the two groups here with Leukaufe shine through to bring a good measure of distinctiveness to the performances of mostly bop standards. Pianist Jodie Christian's elegant chops and tenor player Lin Halliday's vintage tone (out of Don Byas via Sonny Rollins) are featured on five tracks, including good versions of Rollins' "Airegin," Miles Davis' "Veird Blues," and the standard "Star Eyes." Joe Iaco is the pianist in the other group, which also includes the fine trombonist Kevin Quail; both are heard to good effect on a languid version of Thelonious Monk's "Pannonica" and a welcome airing of Oscar Pettiford's "Tricotism." There are also a handful of good originals: one each from the leader, Iaco, and drummer Robert Barry. The familiar paths traveled on Warrior may not offer new vistas, but the playing is strong and committed, the sound is good, and the tracks pulse with a vitality that keeps the music fresh and energized. ~ Jim Todd
JazzTimes (3/97, p.108) - "...Lovers of vigorous, straight-forward jazz ought to enjoy Carl Leukaufe's sagacious musicianship and the glories he and cohorts invest in their work. Let's have more!" Carl Leukaufe Warrior Songs Warrior Review
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Purchase Warrior CD To buy, Click on price to add to cart | Pepper Adams Critics' Choice CD (2005)
Warrior
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Personnel: Pepper Adams (baritone saxophone); Pepper Adams; Doug Watkins (bass instrument); Lee Katzman (trumpet); Jimmy Rowles (piano); Mel Lewis (drums).
Audio Remasterer: Mantis Evar.
Liner Note Author: Ted Panken.
Recording information: 08/23/1957.
Pepper Adams was one of the greatest jazz baritone saxophonists of all time. During a time when Gerry Mulligan's ...
| | Herb Alpert Christmas Album CD (1966) Remastered; Special Edition
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Live Recording
Personnel includes: Herb Alpert, Bob Edmondson, Lou Pagani, Tonni Kalash, Nick Ceroli, Pat Senatore, John Pisano.
Recorded at A & M Recording Studio and Gold Star Recording Studio, Hollywood, California.
Personnel: Herb Alpert (horns); Shorty Rogers (vocals); Tonni Kalash, Lou Pagani, John Pisano, Nick Ceroli, Bob Edmondson, Pat Senatore (horns).
Audio Remasterer: Bernie Grundman.
Liner Note Authors: Herb Alpert; Gene Sculatti.
Recording information: A&M, Los Angeles, CA; Gold Star Recording Studio.
Photographer: Guy Webster.
Arrangers: Herb Alpert; John Pisano; Julius Wechter; Shorty Rogers.
Herb Alpert ...
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Producers: Lew Hawn, Nesuhi Ertegun.
Bobby Short embarked on his series of songbook albums with one devoted to Cole Porter, followed by a Noël Coward volume. Those seemed like obvious choices for a cabaret artist adept at delivering the witty patter songs devised by such verbal masters. For his third outing, Short turns to Gershwin, and in this case that name refers both to composer George Gershwin and his lyricist brother Ira Gershwin. (There are four early songs here with lyrics by others, however.) Ira Gershwin is a less obvious fit for Short than Porter or Coward, as his songs tend to be unabashedly romantic, and while they display a love of wordplay, not as devoted to sharp wit. The closer match of writer to performer would seem to be between George Gershwin, well known as a strong, ragtime-influenced pianist, and Short, who also accompanies himself on the keyboard. That turns out to be the case. As usual, Short uses only a piano trio for accompaniment, but he explores the jazz-tinged possibilities of Gershwin's melodies. Yet he also turns out to be a good match for Ira Gershwin's words, if only because he delivers them with the warm, upbeat mood in which they are usually intended. The song selection, aided by several Gershwin scholars, is anything but a list of the composer's greatest hits. Short does season the album with well-known standards, especially early on. But he often tries to give the more well-worn songs a different twist. For example, he takes "I've Got a Crush on You" at a brisk tempo, very different from the ballad style given to it by such interpreters as Frank Sinatra. ...
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