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Morphine: Dana Colley (baritone, tenor, bass & double saxophones, background vocals); Mark Sandman (2-string slide bass, vocals, tritar, keyboards, mellotron, guitar); Billy Conway (drums, percussion, background vocals). Additional personnel: Mike Rivard (acoustic bass); Larry Dersch (drums); Melissa Gibbs, Meredith Byam, DJK (background vocals). Recorded at Fort Apache, Cambridge, Massachusetts. Personnel: Mark Sandman (vocals); Dana Colley (baritone saxophone); Billy Conway (drums). Audio Mixer: Matthew Ellard. After three highly acclaimed releases on Rykodisc, 1997's Like Swimming was Morphine's first recording for Dreamworks, for whom the trio nail down their unmistakable sound on such great tracks as "Early to Bed," "Eleven O'Clock," "Swing It Low," and the title track. Other selections, such as "Potion," "I Know You, Pt. III," "Wishing Well," "French Fries w/ Pepper," and "Hanging on a Curtain," are also notable. ~ Greg Prato After three highly acclaimed releases on Rykodisc, 1997's Like Swimming was Morphine's first recording for Dreamworks, which put the trio on the verge of a major commercial breakthrough (their last album, Yes, reached the middle of Billboard's Hot 100 album chart). And although the album contains its share of highlights, it turned out to not be as strong as its predecessors were and failed to break the band through to the big time. Some of the material doesn't sound fully developed, almost as if the Boston trio was rushed to complete the album. Still, the trio nails down the unmistakable Morphine sound on such great tracks as "Early to Bed," "Eleven O'Clock," "Swing It Low," and the title track. Other selections, such as "Potion," "I Know You, Pt. III," "Wishing Well," "French Fries w/ Pepper," and "Hanging on a Curtain," are all notable, but not as gripping or memorable as the material that made Cure for Pain and Yes such exceptional releases. Again, Like Swimming is not a total washout, but it is a disappointment when compared to the above-mentioned classic albums. ~ Greg Prato Morphine is a textbook example of just how far the definition of alternative rock can be stretched. A casual listen to radio or peek at the charts in the post-Nirvana world would lead one to believe that the parameters of modern rock lie somewhere between Live and Bush, with little variation from the jackhammer-guitar-and-angst-ridden-vocals formula allowed. But vocalist/two-string "slide" bassist Mark Sandman and his unconvential trio are the photographic negative of the Nirvanawannabe legions. Sandman's low, breathy vocals and elastic basslines combine with Dana Colley's impossibly low sax grunts and Billy Conway's syncopated, jazzy drumming to create a sound that makes Spinal Tap's infamous "Big Bottom" seem positively tinny. Throughout LIKE SWIMMING the band pursues a jazzy, understated groove that is sinuous, sensual and downright slippery. Lyrics use simplicity and humor to good effect, and exist largely to set the mood for the tunes' angular, minor-key riffs. The liquid flow of Morphine's songs makes listening to the band's fourth album feel very much LIKE SWIMMING.
Award Winner
Entertainment Weekly (3/14/97, p.81) - "With a lineup of two-string slide bass, baritone sax, and drums, this Boston trio makes a seductively noirish noise unlike anything in contemporary rock....exotically refreshing." - Rating: A Q (4/97, p.126) - 3 Stars (out of 5) - "...With this fourth album, Morphine have quite sensibly resisted the urge to dangerously tamper with a possibly unique formula." Option (5-6/97, p.117) - "...grabs ahold of your head and bottom and won't let go. Sandman's lyrics are a mix of hipster bedtime stories and crafty non sequiturs, and they set smooth as silk against the superbly simple funksmanship of drummer Billy Conway and the inspired moans of saxman Dana Colley..." Like Swimming Music | List Price | $9.95 (You save $3.16) | | Category | Rock Albums, Alternative CDs, Rock/Pop | | Label | Dreamworks SKG | | Orig Year | 1997 | | All Time Sales Rank | 11462  | | CD Universe Part number | 1201852 | | Catalog number | 50009 | | Discs | 1 | | Release Date | Mar 11, 1997 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Mark Sandman; Paul Q. Kolderie | | Engineer | Paul Q. Kolderie | | Personnel | Dana Colley - baritone, tenor, bass & double saxophones, background vocals Billy Conway - drums, percussion, background vocals Mark Sandman - 2-string slide bass, vocals, tritar, keyboards, mellotron, guitar
Also: Larry Dersch, Mike Rivard, DJK, Melissa Gibbs, Meredith Byam |
Morphine Like Swimming Songs Like Swimming Review
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Purchase Like Swimming CD To buy, Click on price to add to cart | Morphine Cure For Pain CD (1993)
Like Swimming
$10.39 Eff.9/2/2 From 16.98 To 11.98
Morphine includes: Mark Sandman (vocals, bass); Billy Conway, Jerome Deupree (drums). With their cult following growing, Morphine expanded their audience even further with their exceptional 1994 sophomore effort, Cure for Pain. Whereas their debut, Good, was intriguing yet not entirely consistent, Cure for Pain more than delivered. The songwriting was stronger and more succinct this time around, while new drummer Billy Conway made his recording debut with the trio (replacing Jerome Deupree). ...
| | Morphine Good CD (1992)
Like Swimming
$10.39 Eff.9/2/2 From 16.98 To 11.98
Morphine: Dana Colley (baritone saxophone); Mark Sandman (2-string slide bass, vocals); Jerome Dupree (drums). While it may not be as stellar as their future releases would be, Morphine's debut album, 1992's Good, did a splendid job of introducing the Boston trio's highly original sound. While it was the alternative crowd who immediately latched onto Morphine, their music was geared more toward the jazz scene -- a wailing ...
| | Morphine Yes CD (1995)
Like Swimming
$10.45 Eff.9/2/2 From 16.98 To 11.98
Morphine: Mark Sandman (vocals, guitar, tritar, piano, 2-string slide bass, chamberlin); Dana Colley (tenor & baritone saxophones); Billy Conway (drums). Additional personnel: Frank Swart (bass). Engineers: Mike Denneen (tracks 1, 5); Paul Q. Kolderie (tracks 2-4, 11); Paul Q. Kolderie, Tim O'Heir (track 6); Mike Denneen, Paul Q. Kolderie, Tim O'Heir (track 7); Scott Fritz (track 8); Frank Swart (track 9); Han Nuyten (track 10); Mark Sandman (track 12). All songs written by Mark Sandman except ...
| | Morphine B-Sides & Otherwise CD (1997)
Like Swimming
$10.59 B-SIDES AND OTHERWISE is a collection 12 Morphine non-album tracks and rarities. Morphine: Dana Colley (soprano, tenor & baritone saxophones, dobro, autoharp); Mark Sandman (bass, vocals, guitar, organ); Billy Conway (drums). Additional personnel: Sabine (vocals); Russ Gershon ...
| | Chemical Brothers Dig Your Own Hole CD (1997)
Like Swimming
$11.29 Second album (1997) featuring the singles 'Block Rockin' Beats', 'Elektrobank' and 'Setting Sun' (with Oasis' Noel Gallagher on vocals), plus a new mix of 'Get Up On It Like This'. The album debuted in the top 20 of Billboard's Top 200. 11 tracks total on this Astralwerks release.
The Chemical Brothers: Ed Simons, Tom Rowlands. Additional personnel includes: Noel Gallagher, Beth Orton (vocals); Jonathan Donahue (clarinet); Ali Friend, Seggs (bass). Recorded ...
| | Morphine Night CD (2000)
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| | Piccadilly Story CDs (2002)
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$17.35 All tracks have been digitally remastered. Most Americans are probably unfamiliar with Piccadilly Records, an offshoot of the British Pye Records label, launched in April of 1961. Over the six years of its existence, however, Piccadilly became an outlet for many of the label's British beat releases, as well as its imprint for soul records (especially Northern soul) and psychedelic experiments, totaling some 400 singles and 300 LPs. Additionally, the label actively solicited independently produced masters, thus becoming an outlet for some of the more cutting-edge pop of the period. This two-CD set offers 52 songs that profile some of the better acts ever to appear on the label, delineating the development of British pop/rock -- it starts off as very British, with Joe Brown & the Bruvvers doing a cheerful Cockney novelty tune called "Crazy Mixed Up Kid." The first of Emile Ford's two solo charting singles, "Half of My Heart," represents the pop/rock crooning of the period, and "Theme From Z Cars" (a popular television show), which hit number eight in England, represents the label's first major hit. Davy Jones (not the guy from the Monkees, or David Bowie), an American soul singer residing on the other side of the Atlantic, gave Piccadilly its first great rock & roll single, "Don't Come Crying to Me," which is followed here by Joe Brown's classic "Picture of You" and the Del Shannon-like "The River's Run Dry," by Vince Hill. There's some solid early-'60s style rock & roll scattered throughout the first disc: the early Dave Clark Five single "I Knew It All the Time," which offers a sound that anticipates "Catch Us if You Can," with an uncharacteristic girl chorus the only unfamiliar element; Jackie Lynton's "All of Me," featuring the debut of a young lead guitarist named Albert Lee; the Buddy Holly-style "Long Gone Baby" by Buddy Britten & the Regents, which was good enough to get Britten an audition for Holly's producer, Norman Petty. And then there's the improbably named Cuddly Dudley, whose loping "Ferryboat Ride" is an amazing cool, laid-back piece of rock & roll balladry. The Kestrels and Elaine & Derek add little to music history with their covers of American hits, though the former group's experience obviously helped members Roger Cook and Roger Greenaway (later known together as David & Jonathan) gain a foothold in the business. Their presence, along with that of Vince Eager's cover of Conway Twitty's "Heavenly" and Simone Jackson's rendition (superb though it is) of "Ain't Gonna Kiss Ya" (originated by the Ribbons), illustrates the bind that even the best British ...
| | Dirk Hamilton Alias I CD (1977)
Like Swimming
$11.29 Alias I, Dirk Hamilton's sophomore set, opens with a quite appalling scene -- "I saw a dog in a trash can chewin' on a cat" -- but worse is to come, as "In the Eyes of the Night"'s dystopian vision unfolds. It's a stunningly modern view of the world, seemingly ripped from the rhyme book of rappers or hardcore headbangers, but Alias I was originally released back in 1977, and musically it is a chasm away from the fury-firing punks across the sea. The album was Hamilton's follow-up to the previous year's You Can Sing on the Left or Bark on the Right, a deliriously ...
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| | British India Thieves CD (2008) (Import) Import
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