| | Elton John Honky Chateau CD Elton John Discography of CDs
 (3 Customer Reviews)
By the time Elton John went to France to cut HONKY CHATEAU in 1972, he had already become the first act since the Beatles to land four albums in the American Top 10 simultaneously. Up to that point, John had performed in a trio rounded out by ... Full Descriptionbassist Dee Murray and drummer Nigel Olsson. The addition of guitarist Davey Johnstone on HONKY CHATEAU added another dimension to the overall sound. The results were successful, as the nonsensical "Honky Cat" and the Bowie-inspired "Rocket Man" became John's first Top 10 hits since the release of "Your Song" two years prior.
John and co. reined in the lengthy, moody excesses of MADMAN ACROSS THE WATER, turning in a highly focused collection of beautifully crafted pop. The rollicking "I Think I'm Gonna Kill Myself," the sassy "Susie (Dramas)," and the stirring "Mona Lisas And Mad Hatters" are all standouts. The John/Bernie Taupin partnership also yielded a number of songs with vivid imagery, including the Civil War-era American South of "Slave" and a front-row pew before a gospel choir in the inspirational "Salvation." Pound for pound, HONKY CHATEAU may be one the strongest, most consistent, and most pleasurable records in the mammoth John discography.
Recording information: Strawberry Studios, France (01/1972).
Personnel: Elton John (vocals, piano, electric piano, organ); Davey Johnstone (guitar, banjo, mandolin, background vocals); Jean-Luc Ponty (electric violin); Gus Dudgeon (whistle, background vocals); Jean-Louis Chautemps, Alain Hatot (saxophone); Ivan Julien (trumpet); Jacques Bolognesi (trombone); David Henschel (ARP synthesizer); Dee Murrey (bass guitar, background vocals); Nigel Olsson (drums, congas, tambourine, background vocals); Ray Cooper (congas); Legs "Larry" Smith (taps); Larry Steele, Liza Strike, Madeline Bell, Tony Hazzard (background vocals).
Liner Note Author: John Tobler.
Rolling Stone (8/17/72, p.48) - "...a rich, warm, satisfying album that stands head and shoulders above the morass of current releases....his best work to date..." Hide Description Honky Chateau Music | List Price | $9.98 (You save $3.89) | | Category | Rock Albums, Pop CDs, Rock/Pop, Singer/Songwriter | | Label | Rocket | | Orig Year | 1972 | | All Time Sales Rank |  1970  | | CD Universe Part number | 1231623 | | Catalog number | 528162 | | Discs | 1 | | Release Date | May 14, 1996 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Gus Dudgeon | | Engineer | Ken Scott | | Personnel | Elton John - vocals, piano, electric piano, organ
Ray Cooper - congas
Nigel Olsson - drums, congas, tambourine, background vocals
Liza Strike
Davey Johnstone - guitar, banjo, mandolin, background vocals
Dee Murray - bass guitar, background vocals
Madeline Bell
David Hentschel - ARP synthesizer
Tony Hazzard - background vocals
Legs "Larry" Smith - taps
Gus Dudgeon - whistle, background vocals
Alain Hatot - saxophone
Jacques Bolognesi - trombone
Jean-Louis Chautemps
Also: Jean-Luc Ponty | | Additional Info | Remastered |
Elton John Honky Chateau Songs Honky Chateau Music Review Average Rating: (5 out of 5 stars)  Classic Elton
If you're a big Elton fan and love his music, you'll love this one. It's got all the forgotten B sides that to me, are as good if not better then the hit's played on the radio. It's a must have.
Submitted by ggiresi (Scotch Plains, NJ, USA) 
Was This Review Helpful? Yes No Ohhhh, yeah.... The True "King Of Pop" (forget that dude MJ)
Elton John was simply a powerful melody-maker, with his trusty piano doing exactly what he wants it to do. And here, Sir John spins through several songs that seem to have no point to them, but in reality they come together to create a sound experience that was virtually missed. This sounds like the people in Elton's Band came right out of the Midwest and other rural places and placed all of those influences onto one record. The result is striking, melodic, and powerful. And, of course, Bernie Taupin's lyrics perfectly complement the atmosphere. Overall, this album takes you down a dream version of memory-lane, and since it is pop, it is acceptable by the public, which means nobody will balk when something usually unheard of (think the song "Slave") comes out of the record. That was part of the beauty of Elton's earlier records: they could subtly bring out things that were unexpected, but would become acceptable. As Elton's career progressed, this element to his albums slowly started to disappear. But here, we can hear it all over again.
Submitted by Galen (Anchorage, AK, USA)
Was This Review Helpful? Yes No FIRST SPANISH GOLD DISC IN 1972
I REMEMBER 25.000 RECORDS SALES IN
1972 INCREDIBLE SUCCESS IN SPAIN.HARD TIMES FOR US WITH THE DICTATOR.ELTON BREAKS BORDERS
ROCKET MAN N.1 IN SINGLES.THE TIMES THEY ARE CHANGIN.
SEE YOU ¡CHAMPION!
Submitted by kiuck (barcelona,spain)
Was This Review Helpful? Yes No | Have you heard this album? |  |
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ALBUM DESCRIPTIONThe recording has a lot of Stan Rogers material on it. In fact, it is pretty much dedicated to the memory of this extraordinarily talented Canadian folksinger/songwriter. Another Canadian, Alistair MacGillavrey is represented with the bucolic, "Song For the Mira". The Canadian touch rounds out with Tom Russell's "Canadian Whiskey" - to which Frank contributed te 2nd verse. Sean McVicker's "The Grand Da" rivals Eric Bogle's pronouncements on war. Perhaps most touching in troubled times is Frank's recitation of Laurence Binyon's "For the Fallen" which is immediately followed by Thomas Moore's "The Minstrel Boy". Liam Reilly's "Savannah Seranade" is really a love song to that Southern City. A live recording of "Barrett's Privateers" finishes off the album. It was taped at the Savannah Irish Festival a few years ago and sports Tom O'Carroll, Joe and John Dady and Harry O'Donoghue as back-up vocalists BIOGRAPHICAL NOTESAccompanying himself on the guitar and on occasion the Irish drum called a bodhran, Frank, though not a strict traditionalist, embodies many of the traditions of the ancient bards - with a more contemporary twist.His performances are presented with aplomb, grace and good humour. Interspersed with varied insights into the background of the songs as well as stories, jokes and toasts, his appearances are informative as well as entertaining.His business card reads "Music &c."- which means that he is more than a songster: he entertains!Although a good amount of his material is in the Irish mould, his range also embraces Scottish, Canadian, American, Australian ...
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Pitch the Peat is a Traditional Irish music group from the Cleveland, Ohio area. Combining the best tunes and songs to entertain in only a way the Irish can. "It was once said that "The Irish: All their wars are merry and all their songs sad." I don't know how true this is, but the tunes will always keep your foot tapping.Pitch the Peat was formed back in 1998 by Patrick Custy, Nikki Nicholas and Felim Collins. Custy and Collins both recent transplants to the Cleveland, Ohio area. All three members were also early members of Lia Fail, another local not-so-traditional group writing and playing celtic music.Collins left Cleveland to return to his native Clare, Ireland in 2000, leaving Custy and Nicholas to carry on. Eventually Ruairi Hurley and Jim Stamper Jr. joined the group. After a couple years and a diploma from high schoolStamper left the group to attend university in Chicago leaving room for Brendan Carr. Thus the current line-up.One update if your keeping score, Instead of Custy, Nicholas, Hurley and Carr; the band is Custy, Custy, Hurley and Carr. Pat and Nikki have married and have two beautiful boys.Pitch the Peat's Debut CD, "Far From Home" was recorded over the better part of two years. Including Sean Og studio in Hudson, Ohio, The studio on Literary Lane, in Tremont, Ohio, and Cleveland Audio (Studio) in Cleveland. Mastering was performed by Ryan Foltz of Cleveland Audio. Individual Bio Info:Nikki Custy was born and raised in the Akron area of Ohio, just southeast of Cleveland. Through travel and studies, Nikki found herself at UCG (Galway) where she met her future husband Patrick. We're not sure if her studies suffered at all, but Nikki found herself at a great number of sessions during her academic tenure in Ireland. Regardless of her grades she picked up a thing or two from all the great players she encountered along the way.Patrick Custy was born and raised in Dysart, a small town in northwest Clare Ireland. Surrounded by the steep tradition of Clare music Patrick could not help ...
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