| | Morphine Like Swimming CD Morphine Discography of CDs
Morphine is a textbook example of just how far the definition of alternative rock can be stretched. A casual listen to radio or peek at the charts in the post-Nirvana world would lead one to believe that the parameters of modern rock lie somewhere between Live and Bush, with little variation from the jackhammer-guitar-and-angst-ridden-vocals formula allowed. But vocalist/two-string "slide" bassist Mark Sandman and his unconvential trio are the photographic negative of the Nirvanawannabe legions.
Sandman's low, breathy vocals and elastic basslines combine with Dana Colley's impossibly low sax grunts and Billy Conway's syncopated, jazzy drumming to create a sound that makes Spinal Tap's infamous "Big Bottom" seem positively tinny. Throughout LIKE SWIMMING the band pursues a jazzy, understated groove that is sinuous, sensual and downright slippery. Lyrics use simplicity and humor to good effect, and exist largely to set the mood for the tunes' angular, minor-key riffs. The liquid flow of Morphine's songs makes listening to the band's fourth album feel very much LIKE SWIMMING.
Recorded at Fort Apache, Cambridge, Massachusetts.
Personnel: Mark Sandman (vocals); Dana Colley (baritone saxophone); Billy Conway (drums).
Audio Mixer: Matthew Ellard.
Morphine: Dana Colley (baritone, tenor, bass & double saxophones, background vocals); Mark Sandman (2-string slide bass, vocals, tritar, keyboards, mellotron, guitar); Billy Conway (drums, percussion, background vocals).
Additional personnel: Mike Rivard (acoustic bass); Larry Dersch (drums); Melissa Gibbs, Meredith Byam, DJK (background vocals).
Award Winner
Entertainment Weekly (3/14/97, p.81) - "With a lineup of two-string slide bass, baritone sax, and drums, this Boston trio makes a seductively noirish noise unlike anything in contemporary rock....exotically refreshing."
- Rating: A
Q (4/97, p.126) - 3 Stars (out of 5) - "...With this fourth album, Morphine have quite sensibly resisted the urge to dangerously tamper with a possibly unique formula."
Option (5-6/97, p.117) - "...grabs ahold of your head and bottom and won't let go. Sandman's lyrics are a mix of hipster bedtime stories and crafty non sequiturs, and they set smooth as silk against the superbly simple funksmanship of drummer Billy Conway and the inspired moans of saxman Dana Colley..." Like Swimming Music | List Price | $9.95 (You save $2.26) | | Category | Rock Albums, Alternative CDs, Rock/Pop | | Label | Dreamworks SKG | | Orig Year | 1997 | | All Time Sales Rank |  11381  | | CD Universe Part number | 1201852 | | Catalog number | 50009 | | Discs | 1 | | Release Date | Mar 11, 1997 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Mark Sandman; Paul Q. Kolderie | | Engineer | Paul Q. Kolderie | | Personnel | Dana Colley - baritone, tenor, bass & double saxophones, background vocals
Mark Sandman - vocals
Billy Conway - drums
Also: Larry Dersch, Mike Rivard, DJK, Melissa Gibbs, Meredith Byam |
Morphine Like Swimming Songs Like Swimming Review
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Most Americans are probably unfamiliar with Piccadilly Records, an offshoot of the British Pye Records label, launched in April of 1961. Over the six years of its existence, however, Piccadilly became an outlet for many of the label's British beat releases, as well as its imprint for soul records (especially Northern soul) and psychedelic experiments, totaling some 400 singles and 300 LPs. Additionally, the label actively solicited independently produced masters, thus becoming an outlet for some of the more cutting-edge pop of the period. This two-CD set offers 52 songs that profile some of the better acts ever to appear on the label, delineating the development of British pop/rock -- it starts off as very British, with Joe Brown & the Bruvvers doing a cheerful Cockney novelty tune called "Crazy Mixed Up Kid." The first of Emile Ford's two solo charting singles, "Half of My Heart," represents the pop/rock crooning of the period, and "Theme From Z Cars" (a popular television show), which hit number eight in England, represents the label's first major hit. Davy Jones (not the guy from the Monkees, or David Bowie), an American soul singer residing on the other side of the Atlantic, gave Piccadilly its first great rock & roll single, "Don't Come Crying to Me," which is followed here by Joe Brown's classic "Picture of You" and the Del Shannon-like "The River's Run Dry," by Vince Hill. There's some solid early-'60s style rock & roll scattered throughout the first disc: the early Dave Clark Five single "I Knew It All the Time," which offers a sound that anticipates "Catch Us if You Can," with an uncharacteristic girl chorus the only unfamiliar element; Jackie Lynton's "All of Me," featuring the debut of a young lead guitarist named Albert Lee; the Buddy Holly-style "Long Gone Baby" by Buddy Britten & the Regents, which was good enough to get Britten an audition for Holly's producer, Norman Petty.
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