Kim & Reggie Harris Steal Away: Songs Of The Underground Railroad CD

On "Steal Away: Songs of the Underground Railroad," veteran folk duo Kim and Reggie Harris capture the power, spirit and messages of these encrypted songs in a rich and moving collection of largely traditional material. This album, the core of an ongoing series of workshops and presentations for students, teachers and families by the Harrises, has become an important educational tool and is stocked in many libraries and museums around the country.The CD's booklet includes informative, detailed liner notes and the lyrics to its 16 selections, shedding light on their hidden or inherent meanings: "Wade in the Water" reminded runaways to follow rivers and streams for direction, cover, and food; "Follow the Drinking Gourd" taught slaves to use the Big Dipper to find the North Star as a celestial signpost to freedom; "Let Us Break Bread Together" signaled secret planning meetings. Other traditional songs here such as "Oh Freedom," "Now Let Me Fly," "Free at Last," and "No More Auction Block for Me" require no decoding. These standards are joined by three contemporary songs - "Harriet Tubman," a tribute to the escaped slave who became one of the most famous Underground Railroad "conductors"; "Ain't I a Woman," a musical arrangement of a famous speech by Sojourner Truth, a 19th century crusader dedicated to slavery's abolition and women's rights; and the Harrises' own "Heaven is Less than Fair," based on narrative accounts of escaped slaves about their flight to freedom and the loved ones they left behind.The Harrises present these songs with simple grace, using yearning harmonies and acoustic guitar accompaniment to convey the melancholy of slavery, the glimmerings of hope for a better life, and the joy of achieving a hard-won freedom.BIO:With talent, creativity, idealism, and over 25 years of experience in performing, recording and teaching on their resume, Kim and Reggie Harris are the consummate modern folk musicians. Whether entrancing folk festival crowds with their repertoire and warm harmonies or dramatizing underground railroad songs for schoolchildren in classroom workshops, the duo continues the folk tradition of preserving important songs from the past and adding meaningful, new compositions that reflect the world around them.Born and raised in Philadelphia, PA., both Kim and Reggie were exposed to a wide range of musical styles and approaches throughout their childhoods. They met at a summer camp in 1974 and continued their friendship as fellow students at Temple University. As their relationship deepened, they combined their vocal and instrumental skills (both sing, and Reggie is an adept, expressive guitarist) and started performing in local Philadelphia clubs and coffeehouses. They were married in 1976, and by 1980 had hit the road in an ongoing tour schedule that still averages more than 250 dates a year. Writing songs together, separately, or with other musicians, the Harrises have never lacked for material or subject matter. Their compositions have dealt with ever-relevant topics such as politics ("Big, Big World," "Read the Lips"), domestic violence ("Crack in the Wall"), the family of man ("Spoken in Love"), the joys and sorrows of love ("Sweetness of Your Smile," "Four Walls"), and a constant theme of social activism. Their lighthearted paean to automobile seatbelts ("Passive Restraint") has been featured on National Public Radio's "Car Talk" program.As their live shows and albums illustrate, the Harrises are adept at recognizing good songs by other writers and making them their own. Besides recording classic compositions by folk deities like Pete Seeger and Phil Ochs, Kim and Reggie have also adopted obscure gems like Chris Farrell's "The Stars that Didn't Shine" (about Negro League baseball players), David Roth's idealistic "Earth," and roamed even farther afield to cover "Woyaya" by Osibisa, an African rock band of the '70s.The Harrises' cultural background as African-Americans is a major component of their re