| | Blu Lu Barker Don't You Feel My Leg CD Blu Lu Barker Discography of CDs
 (1 Customer Review)
Apollo's lady blues singers w. Danny Barker's Sextet, George Kelly, Larry Johnson, Panama Francis, Bill Campbell ... Full Description
This is part of Delmark's Apollo series.
Personnel includes: Blu Lu Barker, Wee Be Booze, Baby Dee (vocals); George Kelly (tenor saxophone); Larry Johnson (organ); Panama Francis (drums); Danny Barker's Sextette, The Bill Campbell Band.
JazzTimes (12/96, p.114) - "...New Orleans blues diva Blu Lu Barker demonstrates her coy vocal style, somewhere bewteen Mildred Bailey and Billie Holiday, on DON'T YOU FEEL MY LEG..." Hide Description Don't You Feel My Leg Music Blu Lu Barker Don't You Feel My Leg Songs Don't You Feel My Leg Music Review Purchase Don't You Feel My Leg CD To buy, Click on price to add to cart | Yockamo All-Stars Dew Drop Out CD (1998)
Don't You Feel My Leg album
 $9.89 
| | Lenny McDaniel Worth The Price CD (1996)
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$17.69
Lenny McDaniel got the New Orleans street beat in his blood at an early age, playing drums in a marching unit while still in elementary school. He gained his first vocal experience in an equally time-honored way-singing in church. By his early teens, he was playing guitar and bass, backing popular local R&B singers like Aaron Neville, Benny Spellman and Ernie K-Doe at high school dances.In the 1970s, Lenny established himself as an artist and songwriter in New Orleans and the surrounding region. He fronted bands, playing guitar and bass and singing. One of these groups, ...
| | Coteau Highly Seasoned Cajun Music CD (1997)
Don't You Feel My Leg music CDs
$14.15 
| | Steve Riley Bayou Ruler CD (1998)
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$15.05
| | Walter "Wolfman" Washington Funk Is In The House CD (1998)
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$13.89 
| | Piazza, Rod & The Mighty Flyers Soul Monster CD (2009)
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$12.90  
| | Saffire The Uppity Blues Women Cleaning House CD (1996)
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$15.45
| | Merline Johnson Yas Yas Girl: Complete Recorded Works In Chronological Order Vol. 1 (1937-1938) CD (1995)
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$13.25
| | Audrey Auld Losing Faith CD (2003)
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$12.05
"Losing Faith" Winner of the MerleFest Chris Austin Song Contest 2006 Country Category.“The beauty of Audrey's work is that she understands the power of simplicity. Whether it be in a traditional country setting or on the more edgy tracks her voice stays honest and true." ~ Kieran Kane"Losing Faith" is a stunning follow-up to Audrey Auld's ARIA nominated debut release "The Fallen" - a debut which earned her international acclaim. Featuring duets with three of the biggest names in alternative country - Fred Eaglesmith, Mary Gauthier and Kieran Kane and collaborative contributions from some of Australia's and the USA's best musicians - Bill and Kasey Chambers, Michael Carpenter, Scrappy Jud Newcomb, Spenser Campbell, Camille Te Nahu, Gerry Hale, Mick Albeck, ...
| | Howlin Wolf Come Back Home CD (2004)
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$7.89
| | No 1 Electro House Album No.1 Electro House Album CD (2007) (Import)
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$18.29
| | Fundamental Sound Mirror Of Time CD (2007)
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$18.95
What do you get when you mix a father who is a Rhythm and Blues guitar player, a house that always had something soulful with a groove playing in the background, and a mother who taught her only child how to sing harmonies, sitting around the dinner table? Miles Roy-Rogers (a.k.a. Fundamental Sound) was born June 24, 1977 in Ashland Oregon, and literally took his first breath, then began singing and creating wicked grooves!Family friend and neighbor Todd Barton (Resident Composer for the Oregon Shakespeare Festival) would synthesize sounds and test them on young Miles to see what kind of emotional reaction they’d evoke; Scary, Fun, Sad, etc. This relationship with Todd developed into a full blown mentorship in High School, and continues to this day. Listening to the home grown samples on “Mirror of Time” leaves little doubt that Todd’s synthesizers had a strong influence on Mile’s work. Through Todd, Miles was introduced to Jeff Stolet (Philip H. Knight Professor of Music, and Director of Future Music Oregon) whose Future Music Oregon program associated with the Music Technology track of the University of Oregon School of Music, where Miles got his secondary education. While attending the U of O, Miles answered a flyer that a band put out looking for a Reggae Keyboardist. Band Leader Bibs Goff (More Time), a staple of the Oregon reggae community, took Miles under his wing. With the expert guidance of Bibs, Miles learned how to sit deep in the pocket of a reggae groove. Pushing the Bubble, Piano bang, and lead lines for More Time, Miles came into contact with many of Reggae Music’s Forefathers. Opening for bands like the Wailers (Bob Marley’s Band), Steel Pulse, Burning Spear, Toots and the Maytals, The Abyssinians, Culture, Pato Banton, Third World, Eek-A-Mouse and many more, lead Miles to some crucial conversations and realizations. Miles would sit for hours listening to the opinions, philosophy and even theology of these Forefathers. These conversations heavily shaped the thoughts and compositions of Miles.Eventually Miles was hired to play keyboards and had the opportunity to go on a small tour of the Pacific Northwest as a part of the backing band for Apple Gabriel (Founding member of the Israel Vibration). Yearning to learn and discover more, after Graduating from the University of Oregon with a Degree in Music Technology and a Minor in Business, Miles realized he would need to relocate to a bigger city where he could advance his education and become more skilled in the studio. Miles headed to the heart of the music-meets-technology scene, Southern California. After just over a year in Los Angeles, he found himself working as a Studio Engineer for the University of Southern California (USC) Cinema-Sound Department. This was exactly the opportunity and education Miles was looking for, and the best part was… he was getting paid! For the ...
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