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The quiet grace and understated eloquence of Caitlin Cary's voice and songs will appeal not only to fans of alt-country (she played violin with No Depression godheads Whiskeytown), but to anyone with an ear for the plaintive folk-rock of Sandy Denny. The late British singer's style seems to be a touchstone of this EP.
Cary effectively channels Denny's stately-but-low-key approach on "Sorry" and "Big Town." The quirky, uptempo "Nursery Lie" bears the mark of producer/co-writer/former dB Christ Stamey, disrupting the moody flow, but the closing song, a cover of Richard Thompson's gloriously gloomy "Withered & Dies," picks up the British folk thread nicely, closing things out on an appropriately somber note.
Recorded at Modern Recording, Chapel Hill, North Carolina. Includes liner notes by Chris Stamey.
Personnel includes: Caitlin Cary (vocals, violin); Chris Stamey (guitar, piano, bass, snare drum); Mike Daly (12-string & pedal steel guitars, dulcimer); Ryan Adams (harmonica, synthesizer, background vocals); Skillet Gilmore (drums, percussion).
No Depression (9-10/00, p.112) - "...A dead ringer for 1970s English folk-rock, a la Linda Thompson, Sandy Denny and the Fairport Convention....its gorgeous and simple melodies sound ages old..." Caitlin Cary Waltzie Songs Waltzie Review
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Purchase Waltzie CD To buy, Click on price to add to cart | Caitlin Cary While You Weren't Looking CD (2002)
Waltzie album
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Initial pressings of WHILE YOU WEREN'T LOOKING include a Limited edition bonus CD, featuring a duet with Caitlin Cary's Whiskeytown
Breaking from the ties that bound her to Ryan Adams in her Whiskeytown days, Caitlin Cary's first full album (following her debut EP two years previous) is a beautifully realized, mature work that gently expands her boundaries while stubbornly playing to her strengths. Concentrating on her expressive, honeyed voice that falls somewhere between Fairport Convention's Sandy Denny and Linda Thompson, Cary, who co-wrote all the songs, washes her folk more on the British than American shores. Production by Chris Stamey, whose subtle approach perfectly ...
| | Wilco Yankee Hotel Foxtrot CD (2002) Enhanced CD
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Far too much attention has been focused on this album's tortured history; band makes weird album, label rejects it, band buys it back and puts it out a year later through another arm of the same corporation. For the record, wildly overexcited Radiohead comparisons aside, the album's not that weird--it merely ventures a bit further down the sonic-shambles roads explored on the band's previous two releases. As has been noted elsewhere, the most valid reference point for the occasional pop deconstructions of YANKEE HOTEL FOXTROT is Big Star's THIRD/SISTER LOVERS, not Thom Yorke and company.
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| | Caitlin Cary I'm Staying Out CD (2003)
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On her second album as a solo artist, 2001's I'M STAYING OUT, former Whiskeytown fiddler Caitlin Cary builds on the strength of her debut, WHILE YOU WEREN'T LOOKING, while expanding her sound with producer Chris Stamey of the DBs to include more fleshed-out arrangements and instrumentation. Cary is supported this time out by a stellar lineup of guest stars including jangle rock veterans Don Dixon and Mitch Easter, ...
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| | Caitlin Cary Begonias CD (2005) Digipak
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While Caitlin Cary's solo albums have made it abundantly clear she can make splendid music by her lonesome, there's no arguing that she collaborates very well indeed, as her work with Whiskeytown and Tres Chicas has proven. For Begonias, Cary teamed up with another gifted singer/songwriter, her friend Thad Cockrell, and the two mesh beautifully on these sessions. Cockrell's voice bears a slight resemblance to Cary's old vocal partner Ryan Adams on this set, and his ...
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A Troubadour For All SeasonsTravis asked me to write some old-fashioned liner notes for his brand new CD. I've dashed to the computer keyboard just as I'm listening to the disc for the very first time. I had to. By the third tune I began to realize that my old friend has made a wonderful collection here. The political urgency and melodic power of That River Never Bends grabbed me right away. I was literally moved to tears by the brooding melancholy of Wounded Love. The infectious lilt of Blue Jean Movie Dream reminded me of the affectionate sincerity of American Pie.I first met Travis Brandon during a period of my own life I call "The Displaced Years." My longstanding psych, prog-rock band Christmas had broken up so I hit the road in search of truth and new inspiration. I met Travis almost immediately in Toronto. Down in the east end lakefront area, called appropriately "The Beaches," some coffee houses had proliferated. There was a cool, little scene happening round that time ...
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