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Holiday's later work is often criticized for being weaker than her recordings from the '30s and early '40s. Such comments should be qualified with the additional fact that, at every point in her career, Holiday was never less than the consummate ... Full Descriptionstylist. The tracks on BILLIE'S BLUES are culled from 1951 and 1954-one set from a concert in Germany, the other from studio sessions in New York.
Though the much-publicized difficulties of her personal life had robbed her voice of its elasticity and lightness, Lady Day still displays an amazing command of phrasing and emotional expression. Many of Holiday's best-loved songs are here, including "What A Little Moonlight Can Do" and "Lover Come Back To Me." Though somewhat incongruous, the 1942 recording of "Trav'lin Light" rounds out the collection, making BILLIE'S BLUES a varied and wonderful sampling of jazz's greatest vocalist.
Recorded in New York, New York on April 29, 1951; live in Koln, Germany on January 5, 1954; Los Angeles, California on June 12, 1942. Includes liner notes by Leonard Feather.
Live Recording
Personnel includes: Billie Holiday (vocals); Heywood Henry (tenor & baritone saxophones); Monty Kelly, Larry Neill, Don Waddilove (trumpet); Skip Layton, Murray McEavhern (trombone); Buddy De Franco (clarinet); Alvy West, Dan D'Andre, Lennie Hartman (reeds); Red Norvo (vibraphone); Carl Drinkard, Sonny Clark, Beryl Booker, Bobby Tucker, Buddy Weed (piano); Jimmy Raney, Tiny Grimes, Mike Pingitore (guitar); Red Mitchell, Artie Shapiro (bass); Elaine Leighton, Willie Rodriquez (drums); Paul Whiteman.
Hide Description Billie Holiday Billie's Blues Songs Purchase Billie's Blues CD To buy, Click on price to add to cart | Johnny Hodges Caravan CD (1991)
 $9.59 | | Billie Holiday Lady In Satin CD (1958) Bonus Tracks; Remastered
Billie's Blues album
$9.25  
Recorded in New York, New York from February 19-21, 1958. Originally released on Columbia (1157).
This is a multi-channel Super Audio CD playable only on Super Audio CD players.
This was her penultimate album, recorded when her body was telling her enough was enough. During the sessions with arranger Ray Ellis she was drinking vodka neat, as if it were tap water. Yet, for all her ravaged voice (the sweetness had long gone) she was still an incredible singer. The feeling and tension she manages to put into almost every track sets this album as one of her finest achievements. 'You've Changed' and 'I Get Along Without You Very Well' are high art performances from the singer who saw life from the bottom upwards. The CD reissue masterminded by Phil Shaap is absolutely indispensable.
Recorded in New York, New York from February ...
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Billie's Blues CD music
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Recorded between October 31, 1964 and February 23, 1965. Originally released on Columbia (9149). Includes liner notes by Martin Williams, Peter Keepnews.
From the virtuosic stride of Art Tatum to Sun Ra's brand of outer-limits logic, these sides read like a holistic jazz piano guide. Recorded during a 1964 run at California's "It Club," the performances contained herein offer an intensely personal experience of the "mad genius" alone at the keyboard. Most of the cuts clock in at less than three or four minutes.
More than half of this material is standards, the Tin Pan Alley of ...
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Billie's Blues music CDs
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Billie's Blues songs
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Although his previous studio albums have ...
| | B B King One Kind Favor CD (2008)
Billie's Blues album
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Though he's created some of the most essential, elemental blues in musical history, B.B. King has never shied away from exploring different directions, and some might say he's occasionally ventured too far afield. ONE KIND FAVOR should silence those doubters; with the help of superproducer T-Bone Burnett's roots noir approach, it finds King delivering gritty, impassioned interpretations of the tunes that influenced him in the 1950s. From his soulful, syncopated take on Blind Lemon Jefferson's country blues classic "See That My Grave is Kept Clean" to the Chicago-style stomping takeover of the Mississippi Sheiks' "The World Is Gone Wrong," King proves that at the age of 82 he can still turn out fiery, energetic music as undeniably vital as anything being produced by artists a third of his age.
Arrangers: ...
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Billie's Blues CD music
$13.25
Track Listing of songs: Brother My Way Seems Cloudy; Don't Feel No Ways Tired; My Lord's a Rock in the Weary Land; In My Dying Room; How We Got Over; I Don't Know What I'd Do Without the Lord; When I Grow Old and Feeble; God Don't Like It; Fire Down Yonder; I Want Two Wings; I Wonder If My Name Is Written; Were You There When They Crucified My Lord; I'm the Light ...
| | Hasil Adkins What The Hell Was I Thinking CD (1998)
Billie's Blues music CDs
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After spending most of the '70s releasing singles on obscure vanity labels, rockabilly legend Hasil Adkins spent most of the '90s regularly releasing full-length albums. On WHAT THE HELL WAS I THINKING (his fifth album overall and first for traditional blues imprint Fat Possum), Adkins isn't as hopped-up as he's been on prior releases. This is no mean feat for someone who sounds as if he's keeping three separate time signatures due to his self-taught, one-man-band style of playing.
This time out, Adkins croons considerably more, showing off the enormous influence Hank Williams had on this son of West Virginia coal miners. Songs such as "Your Memories" and "Beautiful Hills" really ring out with emotion and are enhanced by a touch of echo. Of course, Hasil Adkins still has a wild streak in him that gets channeled ...
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Billie's Blues songs
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| | Van Zant Get Right With The Man CD (2005) DualDisc
Billie's Blues CD music
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Southern rock and country are musical kissing cousins, so it's no huge surprise that .38 Special frontman Donnie Van Zant and his brother Johnny (of latter-day Lynyrd Skynyrd) cut an album steeped in the sounds of the latter genre. GET RIGHT WITH THE MAN finds the Brothers Van Zant delving into pedal-steel-stoked fare that focuses on blue-collar rebellion ("Nobody Gonna Tell Me What to Do"), bar-brawling ("Takin' Up Space"), and rough roads traveled ("Been There Done That"), and fits in nicely with the contemporary country scene.
Everyday people populate these songs, ranging from the waitress at the heart of the sassy "Plain Jane" to the grandfatherly "hillbilly scholar" whose words of wisdom define the tearjerker "Help Somebody." Fans of the duo's rock & roll side need not worry, though, given the jaunty, Skynyrd-like jam "Lovin' You" (replete with female harmony vocals) and the mid-tempo barnstormer "Sweet Mama." GET RIGHT WITH THE MAN presents Donnie and Johnny Van Zant exploring their country roots, but there's still a fair share of Southern rock on this lively album.
The brothers, Johnny - lead singer of Lynryd Skynyrd, and Donnie - one ...
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Billie's Blues music CDs
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| | Anastacia Not That Kind CD (2000) (Import) Import; Germany; Gold Award Edition; +1 Bonus Track
Billie's Blues CD music
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This is an Enhanced audio CD which contains regular audio tracks and multimedia computer files.
Anastacia's throaty vocals lurk somewhere between Chaka Khan and Terence Trent D'Arby, which will give you some idea of this R&B diva's power as she rips through a widely varied set that spans contemporary country, pop-R&B, and big-time ballads. She eschews run-of-the-mill contemporary fashions in search of something that tends more towards the timeless, and it's a smart choice.
Her debut is an immensely enjoyable romp through turn-of-the-21st century R&B with a backward glance at vintage Stevie Wonder stylings on "Don'tcha Wanna" and uptempo Al Green on "Yo Trippin'," which also recalls early-'70s party-hearty outfits such as KC & The Sunshine Band. There's a classic feel to much of NOT THAT KIND that signals both Anastacia's good taste, and good judgement in her choice of producers and material.
Import-only limited edition Sony/BMG 'Gold Award' pressing of this album comes in unique packaging, which contains artwork that resembles a Gold Record Award presentation plaque. Features all the same great tracks found on the original release including 'Not That Kind', 'Cowboys & Kisses', 'Made For Lovin' ...
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