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Purchase Le Duo Des Chats: De Los Angele To buy, Click on price to add to cart | Trans-Siberian Orchestra Christmas Attic CD (1998)
Le Duo Des Chats: De Los Angele
 $9.95   
Drabik, Shoshana Frishberg, Julia George, Jack Gibson, Nina Gottlieb, Erick Hernandez, Michelle Repella, Anton Spivack.
Trans-Siberian Orchestra's second album, Christmas Attic, may not be as focused or serious as Christmas Eve, but it is just as enjoyable and maybe even more consistent, thanks to Paul O'Neill's increasingly impressive compositions and an improved musicality. ~ Stephen Thomas Erlewine
St. Bartholomew's Church Choristers: Marilina Acosta, Brendan Burgess, Julian
Includes liner notes by Paul O'Neill.
Live Recording
Recorded at Soundtrack, Studio 900 & Steller Productions, New York, New York.
Engineers include: Dave Wittman, Robert Kinkel, Michael Shielzi.
Personnel: Jody Ashworth, Joe Cerisano, Katrina Chester, Marlene Danielle, Thomas Faresse, Peggy Harley, Daryl B. Pediford (vocals); Al Pitrelli (guitar, bass, background vocals); Paul O'Neill, Chris Caffery (guitar); Jon Oliva (piano, keyboards, bass, background vocals); Robert Kinkel (piano, keyboards, background vocals); John Middleton (bass); Jeff Plate (drums); Maurice Lauchner, Timara Sanders, Zak Stevens, Doug Thoms, Yolanda Wyns (background vocals).
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Recording information: Ludwigshafen, Philharmonie (02/05/2007-02/09/2007).
| | Highland Pipers Highland Christmas CD (1998)
Le Duo Des Chats: De Los Angele
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Add a bit of Scottish flavor to your holiday festivities with the Highland Bagpipes' Highland Christmas, which features self-explanatory renditions of favorites like"We Wish You a Merry Christmas," "The Little Drummer Boy," "Hark! The Herald Angels Sing" and "Joy to the World." Haggis not included. ~ Marvin Jolly
Live Recording
Recording information: Eclipse Recording, Hinesburg, VT.
| | Art Tatum Piano Starts Here: Live At The Shrine (2008)
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This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Few jazz pianists could ever hope to rival the technical mastery of Art Tatum. From the 1930s on through the `50s, Tatum's dazzling facility made it seem as if two pianists were playing at once. Though he often performed solo, his virtuosity allowed him to make the transition from swing to bebop effortlessly. Tatum's eclectic style also reflected influences from blues and classical music, and from early jazz and pop music of the time.
Long considered a classic album, PIANO STARTS HERE was assembled from studio and live sources from 1933 and 1949, respectively. Thanks to 21st-century technology however, PIANO has received a new lease on life, containing previously edited selections presented in their entirety, previously unissued tunes, and vastly improved sound quality. For lovers of the history of the jazz piano, PIANO STARTS HERE is essential.
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Le Duo Des Chats: De Los Angele
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2 CD's
| | Glass: Solo Piano / Philip Glass CD (1989)
Le Duo Des Chats: De Los Angele
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Mention "minimalism" and certain names will pop up, both within and outside of the classical world: Terry Riley, Steve Reich, John Adams. The most famous one, however, would be Philip Glass. Unlike most 20th Century composers, Glass has reached far beyond the concert hall: his work includes film soundtracks (THE TRUMAN SHOW, THE THIN BLUE LINE), multimedia presentations ('1000 Airplanes on the Roof"), and collaborations with pop/rock writers/performers (his SONGS FOR LIQUID DAYS album).
With SOLO PIANO, Glass presents himself "unplugged" - no electronic keyboards or synthesizers, and no overdubs, either - just solo piano. Here, Glass' connection to the established "classical" tradition is most evident. Though his pieces are "minimal" (subtly altered repeated patterns or melodic motifs), yet they have an unsentimental beauty and heartfelt grace that one would hear in J.S. Bach's English Suites, as well as the piano music of Chopin and Erik Satie. Portions of the suite 'Metamorphosis' are based on Glass' score for THE THIN BLUE LINE; these short pieces are forlornly entrancing without being drippy or "trance-like." The finale, 'Wichita Sutra Vortex,' is a uniquely and quintessentially "American" piece. It draws upon gospel music in the same way Ives and Copland drew from the well of American folk tunes, but where those composers worked in ironic portions or references to the tunes, Glass absorbs the deep feeling and tones of gospel, without recalling any particular song. Both Glass fans and minimalist neophytes should hear this.
Live Recording
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Track Listing of songs: Peter and the Wolf, Op. 67; Cassation in G major "Toy Symphony"; Sleeping Beauty Suite, Op. 66a;
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