| | Clarence Williams Whoop It Up CD Clarence Williams Discography of CDs
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25 original Columbia recordings from 1929-31, feat. his Jazz Kings, Bertha Idaho, Jimmy Johnson, Lazy Levee Loungers Whoop It Up Review
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Purchase Whoop It Up CD To buy, Click on price to add to cart | Female Blues: Remaining Titles 1921 - 1928 CD (1997) Import
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| | Clarence Williams Dreaming The Hours Away CD (1999)
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| | Memphis Jug Band, Vol. 2 CD (1998)
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| | Memphis Jug Band, Vol. 3 CD (1998)
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| | Clarence Williams Shake 'Em Up CD (2000)
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| | Clarence Williams 1930-1941: Thriller Blues CD (2005)
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| | Vicente Fernandez Es La Diferencia CD (1982)
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Personnel: Vicente Fernández (vocals).
| | Pump Up The Volume CD (1990) Original Soundtrack
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In a sense, Pump Up the Volume was the second in Allan Moyle's Disillusioned American Youths trilogy, released ten years after the new wave runaway drama Times Square and five years prior to the truly horrid record shop angstfest Empire Records. Like Times Square, and to a somewhat lesser extent Empire Records, Pump Up the Volume's major players are music obsessives who immerse themselves in rock groups that float away from the mainstream radar. In this case, the protagonist is pirate radio DJ Hard Harry (Christian Slater), a hyper-hormonal high-school student who takes great delight in playing the likes of Leonard Cohen and Sonic Youth ...
| | Hugh Hopper Parabolic Versions CD (2000)
Whoop It Up album
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Released in late 2000, Parabolic Versions collects previously released songs by Hugh Hopper plus four tracks never heard before. With the critical praise surrounding recent Hopper albums like Hughscore's Delta Flora and the Hopper/Lisa S. Klossner duo's Different and Cryptids, one can understand why Voiceprint gathered more songs from the same source. The first eight tracks are taken from the mid-'90s releases Somewhere in France, Hooligan Romantics, and Hugh Hopper and Odd Friends. These feature Richard Sinclair, John Atkins, and Mike Travis on vocals. The next ...
| | Chris Botti Thousand Kisses Deep CD (2003)
Whoop It Up CD music
$8.99
Chris Botti's sixth album is a wonderfully, even perfectly crafted group of originals and covers that accent his deep crossover appeal as both a jazz and pop musician. Botti's phrasing is very keen, uncanny in the way it works with simple rhythmic structures, and his tone is rich and warm. His use of keyboards and drum loops is pretty much up to the minute in terms of its hip factor, and his arrangements appeal to serious jazz fans and are something akin to blessed-out ecstasy to smooth jazz aficionados. Therein also lies the problem. Botti hasn't significantly developed his sense of artifice since his debut album and, if anything, has delved deeper into its oh-so-cool bachelor pad faux elegance than ever on A Thousand Kisses Deep. The title track, a very moving song written by Leonard Cohen, is the finest moment on the disc. A spare guitar backdrop is adorned simply; Botti plays the melody in short, clipped staccato phrases for an entire full verse before the rhythm section enters. The effect is haunting, lushly romantic, and full of a sensual warmth that is as spooky as it is silky. The spare keyboards and brushed drums offer the song as something slightly Latin (thanks to the gorgeous guitar playing by Dean Parks). It could have been the love theme in Robert Rodriguez's Once Upon a Time in Mexico -- yes, it really does feel slightly mariachi! Burt Bacharach's "The Look of Love," despite a marvelous vocal by Chantal Kreviazuk, suffers from cute syndrome -- as does "The Last Three Minutes," another Bacharach tune. The straight pop stuff, such as "Ever Since We Met" with Bridget Benenate's breathy vocals, work very well. Botti's solo entwines the refrain and carries the singer's voice along into the ether. A duet with pianist Billy Childs on "My Funny Valentine" feels a tad stilted, but there is great tension resolution in the third chorus. "If I Could," another original, with the great Smokey Hormel on guitar in addition to Parks, is a true mood-setter. Smoky, slightly steamy with just a hint of a funk backdrop and Botti whispering through the pastel keyboard sounds with his own shade of deep blue and gauzy elegance, it's the babymaker on the album. In all, as with each of Botti's recordings, there is nothing inherently wrong here, and the formula is successful; it's one of the better mood records out there, but it's still formula, contrived and calculated to establish and keep the listener paying some degree of attention, but
& electric guitars); Smokey Hormel (electric guitar); Doyle Bramhall (guitar); Chuck Berghofer, Mike Elizondo (bass); Joey Waronker, Abe ...
| | Red Knife Lottery So Much Drama CD (2005)
Whoop It Up music CDs
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Although they've been touted as an art punk ensemble -- and compared to the likes ...
| | Josh Robin Bridging The Narrow CD (2008)
Whoop It Up songs
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